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Author: John H. Zammito
Publisher: University of Chicago Press
ISBN: 0226978559
Category : Philosophy
Languages : en
Pages : 490
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Book Description
In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X "An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment."—John W. Burbidge, Review of Metaphysics "There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment; Zammito's book finally fills it. All students and scholars of Kant will want to consult it."—Frederick Beiser, Times Literary Supplement
Author: John H. Zammito
Publisher: University of Chicago Press
ISBN: 0226978559
Category : Philosophy
Languages : en
Pages : 490
Get Book Here
Book Description
In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X "An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment."—John W. Burbidge, Review of Metaphysics "There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment; Zammito's book finally fills it. All students and scholars of Kant will want to consult it."—Frederick Beiser, Times Literary Supplement
Author: Henry E. Allison
Publisher: Cambridge University Press
ISBN: 9780521387088
Category : Philosophy
Languages : en
Pages : 322
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Book Description
An innovative and comprehensive interpretation of Kant's concept of freedom analyzes the role it plays in his moral philosophy and psychology and considers critical literature on the subject.
Author: Mihaela C. Fistioc
Publisher: Psychology Press
ISBN: 9780415938693
Category : Aesthetics
Languages : en
Pages : 190
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Immanuel Kant
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 319
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Book Description
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
Author: Immanuel Kant
Publisher: Courier Corporation
ISBN: 0486122204
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Kant's attempt to establish the principles behind the faculty of judgment remains one of the most important works on human reason. This third of the philosopher's three Critiques forms the very basis of modern aesthetics.
Author: Paul Guyer
Publisher: Cambridge University Press
ISBN: 0521710111
Category : History
Languages : en
Pages : 477
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Book Description
The first collective commentary in English on Kant's landmark 1871 publication.
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 0826432069
Category : Philosophy
Languages : en
Pages : 84
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Book Description
Philosophy.
Author: John H. Zammito
Publisher: University of Chicago Press
ISBN: 0226978591
Category : Philosophy
Languages : en
Pages : 589
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Book Description
If Kant had never made the "critical turn" of 1773, would he be worth more than a paragraph in the history of philosophy? Most scholars think not. But this text challenges that view by revealing a precritical Kant who was immensely more influential than the one philosophers think they know.
Author: Immanuel Kant
Publisher: Livraria Press
ISBN:
Category : Philosophy
Languages : en
Pages : 429
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Book Description
A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
Author: Paul W. Bruno
Publisher: Bloomsbury Publishing
ISBN: 1441190236
Category : Philosophy
Languages : en
Pages : 173
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Book Description
While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self.
