Sar-obair nam bard gaelach, or, The beauties of Gaelic poetry, and lives of the Highland bards PDF Download
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Author: John Mackenzie
Publisher:
ISBN:
Category : Gaelic poetry
Languages : en
Pages : 498
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Book Description
Author: John Mackenzie
Publisher:
ISBN:
Category : Gaelic poetry
Languages : en
Pages : 498
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Book Description
Author: Hugin the Bard
Publisher: Llewellyn Worldwide Limited
ISBN: 9781567186581
Category : Music
Languages : en
Pages : 272
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Book Description
Original songs by "Hugin the Bard" accompanied by story, tale, or lore; each song with lyrics, chord charts, and lead sheets. Also includes a version of the Mabinogion, in English, translated from the Welsh.
Author: Thomas Pattison
Publisher: BoD – Books on Demand
ISBN: 3752561815
Category : Fiction
Languages : en
Pages : 294
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Book Description
Reprint of the original, first published in 1866.
Author: Thomas PATTISON (of Islay.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Meg Bateman
Publisher: Birlinn
ISBN: 1907909222
Category : Poetry
Languages : en
Pages : 359
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Book Description
This book marks the centenary of Neil MacLeod's death in 1913 with the republication of some of his work. It also publishes for the first time all of the identifiable work of his brother, Iain Dubh (1847 - 1901), and of their father, Domhnall nan Oran (c.1787 - 1873). Their contrasting styles mark a fascinating period of transition in literary tastes between the 18th and early 20th centuries at a time of profound social upheaval. Neil Macleod left Glendale in Skye to become a tea-merchant in Edinburgh. His songs were prized by his fellow Gaels for their sweetness of sentiment and melody, which placed a balm on the recent wounds of emigration and clearance. They are still very widely known, and Neil's collection Clarsach an Doire was reprinted four times. Professor Derick Thomson rightly described him as 'the example par excellence of the popular poet in Gaelic'. However, many prefer the earthy quality of the work of his less famous brother, Iain Dubh. This book contains 58 poems in all (32 by Neil, 14 by Iain and 22 by Domhnall), with translations, background notes and the melodies where known. Biographies are given of the three poets, while the introduction reflects on the difference in style between them and places each in his literary context. An essay in Gaelic by Professor Norman MacDonald reflects on the social significance of the family in the general Gaelic diaspora.
Author: Malcolm Chisholm Macleod
Publisher:
ISBN:
Category : Poets, Scottish
Languages : en
Pages : 272
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Book Description
Author: Hugin the Bard
Publisher: Llewellyn Publications
ISBN: 9781567186031
Category : Celtic music
Languages : en
Pages : 259
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Book Description
Filled with nearly 60 original songs and entertaining folktales, this book provides an enjoyable resource for pagan feasts, festivals andgatherings.
Author: Iomarbhaidh na bhfileadh
Publisher:
ISBN:
Category : Irish poetry
Languages : ga
Pages : 236
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Book Description
Author: Joseph Cooper Walker
Publisher:
ISBN:
Category : Bards and bardism
Languages : en
Pages : 318
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Book Description
Author: Edward Larrissy
Publisher: Edinburgh University Press
ISBN: 0748632018
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
In the first full-length literary-historical study of its subject, Edward Larrissy examines the philosophical and literary background to representations of blindness and the blind in the Romantic period. In detailed studies of literary works he goes on to show how the topic is central to an understanding of British and Irish Romantic literature. While he considers the influence of Milton and the 'Ossian' poems, as well as of philosophers, including Locke, Diderot, Berkeley and Thomas Reid, much of the book is taken up with new readings of writers of the period. These include canonical authors such as Blake, Wordsworth, Scott, Byron, Keats and Percy and Mary Shelley, as well as less well-known writers such as Charlotte Brooke and Ann Batten Cristall. There is also a chapter on the popular genre of improving tales for children by writers such as Barbara Hofland and Mary Sherwood. Larrissy finds that, despite the nostalgia for a bardic age of inward vision, the chief emphasis in the period is on the compensations of enhanced sensitivity to music and words. This compensation becomes associated with the loss and gain involved in the modernity of a post-bardic age. Representations of blindness and the blind are found to elucidate a tension at the heart of the Romantic period, between the desire for immediacy of vision on the one hand and, on the other, the historical self-consciousness which always attends it.
