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Author: Steve Gordon
Publisher: backbeat books
ISBN: 9780879308445
Category : Business & Economics
Languages : en
Pages : 296
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Book Description
Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.
Author: Steve Gordon
Publisher: backbeat books
ISBN: 9780879308445
Category : Business & Economics
Languages : en
Pages : 296
Get Book Here
Book Description
Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.
Author: Donald S. Passman
Publisher: Simon and Schuster
ISBN: 0743293185
Category : Copyright
Languages : en
Pages : 465
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Book Description
A guide to the music business and its legal issues provides real-world coverage of a wide range of topics, including teams of advisors, record deals, songwriting and music publishing, touring, and merchandising.
Author: David Kusek
Publisher: Berklee Press Publications
ISBN:
Category : Business & Economics
Languages : en
Pages : 216
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Book Description
From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.
Author: Robert Barry
Publisher: Watkins Media Limited
ISBN: 1910924873
Category : Music
Languages : en
Pages : 225
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Book Description
The Music of the Future is not a book of predictions or speculations about how to save the music business or the bleeding edge of technologies. Rather, it's a history of failures, mapping 200 years of attempts by composers, performers and critics to imagine a future for music. Encompassing utopian dream cities, temporal dislocations and projects for the emancipation of all sounds, The Music of the Future is in the end a call to arms for everyone engaged in music: "to fail again, fail better."
Author: Mark Mulligan
Publisher: MIDiA Research
ISBN:
Category : Music
Languages : en
Pages : 595
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Book Description
Awakening is the definitive account of the music industry in the digital era. It tells the inside story of how the music business grappled with the emergence of an entirely new digital economy with exclusive interviews with the people who shaped today’s industry. Mulligan’s gripping narrative switches between the seismic market trends to the highly personal accounts of artists and digital pioneers. It recounts the events that both spelt the end of the old industry and that are the foundation for the radical new successor that is about to emerge. Awakening is written by the leading music industry analyst Mark Mulligan and includes interviews with 60 of the music industry’s most important figures, including million selling artists and more than 20 CEOs. Alongside this unprecedented executive access, Awakening uses exclusive data presented across 60 charts and figures to chart the music industry’s digital journey and to lay out a vision of the future for the industry and artists alike. For anyone interested in the music industry and the lessons it provides for all businesses in the digital era, this is the only book you will ever need.
Author: Stephen David Collins
Publisher: Equinox Publishing (UK)
ISBN: 9781845539382
Category : Music and technology
Languages : en
Pages : 0
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Book Description
The actual future of music is a complex and contested one. This book aims to unpack that complexity, map the changes and explain the causes and motivations surrounding an industry undergoing change.
Author: Ann Harrison
Publisher: Bloomsbury Publishing USA
ISBN: 150136779X
Category : Music
Languages : en
Pages : 304
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Book Description
The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law.
Author: Frank Jermance
Publisher: Hal Leonard Corporation
ISBN: 9780634026522
Category : Music
Languages : en
Pages : 362
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Book Description
For anyone planning a career in the music business, Navigating the Music Industry is an excellent introduction to all the issues facing artists today. It combines the myriad talents of teachers, lawyers and musicians to provide a comprehensive overview of the industry. The first half of the book, "Controversial Issues," concentrates on the "music" side of this world - everything from censorship to regional music scenes to the future of country music to the debate between indie and major labels. The second half, "Business Models," looks at the "business" side, and contains many tips about the practical side of the music industry - using internet content, budgets and breakevens, tax issues, when to incorporate and why, and much more. Simply put, Navigating the Music Industry is the most complete book on the subject to date. Previously announced as What's Going On?: Current Issues in the Music Business.
Author: Catherine Fitterman Radbill
Publisher: Taylor & Francis
ISBN: 1317408292
Category : Music
Languages : en
Pages : 339
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Book Description
Introduction to the Music Industry: An Entrepreneurial Approach, Second Edition is an introductory textbook that offers a fresh perspective in one of the fastest-changing businesses in the world today. It engages students with creative problem-solving activities, collaborative projects and case studies as they explore the inner workings of the music business, while encouraging them to think like entrepreneurs on a path toward their own successful careers in the industry. This new edition includes a revised chapter organization, with chapters streamlined to focus on topics most important to music business students, while also maintaining its user-friendly chapter approach. Supported by an updated companion website, this book equips music business students and performance majors with the knowledge and tools to adopt and integrate entrepreneurial thinking successfully into practice and shape the future of the industry.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
