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Author: Jacques Rancière
Publisher: Verso Books
ISBN: 1788736559
Category : Philosophy
Languages : en
Pages : 148
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Book Description
In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancire there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
Author: Jacques Rancière
Publisher: Verso Books
ISBN: 1788736559
Category : Philosophy
Languages : en
Pages : 148
Get Book Here
Book Description
In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancire there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
Author: Ofra Amihay
Publisher: Cambridge Scholars Publishing
ISBN: 1443836753
Category : Art
Languages : en
Pages : 370
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Book Description
The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.
Author: Fred Polak
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 0
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Book Description
Author: Darby English
Publisher: MIT Press
ISBN: 0262514931
Category : Art
Languages : en
Pages : 387
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Book Description
Going beyond the 'blackness' of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—five contemporary black artists in whose work race plays anything but a defining role. Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness—his metaphorical "total darkness"—primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists—Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture. The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able—and black artists less willing—to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
Author: Jacob Shatzer
Publisher: InterVarsity Press
ISBN: 0830865780
Category : Technology & Engineering
Languages : en
Pages : 198
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Book Description
Examining the transhumanist movement, biblical ethicist Jacob Shatzer grapples with the potential for technology to transform the way we think about what it means to be human. Exploring the doctrine of incarnation and topics such as artificial intelligence, robotics, medical technology, and communications tools, he guides us into careful consideration of the future of Christian discipleship in a disruptive technological environment.
Author: Marco Bohr
Publisher: Routledge
ISBN: 1315442906
Category : Art
Languages : en
Pages : 205
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Book Description
This volume addresses the evolution of the visual in digital communities, offering a multidisciplinary discussion of the ways in which images are circulated in digital communities, the meanings that are attached to them and the implications they have for notions of identity, memory, gender, cultural belonging and political action. Contributors focus on the political efficacy of the image in digital communities, as well as the representation of the digital self in order to offer a fresh perspective on the role of digital images in the creation and promotion of new forms of resistance, agency and identity within visual cultures.
Author: Matthew Bamberg
Publisher: Cengage Learning
ISBN: 9781435458574
Category : Photography
Languages : en
Pages : 0
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Book Description
New Image Frontiers: Defining the Future of Photography reveals past, present and future trends in photography. From hardware to software, aesthetics to documentation, this book discusses current advances in photography and predictions for the future, including comments from top photographers and others in the business. Addressing the basics of photography as they are applied to defining photography's future, the book's content is culled from a number of important industry resources as well as interviews with master photographers.
Author: Stephen Barber
Publisher: Diaphanes
ISBN: 9783035802894
Category : Motion picture projection
Languages : en
Pages : 0
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Book Description
Eadweard Muybridge is among the seminal originators of the contemporary world's visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge's work, as a moving-image projectionist, who toured Europe's cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World's Columbian Exposition. That final invention of Muybridge's was both an all-engulfing catastrophe and the vital precursor for the following century's worldwide manias for projection. Based on entirely new research into Muybridge's travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge's driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World's Exposition events and cinemas' overheated projection-boxes. The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge's experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence. The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge's first conjurations of projection's power for its spectators. Throughout, the book interrogates.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: William MacAskill
Publisher: Basic Books
ISBN: 1541618637
Category : Philosophy
Languages : en
Pages : 423
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Book Description
An Instant New York Times Bestseller “This book will change your sense of how grand the sweep of human history could be, where you fit into it, and how much you could do to change it for the better. It's as simple, and as ambitious, as that.” —Ezra Klein An Oxford philosopher makes the case for “longtermism” — that positively influencing the long-term future is a key moral priority of our time. The fate of the world is in our hands. Humanity’s written history spans only five thousand years. Our yet-unwritten future could last for millions more — or it could end tomorrow. Astonishing numbers of people could lead lives of great happiness or unimaginable suffering, or never live at all, depending on what we choose to do today. In What We Owe The Future, philosopher William MacAskill argues for longtermism, that idea that positively influencing the distant future is a key moral priority of our time. From this perspective, it’s not enough to reverse climate change or avert the next pandemic. We must ensure that civilization would rebound if it collapsed; counter the end of moral progress; and prepare for a planet where the smartest beings are digital, not human. If we make wise choices today, our grandchildren’s grandchildren will thrive, knowing we did everything we could to give them a world full of justice, hope and beauty.
