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Author: Jane Barnwell
Publisher: Bloomsbury Publishing
ISBN: 1350034819
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
The Fundamentals of Film-Making provides an overview of the collaborative process of film-making. The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production – pre-production, production and post-production – are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production. The book concludes with an examination of film analysis, providing context and connections between film theory and practice.
Author: Jane Barnwell
Publisher: Bloomsbury Publishing
ISBN: 1350034819
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
The Fundamentals of Film-Making provides an overview of the collaborative process of film-making. The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production – pre-production, production and post-production – are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production. The book concludes with an examination of film analysis, providing context and connections between film theory and practice.
Author: Blain Brown
Publisher: Routledge
ISBN: 0429677081
Category : Art
Languages : en
Pages : 397
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Book Description
The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.
Author: Nicholas Proferes
Publisher: CRC Press
ISBN: 1136069429
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Visualize your films before shooting!
Author: Nicholas T. Proferes
Publisher: Taylor & Francis
ISBN: 135168311X
Category : Performing Arts
Languages : en
Pages : 435
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Book Description
Film Directing Fundamentals gives the novice director an organic methodology for realizing on-screen the full dramatic possibility of a screenplay. Unique among directing books, Nicholas Proferes provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques discussed. Written for both students and entry-level professionals, the book assumes no knowledge and introduces basic concepts and terminology. Appropriate for screenwriters, aspiring directors and filmmakers, Film Directing Fundamentals helps filmmakers bring their story to life on screen. This fourth edition is updated with a new foreword by Student Academy Award-winner Jimmy Keyrouz, who studied with author Nicholas Proferes, as well as an enhanced companion website by Laura J. Medina, available at www.routledge.com/cw/proferes, which features new supplemental material for both instructors and students, including two new analyses of contemporary films—Wendy and Lucy (2008) and Moonlight (2016)—study questions, suggested assignments and exercises, as well as the instructor’s manual written by Proferes in 2008.
Author: Tom Holden
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Author: Eduardo Angel
Publisher:
ISBN: 9781681981628
Category : Photography
Languages : en
Pages : 0
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Book Description
In Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion, Emmy Award-winning photographer and filmmaker Eduardo Angel helps you begin your journey to becoming as capable and confident with creating works of motion as you are with photographing still images. To remain relevant and in demand in today's visually driven world, image makers must learn to craft both still photographs and motion in order to attract clients. While there are many similarities between photography and cinematography, there are key aspects of shooting motion--such as sound and camera movement, to name just two--that are uncharted territory for most photographers. In Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion, Emmy Award-winning photographer and filmmaker Eduardo Angel helps you begin your journey to becoming as capable and confident with creating works of motion as you are with photographing still images. Filmmaking Essentials for Photographers covers a wide range of tools, techniques, resources, and tips that offer practical input on how to transition to motion. This is not an in-depth book on editing, directing, or even lighting. Instead, the goal of this book is to cover the fundamental aspects of filmmaking from a straightforward nuts-and-bolts perspective. You will learn all about: - How to switch to a "filmmaker's brain" engage with a crew, understand the director's and director of photography's roles, and work with a script, shot lists, and storyboards - The basics of composition for motion: framing continuous shots, establishing a scene, and creating perspective and movement - The role of lighting, including how it is used to tell a story and how it directs the viewer's attention - The crucial part that sound plays in motion, including music and soundscapes - How to use the right gear for the job: from cameras and lighting gear to microphones, rigs, and key accessories - The art and craft of editing: the post-production workflow, how to organize your assets, and how to deconstruct the editing process - Color theory and how you can use it to enhance the story you are telling - How to do more with less--no matter the budget Increasingly, opportunities come to those who can create content for clients that need both stills and motion. To that end, the final chapter of the book covers those business opportunities that will open up to you with your newfound skills in motion: from multimedia projects, educational content, and interviews, to independent short films, stock video footage, and commercials.
Author: Nicholas Proferes
Publisher: CRC Press
ISBN: 113606950X
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Author: David K. Irving
Publisher: McFarland
ISBN: 0786456256
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Current and aspiring film directors can make their job easier by studying the 10 directing fundamentals outlined in detail in this book. The first five chapters are practical in nature: a successful director must first have a screenplay, a cast, a crew, a budget, and good health. The final five address the psychology of directing, including the development of craft, command, pace, luck, and "chutzpah," which the author defines as "boldness coupled with extreme self-confidence." Instructors considering this book for use in a course may request an examination copy here.
Author: Adam Leipzig
Publisher: Macmillan Higher Education
ISBN: 1457684640
Category : Art
Languages : en
Pages : 420
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Book Description
The one-stop resource for students in filmmaking Script. Direction. Design. Production. Sound. Lighting. Editing. Effects. Animation. Marketing. Careers. It’s all here. With storytelling and collaboration as core principles, industry veterans Adam Leipzig (former President of National Geographic Films), and Barry Weiss (former head of Sony Pictures animation), with Michael Goldman, guide students through the skills and the craft of video and filmmaking. Filmmaking in Action addresses the real-world situations that students will encounter in their first classroom projects and throughout their careers. Packed with stories and lessons from industry professionals, from established filmmakers to emerging independents, this soup-to-nuts book is one students will keep, and keep using, for years.
Author: Nicholas T. Proferes
Publisher: Taylor & Francis US
ISBN: 9780240804224
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Film Directing Fundamentals gives the novice director a set of specific techniques for developing the fundamental elements of this craft in realizing a screenplay for the screen, along with an introduction to the narrative/dramatic elements of film. In Part One, Nicholas Proferes provides a short screenplay to take the student step-by-step through the "detective" work necessary to uncover disparate dramatic elements such as character, circumstance, wants, and actions. This initial investigation identifies the dramatic essence of each moment, organizes them into a dramatic unit, and leads to an overall design for rendering the script on the screen. This section includes work with actors, staging, and use of the camera as an active narrator. Students are encouraged to use floor plans and storyboards to aid in the previsualization of the film. Part Two features a scene-by-scene analysis of three feature films by master directors. These are designed to be used in conjunction with the viewing of the films and allows the student to fully understand how the dramatic and narrative categories of film language are used by master directors. In addition, nine other films are analyzed for their distinctive styles and differing dramatic construction. An appendix contains the grammatical rules of film language, the cinematic categories of time and space, and essential questions directors should ask concerning their screenplays. Provides a unique methodology for aspiring directors and scriptwriters for realizing a screenplay for the screen Aimed at learning to engage an audience in the unfolding of a cinematic story Explains the use of storyboards for previsualization, staging of actors, and the use of the camera as active narrator
