Author: Donald H. Reiman
Publisher: JHU Press
ISBN: 0801877954
Category : Literary Criticism
Languages : en
Pages : 554
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Book Description
The first American edition of Shelley's complete poetry since 1892—with more poems, fragments, and collations than any previous collective edition. Winner of the Richard J. Finneran Award of the Society for Textual Scholarship, CHOICE Outstanding Academic Title of the Choice ACRL A milestone in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Volume One includes Shelley's first four works containing poetry (all prepared for publication before his expulsion from Oxford), as well as "The Devil's Walk" (circulated in August 1812), and a series of short poems that he sent to friends between 1809 and 1814, including a bawdy satire on his parents and "Oh wretched mortal," a poem never before published. An appendix discusses poems lost or erroneously attributed to the young Shelley. "These early poems are important not only biographically but also aesthetically, for they provide detailed evidence of how Shelley went about learning his craft as a poet, and the differences between their tone and that of his mature short poetry index a radical change in his self-image . . . The poems in Volume I, then, demonstrate Shelley's capacity to write verse in a range of stylistic registers. This early verse, even in its most abandoned forays into Sensibility, the Gothic, political satire, and vulgarity—perhaps especially in these most apparently idiosyncratic gestures—provides telling access to its own cultural moment, as well as to Shelley's art and thought in general."—from the Editorial Overview
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Languages : en
Pages : 1048
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Book Description
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Languages : en
Pages : 46
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Book Description
50115
Author: Group Research, Inc
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 558
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Book Description
Author: Tina Pippin
Publisher: Routledge
ISBN: 1134673434
Category : History
Languages : en
Pages : 180
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Book Description
Apocalyptic Bodies traces the biblical notions of the end of the world as represented in ancient and modern texts, art, music and popular culture, for example the paintings of Bosch. Tina Pippin addresses the question of how far we, in the late twentieth century, are capable of reading and responding to the 'signs of the times'. It will appeal not only to those studying religion, but also to those fascinated with interpretations of the end of the world.
Author: Richard Gid Powers
Publisher: Yale University Press
ISBN: 9780300074703
Category : History
Languages : en
Pages : 598
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Book Description
The American anticommunist movement has been viewed as a product of right-wing hysteria that deeply scarred our society and institutions. This book restores the struggle against communism to its historic place in American life. Richard Gid Powers shows that McCarthyism, red-baiting, and black-listing were only one aspect of this struggle and that the movement was in fact composed of a wide range of Americans--Jews, Protestants, blacks, Catholics, Socialists, union leaders, businessmen, and conservatives--whose ideas and political initiatives were rooted not in ignorance and fear but in real knowledge and experience of the Communist system. "Not Without Power is superbly written and richly detailed. Perceptive and thoughtful, it is an impressively thorough and valuable book."--David J. Garrow "One of the contributions of [Powers's] provocative narrative history is to bring to life certain segments of anti-Communist opinion that have largely been forgotten."--Sean Wilentz, New York Times Book Review "[Powers] makes extensive use of primary sources and uncovers much that is new. He vividly recreates the complex relationships within and between several ethnic and radical communities within the United States, including their firsthand and often disillusioning experience with communism. . . . The depth and range of his work add a great deal to knowledge."--Journal of American History "A valuable, well-executed study and summation of a vast topic, one whose various threads the author has woven into a rich tapestry."--Richard M. Fried, Reviews in American History
Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520209701
Category : Motion pictures
Languages : en
Pages : 990
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Book Description
Author: Johnny Mercer
Publisher: Knopf
ISBN: 0307265196
Category : Music
Languages : en
Pages : 489
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Book Description
The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.
Author: Robert Michael “Bobb” Cotter
Publisher: McFarland
ISBN: 1476602018
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
The Hammer studio is best known for its horror film output from the mid-1950s through the 1970s. This book provides facts about the hundreds of actresses who appeared in those films, including ones released in the twenty-first century by a resurgent Hammer. Each woman's entry includes her Hammer filmography, a brief biography if available, and other film credits in the horror genre. The book is illustrated with more than 60 film stills and posters.
Author: Sana Loue
Publisher: Springer Science & Business Media
ISBN: 1489919368
Category : Medical
Languages : en
Pages : 648
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Book Description
Here is the first comprehensive cross-disciplinary work to examine the current health situation of our immigrants, successfully integrating the vast literature of diverse fields -- epidemiology, health services research, anthropology, law, medicine, social work, health promotion, and bioethics -- to explore the richness and diversity of the immigrant population from a culturally-sensitive perspective. This unequalled resource examines methodological issues, issues in clinical care and research, health and disease in specific immigrant populations, patterns of specific diseases in immigrant groups in the US, and conclusive insight towards the future. Complete with 73 illustrations, this singular book is the blueprint for where we must go in the future.
