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Author: Rabindra Bharali
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 136
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Book Description
Author: Rabindra Bharali
Publisher:
ISBN:
Category : Hindustani music
Languages : en
Pages : 136
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Book Description
Author: Kumāraprasāda Mukhopādhyāẏa
Publisher: Penguin Books India
ISBN: 9780143061991
Category : Hindustani music
Languages : en
Pages : 366
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Book Description
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
Author: Vijaya Chandorkar
Publisher:
ISBN: 9788121512190
Category : Hindustani music
Languages : en
Pages : 0
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Book Description
Author: Manorma Sharma
Publisher: APH Publishing
ISBN: 9788176489997
Category : Hindustani music
Languages : en
Pages : 280
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Book Description
Author: Herbert A. Popley
Publisher: Forgotten Books
ISBN: 9780483515543
Category : Music
Languages : en
Pages : 206
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Book Description
Excerpt from The Music of India These differences are reflected in the music of the North and of the South, though we must not commit the mistake of thinking of these as distinct types of music. There is one Indian music, though there are many ways of working it out; and these all group themselves under the Northern and Southern schools. Distinguished as the Northern or Hindustani school and the Southern or Carnatic school, both are yet based on the principles stated in the ancient Sanskrit treatises on music. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Kumar Prasad Mukherji
Publisher: Penguin Random House India Private Limited
ISBN: 9387625192
Category : Literary Collections
Languages : en
Pages : 402
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Book Description
‘Kudrat teri rang-birangee! Oh many-splendoured Creation!’ So went the bhajan Ustad Abdul Karim Khan sang before the saint Tajuddin Baba. The holy man, entranced by the song, clapped his hands and danced. Kumar Prasad Mukherji’s elegy to a vanishing age of musical giants comprises many such shared experiences between performer and audience, between recital and applause. It is his salute to a world receding into the shadows of history, peopled by ustads, pandits, the rich and the famous, the sacred and the profane. He traces the origins of their schools, from folk traditions to the courts of ancient emperors to the sound of the ankle -bells of dancing girls. He points to the time when notation crept into classical music, horrifying old masters accustomed to an art form that celebrated spontaneity and improvisation, but resulting in the preservation of ragas that would otherwise have been lost to time. While Mukherji’s beloved ‘Khansahebs’, ‘Panditjis’ and ‘Buwas’ may have been inspired by the divine, his recounting from legends and from personal memory shows us those greats as intensely human creatures. They are driven by appetites not always noble and their intrigues and jealousies are universal. Humour, too, abounds in these pages, as do characters who will remain forever etched in the mind of the reader.
Author: Ernest Clements
Publisher: Forgotten Books
ISBN: 9780331636987
Category : Music
Languages : en
Pages : 126
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Book Description
Excerpt from Introduction to the Study of Indian Music: An Attempt to Reconcile Modern Hindustani Music With Ancient Musical Theory and to Propound an Accurate and Comprehensive Method of Treatment of the Subject of Indian Musical Intonation It is then with gratitude that I have accepted Mr. Clements' invitation to write a preface to his learned and stimulating work; in so doing I wish to specially commend both the whole subject of Indian music, and this book, to the notice Of all Indians and Englishmen who have any voice in determining modes of education in India. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Deepak S. Raja
Publisher: DK Printworld (P) Ltd
ISBN: 8124611262
Category : Music
Languages : en
Pages : 143
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Book Description
About the Author Deepak Raja (b. 1948-) is amongst the most respected writers on Hindustani music today. He works as repertoire analyst for India Archive Music Ltd. (IAM), New York, the most influential producer of Hindustani music outside India. He has been associated with the academic and publishing activities of the Śruti magazine (Chennai), ITC-Sangeet Research Academy (Calcutta), Sangeet Natak Akademi (Delhi), and the Indian Musicological Society (Baroda/Mumbai). About tha Book Stating that Hindustani music should be rightly termed “Art music” and not “classical music”, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition. It deals with genres of raga-based vocal music which have been performed over the last five centuries: dhrupad, which has its moorings in devotional music; khyal vocalism shaped by Sufi influences; the thumri, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the rudra-vina, sitar, surbahar, sarod, santur, the shehnai, pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them. Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental. The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice.
Author: Nivedita Singh
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 286
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Book Description
A Study Of Hindustani Music In Its Sociological Perspective. Covers Guru-Shishya Parampara, The Social Status Of Musician Community-History Of Hindustani Music Etc. Has 6 Chapters Followed By Conclusion.
Author: ERNEST. CLEMENTS
Publisher:
ISBN: 9781033125601
Category :
Languages : en
Pages : 0
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Book Description
