Author: Frederick Warde
Publisher: Forgotten Books
ISBN: 9781527962163
Category : Drama
Languages : en
Pages : 248

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Excerpt from The Fools of Shakespeare an Interpretation of Their Wit, Wisdom and Personalities I speak from the view-point of the actor, for whom, and for whom alone the plays were written. I have not entered the literary dissecting room, nor invaded the realm of psychology. The line of demarcation between humor and imbecility, folly and insanity, I leave to the professional alienist. I have taken the characters as they appear in the plays and as I conceive the author intended them, with due reference to their relation to thu other characters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Frederick B. Warde
Publisher: Theclassics.Us
ISBN: 9781230248479
Category :
Languages : en
Pages : 32

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ... I LAUNCELOT GOBBO IN THE MERCHANT OF VENICE "A Merry Devil" N that delightful comedy, "The Merchant of Venice," we have a type of the shrewd but ignorant serving man, or boy, drawn on the same lines as Launce and Speed in "The Two Gentlemen of Verona," and the two Dromios, in "The Comedy of Errors," but apparently younger and less matured than either of them. His name is Launcelot Gobbo, a fact of which he is somewhat proud. He has a crude philosophy and a rude kind of wit. He uses big words and misapplies them most ingenuously. He is good-natured, full of fun, and rejoices in a practical jest. Launcelot is the servant to Shylock, a wealthy Jewish merchant and money lender of Venice, with whom he lives and of whom he stands in wholesome awe. His fun-loving nature, however, has served to brighten the dull and dreary home of that stern and revengeful gentleman, a fact that Jessica, the Jew's daughter, frankly acknowledges in her first interview with the boy. Our house is hell, and thou a merry devil Did'st rob it of some taste of tediousness. Launcelot does not appear till the second scene of the second act of the comedy, when we find him stealthily leaving his master's house. We learn that he feels aggrieved at some apparent wrong at the hands of his employer, and is debating whether to remain in his service, or to run away. His soliloquy or self-argument on the point is most entertaining. He would be just, but being both plaintiff and defendant, as well as advocate and judge of the question at issue, he can scarcely be credited with impartiality. However, the motives that he frankly acknowledges, and the reasons he advances are most delightfully human, and most humorously expressed. The entire passage is a quaint, and by no means...

Author: Frederick Warde
Publisher:
ISBN:
Category :
Languages : en
Pages : 214

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Author: Frederick B. Warde
Publisher:
ISBN:
Category : Fools and jesters in literature
Languages : en
Pages : 280

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I have found occasion in several instances, to differ with some of the well known Shakespearean scholars; but it must always be remembered that I speak from the viewpoint of the actor, for whom, and for whom alone the plays were written. I have not entered the literary dissecting room, nor invaded the realm of psychology. The line of demarcation between humor and imbecility, folly and insanity, I leave to the professional alienist. I have taken the characters as they appear in the plays and as I conceive the author intended them, with due reference to their relation to the other characters. - Preface.

Author: Frederick B. WARDE
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Brendan Vaughan
Publisher: Hearst Books
ISBN: 9781588162618
Category : American wit and humor
Languages : en
Pages : 170

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Book Description
Excerpts from the magazine's "What I've Learned" columns features intimate discussions with such individuals as Yogi Berra, Robert De Niro, and Jack Nicholson, and shares their life philosophies and photographic portraits.

Author: William Shakespeare
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 108

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Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385

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Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 200

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Author: Ken Ludwig
Publisher: Crown
ISBN: 0307951499
Category :
Languages : en
Pages : 369

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Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.