The Fitzwilliam Virginal Book, Volume Two PDF Download
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Author: J. Fuller Maitland
Publisher: Courier Corporation
ISBN: 048617140X
Category : Music
Languages : en
Pages : 514
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Book Description
Volume 2 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation.
Author: J. Fuller Maitland
Publisher: Courier Corporation
ISBN: 048617140X
Category : Music
Languages : en
Pages : 514
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Book Description
Volume 2 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation.
Author: John Alexander Fuller-Maitland
Publisher: Courier Corporation
ISBN: 9780486210698
Category : Music
Languages : en
Pages : 570
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Book Description
"The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music." — Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation.
Author: William Byrd
Publisher: Courier Corporation
ISBN: 0486431207
Category : Music
Languages : en
Pages : 178
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Book Description
This compilation of the best-known pieces from a remarkable collection of English keyboard music features such courtly dances as the galliard and pavan, ingenious preludes, fanciful fantasias, and much more.
Author: William Byrd
Publisher: Courier Corporation
ISBN: 0486171426
Category : Music
Languages : en
Pages : 306
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Book Description
A smaller version of the harpsichord, the virginal enjoyed wide popularity during the 16th and 17th centuries. Based upon a 1591 manuscript, this collection features 42 pieces in modern notation.
Author: David Bowman
Publisher: Rhinegold Publishing Ltd
ISBN: 1904226027
Category : Music
Languages : en
Pages : 114
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Book Description
Author: Richard Hudson
Publisher: Cambridge University Press
ISBN: 0521248523
Category : Music
Languages : en
Pages : 282
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Book Description
The first of two volumes devoted to the evolution of the Allemande, the Balletto, and the Tanz from 1540 to 1750.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 750
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Book Description
Author: Marilynn Mair
Publisher: Mel Bay Publications
ISBN: 1513455826
Category : Music
Languages : en
Pages : 289
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Book Description
In this sequel to The Complete Mandolinist, world-renowned mandolinist Marilynn Mair expands on her previous method books, presenting over 100 compositions that span 5 centuries, works she has thoughtfully edited or arranged for mandolin. Each piece is accompanied by a paragraph or two of musical context, and the book also includes 24 short essays on the evolution of musical style, drawn from Marilynn’s decades as a Professor of Music History. Music by great composers like Bach, Vivaldi, Mozart, and Beethoven mixes with interesting compositions by little-known mandolin composers like Piccone, Barbella, Leone, and Gervasio, works Marilynn has discovered during her performing and recording career. Concert pieces range from quite easy to very advanced, with most lying between those two extremes. In addition to music of the Renaissance, Baroque, Classical, Romantic, and 20th Century, Marilynn includes contemporary pieces by some of her favorite composers writing today. This book holds a musical world Marilynn has compiled and presents to you. The Complete Mandolinist, Volume 2: Music in Context, is a book you will reach for again and again.
Author: James Friskin
Publisher: Courier Corporation
ISBN: 0486229181
Category : Music
Languages : en
Pages : 466
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Book Description
First published by Holt, Rinehart and Winston in 1954.
Author: Cécile de Banke
Publisher: Routledge
ISBN: 1317652800
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.
