Author: Eugene Ostashevsky
Publisher: New York Review of Books
ISBN: 168137093X
Category : Juvenile Fiction
Languages : en
Pages : 49
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
The Fire Horse: Children's Poems by Vladimir Mayakovsky, Osip Mandelstam and Daniil Kharms
Author: Eugene Ostashevsky
Publisher: New York Review of Books
ISBN: 168137093X
Category : Juvenile Fiction
Languages : en
Pages : 49
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
Publisher: New York Review of Books
ISBN: 168137093X
Category : Juvenile Fiction
Languages : en
Pages : 49
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
The Fire Horse: Children's Poems by Vladimir Mayakovsky, Osip Mandelstam and Daniil Kharms
Author:
Publisher: New York Review of Books
ISBN: 1681370921
Category : Juvenile Fiction
Languages : en
Pages : 49
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
Publisher: New York Review of Books
ISBN: 1681370921
Category : Juvenile Fiction
Languages : en
Pages : 49
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
A Companion to Soviet Children's Literature and Film
Author: Olga Voronina
Publisher: BRILL
ISBN: 9004414398
Category : Performing Arts
Languages : en
Pages : 521
Book Description
A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.
Publisher: BRILL
ISBN: 9004414398
Category : Performing Arts
Languages : en
Pages : 521
Book Description
A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.
Silver
Author: Walter de la Mare
Publisher: Faber & Faber
ISBN: 0571314716
Category : Juvenile Fiction
Languages : en
Pages : 35
Book Description
Slowly, silently, now the moonWalks the night in her silver shoon;This way, and that, she peers, and seesSilver fruit upon silver trees; One spring evening, the fairies gather in the woods. Two sleepy children join in the parade to a wonderful, dream-like fairy party. Illustrated by bright new talent, Carolina Rabei, this Walter de la Mare poem is brought to life with shimmery, ethereal illustrations, making it the perfect book for bedtime. One of four seasonal Walter de la Mare picture books that form a set, each with complementing colour palates and illustrations by rising young star Carolina.
Publisher: Faber & Faber
ISBN: 0571314716
Category : Juvenile Fiction
Languages : en
Pages : 35
Book Description
Slowly, silently, now the moonWalks the night in her silver shoon;This way, and that, she peers, and seesSilver fruit upon silver trees; One spring evening, the fairies gather in the woods. Two sleepy children join in the parade to a wonderful, dream-like fairy party. Illustrated by bright new talent, Carolina Rabei, this Walter de la Mare poem is brought to life with shimmery, ethereal illustrations, making it the perfect book for bedtime. One of four seasonal Walter de la Mare picture books that form a set, each with complementing colour palates and illustrations by rising young star Carolina.
The Pirate Who Does Not Know the Value of Pi
Author: Eugene Ostashevsky
Publisher: New York Review of Books
ISBN: 1681370913
Category : Poetry
Languages : en
Pages : 145
Book Description
An original collection from one of the most active poets in contemporary literature. Winner of the 2019 International Poetry Prize from the City of Münster The Pirate Who Does Not Know the Value of Pi is a poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to communicate with people indigenous to the island, had there been any. Characterized by multilingual punning, humor puerile and set-theoretical, philosophical irony and narrative handicaps, Eugene Ostashevsky’s new large-scale project draws on sources as various as early modern texts about pirates and animal intelligence, old-school hip-hop, and game theory to pursue the themes of emigration, incomprehension, untranslatability, and the otherness of others.
Publisher: New York Review of Books
ISBN: 1681370913
Category : Poetry
Languages : en
Pages : 145
Book Description
An original collection from one of the most active poets in contemporary literature. Winner of the 2019 International Poetry Prize from the City of Münster The Pirate Who Does Not Know the Value of Pi is a poem-novel about the relationship between a pirate and a parrot who, after capturing a certain quantity of prizes, are shipwrecked on a deserted island, where they proceed to discuss whether they would have been able to communicate with people indigenous to the island, had there been any. Characterized by multilingual punning, humor puerile and set-theoretical, philosophical irony and narrative handicaps, Eugene Ostashevsky’s new large-scale project draws on sources as various as early modern texts about pirates and animal intelligence, old-school hip-hop, and game theory to pursue the themes of emigration, incomprehension, untranslatability, and the otherness of others.
The Firebird and the Fox
Author: Jeffrey Brooks
Publisher: Cambridge University Press
ISBN: 1108484468
Category : Art
Languages : en
Pages : 349
Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Publisher: Cambridge University Press
ISBN: 1108484468
Category : Art
Languages : en
Pages : 349
Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
The Pedagogy of Images
Author: Marina Balina
Publisher: University of Toronto Press
ISBN: 1487534663
Category : Literary Criticism
Languages : en
Pages : 569
Book Description
In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children’s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads – communist goals, pedagogy, and propaganda – The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate.
Publisher: University of Toronto Press
ISBN: 1487534663
Category : Literary Criticism
Languages : en
Pages : 569
Book Description
In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children’s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads – communist goals, pedagogy, and propaganda – The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate.
The Doorman's Repose
Author: Chris Raschka
Publisher: New York Review of Books
ISBN: 1681371006
Category : Juvenile Fiction
Languages : en
Pages : 177
Book Description
From Caldecott Award winner Chris Raschka, tales of unforgettable characters who live in a NYC apartment building “To the company of ur-New Yorkers like Stuart Little, Harriet the Spy, and Lyle, Lyle, Crocodile, let me hold open the door for The Doorman’s Repose. A new favorite." —Gregory Maguire “….marvelously intriguing stories…” —Lemony Snicket Some of us look up at those craggy, mysterious apartment buildings found in the posher parts of New York City and wonder what goes on inside. The Doorman’s Repose collects ten stories about 777 Garden Avenue, one of the craggiest. The first story recounts the travails of the new doorman, who excels at all his tasks except perhaps the most important one—talking baseball. Others tell of a long-forgotten room, a cupid-like elevator, and the unlikely romance of a cerebral psychologist and a jazz musician, both of whom are mice. Because the animals talk and the machinery has feelings, these are children’s stories. Otherwise they are for anyone intrigued by what happens when many people, strangers or kin, live together under one roof.
Publisher: New York Review of Books
ISBN: 1681371006
Category : Juvenile Fiction
Languages : en
Pages : 177
Book Description
From Caldecott Award winner Chris Raschka, tales of unforgettable characters who live in a NYC apartment building “To the company of ur-New Yorkers like Stuart Little, Harriet the Spy, and Lyle, Lyle, Crocodile, let me hold open the door for The Doorman’s Repose. A new favorite." —Gregory Maguire “….marvelously intriguing stories…” —Lemony Snicket Some of us look up at those craggy, mysterious apartment buildings found in the posher parts of New York City and wonder what goes on inside. The Doorman’s Repose collects ten stories about 777 Garden Avenue, one of the craggiest. The first story recounts the travails of the new doorman, who excels at all his tasks except perhaps the most important one—talking baseball. Others tell of a long-forgotten room, a cupid-like elevator, and the unlikely romance of a cerebral psychologist and a jazz musician, both of whom are mice. Because the animals talk and the machinery has feelings, these are children’s stories. Otherwise they are for anyone intrigued by what happens when many people, strangers or kin, live together under one roof.
Tell Me a Mitzi
Author: Lore Segal
Publisher: New York Review of Books
ISBN: 1681377950
Category : Juvenile Fiction
Languages : en
Pages : 47
Book Description
Three hilarious, quirky tales about a young city girl's adventures big and small. Mitzi lives with her mother and father and her baby brother in the big city where every day is an adventure. Or at least Mitzi makes it one, though sometimes the adventure is more than a little surprising. One day it’s time to pay an impromptu visit to her grandparents. And what will happen when the president comes to town? Who knows what Mitzi will get up to next? In Tell Me a Mitzi Lore Segal’s droll dialogue and off-kilter storytelling is beautifully matched by Harriet Pincus’s gritty and colorful illustrations. These are stories that capture childhood in all its puzzlement, resourcefulness, and unsentimental wonder.
Publisher: New York Review of Books
ISBN: 1681377950
Category : Juvenile Fiction
Languages : en
Pages : 47
Book Description
Three hilarious, quirky tales about a young city girl's adventures big and small. Mitzi lives with her mother and father and her baby brother in the big city where every day is an adventure. Or at least Mitzi makes it one, though sometimes the adventure is more than a little surprising. One day it’s time to pay an impromptu visit to her grandparents. And what will happen when the president comes to town? Who knows what Mitzi will get up to next? In Tell Me a Mitzi Lore Segal’s droll dialogue and off-kilter storytelling is beautifully matched by Harriet Pincus’s gritty and colorful illustrations. These are stories that capture childhood in all its puzzlement, resourcefulness, and unsentimental wonder.
Jim at the Corner
Author: Eleanor Farjeon
Publisher: New York Review of Books
ISBN: 1681371642
Category : Juvenile Fiction
Languages : en
Pages : 97
Book Description
These seafaring tales begin on a street corner where Jim, a retired sailor, spends his days, passing the time telling a curious boy named Derry about life aboard his ship, the Rockinghorse. In the tradition of Robert Louis Stevenson’s A Child’s Garden of Verses and Rudyard Kipling’s Just So Stories, Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears.
Publisher: New York Review of Books
ISBN: 1681371642
Category : Juvenile Fiction
Languages : en
Pages : 97
Book Description
These seafaring tales begin on a street corner where Jim, a retired sailor, spends his days, passing the time telling a curious boy named Derry about life aboard his ship, the Rockinghorse. In the tradition of Robert Louis Stevenson’s A Child’s Garden of Verses and Rudyard Kipling’s Just So Stories, Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears.