The Fire Horse: Children's Poems by Vladimir Mayakovsky, Osip Mandelstam and Daniil Kharms PDF Download
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Author:
Publisher: New York Review of Books
ISBN: 1681370921
Category : Juvenile Fiction
Languages : en
Pages : 49
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Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
Author:
Publisher: New York Review of Books
ISBN: 1681370921
Category : Juvenile Fiction
Languages : en
Pages : 49
Get Book Here
Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
Author: Eugene Ostashevsky
Publisher: New York Review of Books
ISBN: 168137093X
Category : Juvenile Fiction
Languages : en
Pages : 49
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Book Description
Whimsical and revolutionary poems and art by some of Russia's foremost avant-garde writers and illustrators A boy wants a toy horse big enough to ride, but where can his father find it? Not in the stores, which means it’s got to be built from scratch. How? With the help of expert workers, from the carpenter to the painter, working together as one. And now the bold boy is ready to ride off in defense of the future! Two trams, Click and Zam, are cousins. Click goes out for a day on the tracks and before long he’s so tired he doesn’t know where he is or how to get back. All he knows is he’s got to find Zam. Click is looking for Zam and Zam is looking for Click, and though for a while it seems like nobody knows where to find Click, good and faithful Zam is not to be deterred. Peter’s a car, Vasco’s a steamboat, and Mikey’s a plane. They’re all running like mad and going great guns until, whoops, there’s a big old cow, just a plain old cow, standing in the road. What then? The early years of the Soviet Union were a golden age for children’s literature. The Fire Horse brings together three classics from the era in which some of Russia’s most celebrated poets, Vladimir Mayakovsky, Osip Mandelstam, and Daniil Kharms, teamed up with some of its finest artists, Lidia Popova, Boris Ender, and Vladimir Konashevich. Brilliantly translated by the poet Eugene Ostashevsky, this is poetry that is as whimsical and wonderful as it is revolutionary.
Author: Walter de la Mare
Publisher: Faber & Faber
ISBN: 0571314716
Category : Juvenile Fiction
Languages : en
Pages : 35
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Book Description
Slowly, silently, now the moonWalks the night in her silver shoon;This way, and that, she peers, and seesSilver fruit upon silver trees; One spring evening, the fairies gather in the woods. Two sleepy children join in the parade to a wonderful, dream-like fairy party. Illustrated by bright new talent, Carolina Rabei, this Walter de la Mare poem is brought to life with shimmery, ethereal illustrations, making it the perfect book for bedtime. One of four seasonal Walter de la Mare picture books that form a set, each with complementing colour palates and illustrations by rising young star Carolina.
Author: Olga Voronina
Publisher: BRILL
ISBN: 9004414398
Category : Performing Arts
Languages : en
Pages : 521
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Book Description
A Companion to Soviet Children’s Literature and Film offers a comprehensive and innovative analysis of Soviet literary and cinematic production for children. Its contributors contextualize and reevaluate Soviet children’s books, films, and animation and explore their contemporary re-appropriation by the Russian government, cultural practitioners, and educators. Celebrating the centennial of Soviet children’s literature and film, the Companion reviews the rich and dramatic history of the canon. It also provides an insight into the close ties between Soviet children’s culture and Avant-Garde aesthetics, investigates early pedagogical experiments of the Soviet state, documents the importance of translation in children’s literature of the 1920-80s, and traces the evolution of heroic, fantastic, historical, and absurdist Soviet narratives for children.
Author: Jeffrey Brooks
Publisher: Cambridge University Press
ISBN: 1108484468
Category : Art
Languages : en
Pages : 349
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Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.
Author: Marina Balina
Publisher: University of Toronto Press
ISBN: 1487534663
Category : Literary Criticism
Languages : en
Pages : 569
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Book Description
In the 1920s, with the end of the revolution, the Soviet government began investing resources and energy into creating a new type of book for the first generation of young Soviet readers. In a sense, these early books for children were the ABCs of Soviet modernity; creatively illustrated and intricately designed, they were manuals and primers that helped the young reader enter the field of politics through literature. Children’s books provided the basic vocabulary and grammar for understanding new, post-revolutionary realities, but they also taught young readers how to perceive modern events and communist practices. Relying on a process of dual-media rendering, illustrated books presented propaganda as a simple, repeatable narrative or verse, while also casting it in easily recognizable graphic images. A vehicle of ideology, object of affection, and product of labour all in one, the illustrated book for the young Soviet reader emerged as an important cultural phenomenon. Communist in its content, it was often avant-gardist in its form. Spotlighting three thematic threads – communist goals, pedagogy, and propaganda – The Pedagogy of Images traces the formation of a mass-modern readership through the creation of the communist-inflected visual and narrative conventions that these early readers were meant to appropriate.
Author: Oksana Maksymchuk
Publisher: Academic Studies PRess
ISBN:
Category : Poetry
Languages : en
Pages : 511
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Book Description
The armed conflict in the east of Ukraine brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war. Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness. In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.
Author: Chris Raschka
Publisher: New York Review of Books
ISBN: 1681371006
Category : Juvenile Fiction
Languages : en
Pages : 184
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Book Description
From Caldecott Award winner Chris Raschka, tales of unforgettable characters who live in a NYC apartment building “To the company of ur-New Yorkers like Stuart Little, Harriet the Spy, and Lyle, Lyle, Crocodile, let me hold open the door for The Doorman’s Repose. A new favorite." —Gregory Maguire “….marvelously intriguing stories…” —Lemony Snicket Some of us look up at those craggy, mysterious apartment buildings found in the posher parts of New York City and wonder what goes on inside. The Doorman’s Repose collects ten stories about 777 Garden Avenue, one of the craggiest. The first story recounts the travails of the new doorman, who excels at all his tasks except perhaps the most important one—talking baseball. Others tell of a long-forgotten room, a cupid-like elevator, and the unlikely romance of a cerebral psychologist and a jazz musician, both of whom are mice. Because the animals talk and the machinery has feelings, these are children’s stories. Otherwise they are for anyone intrigued by what happens when many people, strangers or kin, live together under one roof.
Author: Eleanor Farjeon
Publisher: New York Review of Books
ISBN: 1681371642
Category : Juvenile Fiction
Languages : en
Pages : 97
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Book Description
These seafaring tales begin on a street corner where Jim, a retired sailor, spends his days, passing the time telling a curious boy named Derry about life aboard his ship, the Rockinghorse. In the tradition of Robert Louis Stevenson’s A Child’s Garden of Verses and Rudyard Kipling’s Just So Stories, Farjeon’s tales of talking sea serpents and stew-eating chimpanzees bring the far near and turn ordinary weather into an astronomical adventure. With pen-and-ink illustrations by the maritime master artist Edward Ardizzone, Jim at the Corner is an old-fashioned adventure for the eyes and the ears.
Author: Jean Merrill
Publisher: New York Review of Books
ISBN: 1590179366
Category : Juvenile Fiction
Languages : en
Pages : 233
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Book Description
"The best book about politics ever written for children." —The Washington Post 50th Anniversary Edition, now in paperback DO YOU KNOW THE HISTORY OF THE PUSHCART WAR? THE REAL HISTORY? It’s a story of how regular people banded together and, armed with little more than their brains and good aim, defeated a mighty foe. Not long ago the streets of New York City were smelly, smoggy, sooty, and loud. There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts. The Pushcart War was first published more than fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of One Hundred Books That Shaped the Twentieth Century, and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.
