The Fine Arts in England

The Fine Arts in England PDF Author: Edward Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages : 384

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The Fine Arts in England

The Fine Arts in England PDF Author: Edward Edwards
Publisher:
ISBN:
Category :
Languages : en
Pages : 384

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Book Description


The Fine Arts in England

The Fine Arts in England PDF Author: Edward Edwards
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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The Fine Arts of the English School; Illustrated by a Series of Engravings from Paintings, Scolpture Etc

The Fine Arts of the English School; Illustrated by a Series of Engravings from Paintings, Scolpture Etc PDF Author: John Britton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 218

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"A Higher Branch of the Art"

Author: Anthony J. Hamber
Publisher: Gordon & Breach Science Pub
ISBN: 9782884491433
Category : Photography
Languages : en
Pages : 542

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Book Description
Discusses the way that early photography influenced the study of art history, including its use at the British Museum, the National Gallery and the South Kensington Museum.

The Fine Arts Reduced to a Single Principle

The Fine Arts Reduced to a Single Principle PDF Author: Charles Batteux
Publisher: Oxford University Press, USA
ISBN: 019874711X
Category : Art
Languages : en
Pages : 232

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Book Description
The Fine Arts Reduced to a Single Principle (1746) by Charles Batteux was arguably the most influential work on aesthetics published in the 18th century. James O. Young presents the first complete English translation of the work, with full annotations and a comprehensive introduction, which illuminate Batteux's continuing philosophical interest.

Poets and the Visual Arts in Renaissance England

Poets and the Visual Arts in Renaissance England PDF Author: Norman K. Farmer
Publisher: University of Texas Press
ISBN: 1477301135
Category : Literary Criticism
Languages : en
Pages : 139

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Book Description
In the twentieth century, the pioneering work of such art historians as Erwin Panofsky and Edgar Wind heightened our awareness of the relationship between Renaissance literature and the visual arts. By focusing on that relationship in the work of such poets as Sir Philip Sidney, John Donne, Richard Crashaw, Edmund Waller, and Robert Herrick, Norman K. Farmer, Jr., convincingly shows that they and other writers of the late sixteenth and early seventeenth centuries in England wrote with a lively and creative sense of the visual—a sense richly informed by the theory and practice of Renaissance art. Farmer begins by describing the powerful visual matrix that underlies the narrative structure of Sidney's New Arcadia. He compares the role of the visual in the poetry of Donne and Ben Jonson, and demonstrates how works by both Thomas Carew and Lord Herbert exhibit poetic invention according to familiar Renaissance pictorial themes. Herrick's Hesperides is shown to be the major seventeenth-century poetic application of the Horatian idea ut pictura poesis. A special feature of this gracefully written and enlightening volume is Farmer's discussion of Lady Drury's oratory at Hawstead Hall. Published here for the first time are photographs of this uniquely decorated oratory, in which themes from a variety of English and Continental emblem books were painted on the walls of a room apparently designed for private meditation.

Concentrationary Cinema

Concentrationary Cinema PDF Author: Griselda Pollock
Publisher: Berghahn Books
ISBN: 0857453521
Category : Performing Arts
Languages : en
Pages : 355

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Book Description
Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais’s benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

The English Mannerist Poets and the Visual Arts

The English Mannerist Poets and the Visual Arts PDF Author: L. E. Semler
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637593
Category : Art
Languages : en
Pages : 298

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Book Description
In this study, L.E. Semler begins with a comprehensive, historical definition of Mannerism in visual arts from which he derives four key terms that constitute the nucleus of the aesthetic: technical precision, elegance, grazia, and the difficulta:facilita formula. These principles - interwoven with one another and with maniera - are derived from visual arts but are specifically designed to be transferable to any medium. The rest of the book situates the English poets in relation to the visual arts - including painting, limning, gold- and silversmithery, architecture, and garden design - and discusses their verse in relation to the key Mannerist principles.

The Fine Arts of the English School

The Fine Arts of the English School PDF Author: John Britton
Publisher: Palala Press
ISBN: 9781378510933
Category : History
Languages : en
Pages : 230

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An Outline for the Study of the History of the Fine Arts in Western Civilization from the Earliest Times to the End of the Seventeenth Century

An Outline for the Study of the History of the Fine Arts in Western Civilization from the Earliest Times to the End of the Seventeenth Century PDF Author: Ralph Fanning
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188

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Book Description