Author: Rebecca M. Rush
Publisher: Princeton University Press
ISBN: 0691215685
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
The Fetters of Rhyme
Author: Rebecca M. Rush
Publisher: Princeton University Press
ISBN: 0691215685
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
Publisher: Princeton University Press
ISBN: 0691215685
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How rhyme became entangled with debates about the nature of liberty in sixteenth- and seventeenth-century English poetry In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” Despite his claim to be a pioneer, Milton was not initiating a new line of thought—English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign. The Fetters of Rhyme traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the surprising associations early modern readers attached to rhyming forms like couplets and sonnets, and she shows how reading poetic form from a historical perspective yields fresh insights into verse’s complexities. Rush explores how early modern poets imagined rhyme as a band or fetter, comparing it to the bonds linking individuals to political, social, and religious communities. She considers how Edmund Spenser’s sonnet rhymes stood as emblems of voluntary confinement, how John Donne’s revival of the Chaucerian couplet signaled sexual and political radicalism, and how Ben Jonson’s verse charted a middle way between licentious Elizabethan couplet poets and slavish sonneteers. Rush then looks at why the royalist poets embraced the prerational charms of rhyme, and how Milton spent his career reckoning with rhyme’s allures. Examining a poetic feature that sits between sound and sense, liberty and measure, The Fetters of Rhyme elucidates early modern efforts to negotiate these forces in verse making and reading.
A Critical Pronouncing Dictionary and Expositor of the English Language: ... with Observations Etymological, Critical, and Grammatical
Author: John Walker
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 788
Book Description
A critical pronouncing dictionary ... Also, A key to the classical pronunciation of Greek, Latin, and Scripture proper names ... A new edition, carefully revised and corrected
Author: John WALKER (the Philologist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 796
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 796
Book Description
A Critical Pronouncing Dictionary and Expositor of the English Language
Author: John Walker
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 682
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 682
Book Description
A Critical Pronouncing Dictionary and Exposition of the English Language, to which are Prefixed, Principles of English Pronunciation, Rules to be Observed by the Natives of Scotland, Ireland, and London ...
Author: John Walker
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
Book Description
A Critical Pronouncing Dictionary and Expositor of the English Language: to which are Prefixed, Principles of English Pronunciation: Rules to be Observed by the Natives of Scotland, Ireland, and London, for Avoiding Their Respective Peculiarities and Directions to Foreigners for Acquiring a Knowledge of the Use of this Dictionary
Author: John Walker
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 688
Book Description
Lectures on the English Language
Author: George Perkins Marsh
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 716
Book Description
Chateaubriand at the Cross WaysLectures on the English Language
Author: George Perkins Marsh
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
Lectures on the English Language. ... First series. ... Fourth edition, revised and enlarged
Author: George Perkins Marsh
Publisher:
ISBN:
Category :
Languages : en
Pages : 750
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 750
Book Description
Tradition and Reaction in Modern Poetry
Author: Laurence Binyon
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 24
Book Description