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ISBN:
Category : Feminism and the arts
Languages : en
Pages : 58
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Author: Vivian Ziherl
Publisher: MacMillan Art Publishing
ISBN: 9781921394775
Category : Feminism and the arts
Languages : en
Pages : 0
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Book Description
By reviewing the adventurous projects and artworks of a significant group of women involved with the LIP Collective based in Melbourne in the 1970s and 80s, this anthology discloses for the first time the scope of the movement. Lip magazine was self-published by women in Melbourne from 1976 to 1984 and stood as a lightning rod for Australian feminist artistic practice over the Women Liberation era. The art and ideas expressed over Lip's lifetime track, with ground-breaking moves into performance, ecology, social-engagement and labor politics, stood at an intersection with local realities. This book seeks a figuration of Lip as a composite feminist entity produced with relation to the situational conditions of its production. The anthology selection is not proposed as a best of, but rather as cumulative array of materials indicating the range and dynamism of the Lip project. The diversity of the periodical is privileged across multiple disciplinary vantages, as well as among the varied feminist positions brought together through the discursive space afforded by Lip.
Author:
Publisher:
ISBN:
Category : Feminism and the arts
Languages : en
Pages : 58
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Book Description
Author: Gabriela Aceves Sepúlveda
Publisher: U of Nebraska Press
ISBN: 1496202031
Category : History
Languages : en
Pages : 406
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Book Description
2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.
Author: Linda Nochlin
Publisher: Thames & Hudson
ISBN: 0500776628
Category : Art
Languages : en
Pages : 84
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Book Description
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”
Author: Susan Bee
Publisher: Duke University Press
ISBN: 9780822325666
Category : Art
Languages : en
Pages : 502
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Book Description
DIVA collection of writings from the influential feminist art journal M/E/A/N/I/N/G, with a forward by Johanna Drucker./div
Author: Lauren Fournier
Publisher: MIT Press
ISBN: 0262362589
Category : Art
Languages : en
Pages : 317
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Book Description
Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Author: Katy Deepwell
Publisher:
ISBN: 9789492095725
Category : Art
Languages : en
Pages : 448
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Book Description
The first volume in the new ?Plural? series, this publication seeks to critically dissect the term ?activism?, which today seems to have become a catchword for any woman?s empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
Author: Joanna Inglot
Publisher: University of Minnesota Press
ISBN:
Category : Art
Languages : en
Pages : 218
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Book Description
WARM, the first history of this important group, includes an essay that places WARM within the national feminist art movement. Twelve Minnesota artists are featured, representative of the more than one hundred women who belonged to the organization and worked in a variety of art media, including painting, sculpture, printmaking, photography, textiles, graphic design, and installation art.
Author: Dominique Heyse-Moore
Publisher: Manchester University Press
ISBN: 9780719086281
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Mary Kelly (born 1941) is known for her project-based work, addressing questions of sexuality, identity, and historical memory in the form of large-scale narrative installations. Mary Kelly: Projects, 1973-2010 has been published to accompany the most comprehensive exhibition of the American artist’s work ever presented internationally, at the Whitworth Art Gallery, The University of Manchester. Over a hundred color images illustrate the trajectory, force and relevance of Kelly’s artistic vision. This collection of new essays and interviews by seven scholars and curators surveys forty years of projects. New light is shed on Kelly’s early career and a newly commissioned work; Habitus (2010, produced with Ray Barrie) is discussed and beautifully illustrated for the first time. This book brings together exciting new analysis of Mary Kelly’s influential career by significant art historians, as well as providing a beautiful visual survey of Kelly’s art practice to date.
Author:
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ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
