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Author: Kateri
Publisher: Purple Diamond Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 125
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Book Description
Since Drama was paying the price of being the Female Don Dada, Bev has stepped in to take on the empire. Yet, there are more snakes in the grass than ever before. While trying to make sure their child is safe, Fuzz’s loyalty is tested. Will he fail the test or prove to his wife that he is the only one really in her corner? This installment of the Female Don Dada introduces a new crew of friends and foes. Some are in it to win and others will die for the sake of money, power, and respect. Where will Bev and Drama’s relationship lie after it’s all said and done? One things for sure though, you can’t trust every smiling face and it’s a damn shame if you depend on it!
Author: Kateri
Publisher: Purple Diamond Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 125
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Book Description
Since Drama was paying the price of being the Female Don Dada, Bev has stepped in to take on the empire. Yet, there are more snakes in the grass than ever before. While trying to make sure their child is safe, Fuzz’s loyalty is tested. Will he fail the test or prove to his wife that he is the only one really in her corner? This installment of the Female Don Dada introduces a new crew of friends and foes. Some are in it to win and others will die for the sake of money, power, and respect. Where will Bev and Drama’s relationship lie after it’s all said and done? One things for sure though, you can’t trust every smiling face and it’s a damn shame if you depend on it!
Author: Kateri
Publisher: Createspace Independent Publishing Platform
ISBN: 9781981790494
Category :
Languages : en
Pages : 132
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Book Description
Since Drama was paying the price of being the Female Don Dada, Bev has stepped in to take on the empire. Yet, there are more snakes in the grass than ever before. While trying to make sure their child is safe, Fuzz's loyalty is tested. Will he fail the test or prove to his wife that he is the only one really in her corner? This installment of the Female Don Dada introduces a new crew of friends and foes. Some are in it to win and others will die for the sake of money, power, and respect. Where will Bev and Drama's relationship lie after it's all said and done? One thing for sure though, you can't trust every smiling face and it's a damn shame if you depend on it!
Author: Kateri
Publisher:
ISBN: 9781517527402
Category : Revenge
Languages : en
Pages : 194
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Book Description
Author: Kateri
Publisher: Purple Diamond Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 145
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Book Description
My whole life has been nothing but drama. I eat drama! I sleep, dreaming about drama! I bathe in drama! Drama seems to be my best friend. I never wanted this life for me. Just like every normal person I wanted a peaceful life. I wanted a husband and some kids. I wanted that house with the three bedrooms and a white picket fence. Unfortunately, that life didn’t want me. Every time I tried to turn my back on drama, walk away from it all; drama grabbed me by my throat and squeezed me back into submission. Since drama wanted me in this life. Grace had to die so Drama could be born! Besides, Grace needed to handle one last thing and Drama was best equipped to get the job done. I was handed this life of mayhem and I was going to ride the stream until I die! I ran all the Drug Trade for New York’s five boroughs and I refused to rule it with a girl’s hand. I was going to rule it like a Lion King controlling his Pride. Not Grace Lee, but Drama the female Don Dada! Sit back, kick up those feet, and watch me work!
Author: Samah Dada
Publisher: Rodale Books
ISBN: 0593138244
Category : Cooking
Languages : en
Pages : 415
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Book Description
A healthy vegetarian cookbook featuring inventive takes on beloved Indian dishes, indulgent desserts, and more, all made with whole foods and anti-inflammatory ingredients—from the Today show’s resident foodie “When I’m looking for something quick that doesn’t use refined sugars and refined flour, Samah is the person I turn to. I can’t get enough!”—Giada De Laurentiis, New York Times bestselling author of Eat Better, Feel Better NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY FOOD52 AND LIBRARY JOURNAL Samah Dada doesn’t buy into the all-or-nothing mentality of healthy eating. By using real, unprocessed ingredients in surprising ways, she shows you how to have your cake and eat it too—because it’s actually made out of chickpeas. Samah knows that eating well doesn’t mean eating boring food. She uses only the most nutritious ingredients, not because she’s cutting out food groups to follow the latest fad, but to create drool-worthy meatless dishes that are mostly vegan (with options for dairy and eggs), mostly gluten-free (with easy substitutions to go entirely gluten-free), and all helpful in reducing inflammation. She reinvents Indian cookbook staples—and other classics—with recipes such as: • Sweet Potato Aloo Tikki • Creamy Black Lentils • Spicy Eggplant Masala • Chocolate Chip Tahini Cake with Chocolate Frosting • Cauliflower Cacio e Pepe • Masala Mac and Cheese • And more! With Dada Eats Love to Cook It, you’ll discover how to use healthy ingredients for maximum flavor and joy. Grain-Optional. Gluten-Flexible. Mostly Plant-Based. Totally Inclusive.
Author: Paula K. Kamenish
Publisher:
ISBN: 9781611174687
Category : ART
Languages : en
Pages : 0
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Book Description
A study of the role women played in the rebellious Dada art movement in the early twentieth century Mamas of Dada focuses on the lives and works of six representative female supporters of the Dada movement: Emmy Hennings, Gabrielle Buffet, Germaine Everling, Céline Arnauld, Juliette Roche, and Hannah Höch. Paula K. Kamenish selected these women for their avant-garde pursuits in the chief centers of Dada's rebellious activity and, more important, because they left behind a written record of their involvement with the movement, which was short lived--from 1916 to 1924--but widespread geographically. The rebellious spirit of the Dada period proved portable and adaptable, and the movement led to later forms of surrealism at the same time that it borrowed from Expressionism, Constructivism, Futurism, and Cubism. Its influence was felt on sculpture, painting, dance, music, textile art, film, decoupage, photomontage, mask making, and poetry. Some female Dadaists were active participants--appearing in literary journals, on stage, or in galleries--while others were observant and recording witnesses, but each played a role in supporting the movement and its more prominent members. Female Dadaists motivated the hesitant Hugo Ball, tempered the mechanical Francis Picabia, and nurtured the inventive but temperamental Raoul Hausmann. Some women inspired or gave a home to a wandering Tristan Tzara, while another provided a satiric chastisement of Dadaists in New York, Barcelona, and Paris. Each woman helps us chronicle and better understand Dada's European (and sometimes American) manifestations. Unlike their Futurist and Surrealist sisters, whose contributions were grudgingly accepted by male artists and writers, female Dadaists were able to join more readily in the movement's unified attack on social norms. And, because of their individual talents and insights, they did so in ways that were often quite different from methods adopted by their male counterparts.
Author: Naomi Sawelson-Gorse
Publisher: MIT Press
ISBN: 9780262692601
Category : Architecture
Languages : en
Pages : 720
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Book Description
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 664
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Book Description
Author: Irene Gammel
Publisher: MIT Press
ISBN: 9780262572156
Category : Art
Languages : en
Pages : 580
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Book Description
The first biography of the enigmatic dadaist known as "the Baroness"—Elsa von Freytag-Loringhoven. Elsa von Freytag-Loringhoven (1874–1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars. In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century.
Author: Ruth Hemus
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
The European Dada movement of the early 20th century has long been regarded as a male preserve, one in which women have been relegated to footnotes or mentioned only as the wives, girlfriends, or sisters of Dada men. This fascinating book challenges that assumption, focusing on the creative contributions made to Dada by five pivotal European women. Ruth Hemus establishes the ways in which Emmy Hennings and Sophie Taeuber in Zurich, Hannah Höch in Berlin, and Suzanne Duchamp and Céline Arnauld in Paris made important interventions across fine art, literature, and performance. Hemus highlights how their techniques and approaches were characteristic of Dada's rebellion against aesthetic and cultural conventions, analyzes the impact of gender on each woman's work, and shows convincingly that they were innovators and not imitators. In its new and original perspective on Dada, the book broadens our appreciation and challenges accepted understandings of this revolutionary avant-garde movement.
