Author: Sarah Fyge Egerton
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 32
Book Description
The Female Advocate: Or, An Answer to a Late Satyr Against the Pride, Lust and Inconstancy of Woman. Written by a Lady in Vindication of Her Sex. Licens'd, June 2. 1686
Author: Sarah Fyge Egerton
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 32
Book Description
The Female Advocate: Or an Answer to Late Satyr [“Love Given O're” by Robert Gould]. Against the Pride, Lust and Inconstancy ... of Woman. Written by a Lady in Vindication of Her Sex. [Signed S. F.]
Author: S. F.
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
English Poetry, 1680-1730
Author: Pickering & Chatto
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 132
Book Description
Satires on Women
Author: Felicity Nussbaum
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 108
Book Description
Love given o're, an ode based on Juvenal's arguments as it describes the foolishness of women in some detail; The female advocate is a direct response to Gould's famous poem as it argues that women are superior to men; and The folly of love is Ames' response to Fige's poem and several other published poems (including one he had written himself) about the superiority of men over women.
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 108
Book Description
Love given o're, an ode based on Juvenal's arguments as it describes the foolishness of women in some detail; The female advocate is a direct response to Gould's famous poem as it argues that women are superior to men; and The folly of love is Ames' response to Fige's poem and several other published poems (including one he had written himself) about the superiority of men over women.
Catalogue
Author: Pickering & Chatto
Publisher:
ISBN:
Category :
Languages : en
Pages : 986
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 986
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
The Learned Lady in England, 1650-1760
Author: Myra Reynolds
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 542
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 542
Book Description
Paper Bullets
Author: Harold M. Weber
Publisher: University Press of Kentucky
ISBN: 0813184886
Category : History
Languages : en
Pages : 374
Book Description
The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.
Publisher: University Press of Kentucky
ISBN: 0813184886
Category : History
Languages : en
Pages : 374
Book Description
The calculated use of media by those in power is a phenomenon dating back at least to the seventeenth century, as Harold Weber demonstrates in this illuminating study of the relation of print culture to kingship under England's Charles II. Seventeenth-century London witnessed an enormous expansion of the print trade, and with this expansion came a revolutionary change in the relation between political authority—especially the monarchy—and the printed word. Weber argues that Charles' reign was characterized by a particularly fluid relationship between print and power. The press helped bring about both the deconsecration of divine monarchy and the formation of a new public sphere, but these processes did not result in the progressive decay of royal authority. Charles fashioned his own semiotics of power out of the political transformations that had turned his world upside down. By linking diverse and unusual topics—the escape of Charles from Worcester, the royal ability to heal scrofula, the sexual escapades of the "merry monarch," and the trial and execution of Stephen College—Weber reveals the means by which Charles took advantage of a print industry instrumental to the creation of a new dispensation of power, one in which the state dominates the individual through the supplementary relationship between signs and violence. Weber's study brings into sharp relief the conflicts involving public authority and printed discourse, social hierarchy and print culture, and authorial identity and responsibility—conflicts that helped shape the modern state.
The Female Advocate ; Or, An Answer to a Late Satyr Against the Pride, Lust and Inconstancy, &c. of Women
Author: Sarah Fyge Egerton
Publisher:
ISBN: 9780733428081
Category : Women
Languages : en
Pages : 0
Book Description
The measured amilitancy of The Female Advocate breathes fresh air into the age-old battle of the sexes. Though the author entered the fray while still in her teens, in making her statement she creates a compelling poem. It is presented here, for the first time, in an edition with full critical apparatus.
Publisher:
ISBN: 9780733428081
Category : Women
Languages : en
Pages : 0
Book Description
The measured amilitancy of The Female Advocate breathes fresh air into the age-old battle of the sexes. Though the author entered the fray while still in her teens, in making her statement she creates a compelling poem. It is presented here, for the first time, in an edition with full critical apparatus.
Tricksters and Estates
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813157528
Category : Drama
Languages : en
Pages : 330
Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Publisher: University Press of Kentucky
ISBN: 0813157528
Category : Drama
Languages : en
Pages : 330
Book Description
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.