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Author: T. Corey Brennan
Publisher: Oxford University Press
ISBN: 0197644880
Category : Fasces
Languages : en
Pages : 305
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Book Description
"For an astounding two millennia-from the Etruscans of the seventh century BCE, then through the Romans under all their forms of government, indeed down to the last Byzantine dynasty-political authorities used the device known as the 'fasces' to induce respect as well as fear. This was a bundle of wooden rods and a single-bladed axe bound with leather straps-in essence, a mobile kit for punishment. In the Renaissance, some writers and artists found it irresistable to associate the fasces with an old (and unrelated) didactic tale from Aesop illustrating how sticks are stronger once bundled. And so, over the course of the sixteenth through the early twentieth centuries, the Roman emblem came to represent not just expected concepts such as power, punishment, and justice, but now also strength, unity, and liberty against tyranny. The "Fascist" movement of Benito Mussolini, which seized power in Italy in October 1922, purported to revive the Roman emblem in its original form. But it retained aspects of the modern reimagining of the fasces, and introduced still further novelties, such as glorification of the 'lictors', the lowly attendants who carried the fasces in antiquity. Since World War II, the fasces has seen widespread but uneven eradication, in the context of a public that has grown progressively unconversant with the symbol. It is precisely the fasces' long history and relative present-day unfamiliarity that has given an opening to right-wing extremists searching for a symbol that is potent, but not widely provocative at first glance"--
Author: T. Corey Brennan
Publisher: Oxford University Press
ISBN: 0197644880
Category : Fasces
Languages : en
Pages : 305
Get Book Here
Book Description
"For an astounding two millennia-from the Etruscans of the seventh century BCE, then through the Romans under all their forms of government, indeed down to the last Byzantine dynasty-political authorities used the device known as the 'fasces' to induce respect as well as fear. This was a bundle of wooden rods and a single-bladed axe bound with leather straps-in essence, a mobile kit for punishment. In the Renaissance, some writers and artists found it irresistable to associate the fasces with an old (and unrelated) didactic tale from Aesop illustrating how sticks are stronger once bundled. And so, over the course of the sixteenth through the early twentieth centuries, the Roman emblem came to represent not just expected concepts such as power, punishment, and justice, but now also strength, unity, and liberty against tyranny. The "Fascist" movement of Benito Mussolini, which seized power in Italy in October 1922, purported to revive the Roman emblem in its original form. But it retained aspects of the modern reimagining of the fasces, and introduced still further novelties, such as glorification of the 'lictors', the lowly attendants who carried the fasces in antiquity. Since World War II, the fasces has seen widespread but uneven eradication, in the context of a public that has grown progressively unconversant with the symbol. It is precisely the fasces' long history and relative present-day unfamiliarity that has given an opening to right-wing extremists searching for a symbol that is potent, but not widely provocative at first glance"--
Author: Jeanne Lorraine Schroeder
Publisher: Univ of California Press
ISBN: 0520313003
Category :
Languages : en
Pages : 541
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Book Description
In this feminist exploration of the erotics of the marketplace, Hegel's notion of property and Lacan's idea of the phallus serve parallel functions in creating the subjectivity necessary for self-actualization. Subjectivity requires intersubjective relationships mediated through a regime of possessing, enjoying, and exchanging an object of desire. For Hegel, this regime is property; for Lacan, it is sexuality, symbolized by the Phallus, which we conflate with the male organ and the female body. Property law, in Jeanne Schroeder's account, is implicitly figured by similar anatomical metaphors for that which men wish to possess and that which women try to be and enjoy. This is reflected in imagery taken from ancient Rome—the axe and bundle of sticks known as the Fasces, and the virgin priestess called the Vestal. Schroeder traces the persistence of phallic metaphors in modern jurisprudence. Rejecting the dominant schools of legal feminism, she reconceptualizes property—the legal relationship as well as its not necessarily material object—as a necessary moment in the human struggle for love and recognition. The Feminine, for Schroeder, is the radical negativity at the heart of both Lacan's split subject and Hegel's concept of freedom. Feminine emancipation and private property are, therefore, equally necessary conditions for the actualization of the free individual and the just society. Feminist scholars, social theorists, political scientists, philosophers, and lawyers will find in Schroeder's analysis scintillating new perspectives on property theory and the feminine within the market and the law.
Author: William Smith
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1322
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Author: William Smith
Publisher:
ISBN:
Category : Classical dictionaries
Languages : en
Pages : 492
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Book Description
Author: Anthony Rich
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 820
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Book Description
Author: William Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
Author: Sir George Cornewall Lewis
Publisher:
ISBN:
Category : Rome
Languages : en
Pages : 620
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Book Description
Author: Diane Atnally Conlin
Publisher: UNC Press Books
ISBN: 9780807823439
Category : Art
Languages : en
Pages : 372
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Book Description
Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.
Author: George Cornewall Lewis (Rt. Hon. Sir.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
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Author: Matthew V. Novenson
Publisher: Oxford University Press
ISBN: 019025503X
Category : Religion
Languages : en
Pages : 385
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Book Description
Messianism is one of the great themes in intellectual history. But because it has done so much important ideological work for the people who have written about it, the historical roots of the discourse have been obscured from view. What did it mean to talk about "messiahs" in the ancient world, before the idea of messianism became a philosophical juggernaut, dictating the terms for all subsequent discussion of the topic? In this book, Matthew V. Novenson offers a revisionist account of messianism in antiquity. He shows that, for the ancient Jews and Christians who used the term, a messiah was not an article of faith but a manner of speaking. It was a scriptural figure of speech, one among numerous others, useful for thinking about kinds of political order: present or future, real or ideal, monarchic or theocratic, dynastic or charismatic, and other variations besides. The early Christians famously seized upon the title "messiah" (in Greek, "Christ") for their founding hero and molded the sense of the term in certain ways; but, Novenson shows, this is just what all ancient messiah texts do, each in its own way. If we hope to understand the ancient texts about messiahs (from Deutero-Isaiah to the Parables of Enoch, from the Qumran Community Rule to the Gospel of John, from the Pseudo-Clementines to Sefer Zerubbabel), we must learn to think not in terms of a world-historical idea but of a language game, of so many creative reuses of an archaic Israelite idiom. In The Grammar of Messianism, Novenson demonstrates the possibility and the benefit of thinking of messianism in this way.
