Rowlandson the Caricaturist PDF Download
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Author: Joseph Grego
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 408
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Book Description
Author: Joseph Grego
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 404
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Book Description
Author: J. A. Cuddon
Publisher: Penguin
ISBN: 0141047151
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
'An indispensable work of reference' Times Literary Supplement The Penguin Dictionary of Literary Terms and Literary Theory is firmly established as a key work of reference in the complex and varied field of literary criticism. Now in its fifth edition, it remains the most comprehensive and accessible work of its kind, and is invaluable for students, teachers and general readers alike. - Gives definitions of technical terms (hamartia, iamb, zeugma) and critical jargon (aporia, binary opposition, intertextuality) - Explores literary movements (neoclassism, romanticism, vorticism) and schools of literary theory - Covers genres (elegy, fabliau, pastoral) and literary forms (haiku, ottava rima, sonnet)
Author: Alfred Williams
Publisher:
ISBN:
Category : Vale of White Horse (England)
Languages : en
Pages : 338
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Book Description
Author: Karen McCombie
Publisher:
ISBN: 9781407117867
Category : Ally (Fictitious character : McCombie)
Languages : en
Pages : 208
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Book Description
Ally knows her super-efficient big sis Linn finds their chaotic family a bit ... exasperating. But when Linn falls for Q, the tearaway lead singer in a local band, all her sensible ways go out of the window. Everyone else can see that Q's a creep, but does Ally have the courage to burst Linn's heart-shaped bubble?
Author: David Harker
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 326
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Book Description
"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us feel our roots in the Britain of 1900 or 1800 or even 1700. The only problem with this way of thinking is that it is based on myths. What we now know as 'folksongs' and 'ballads' were sought after, collected, edited and published by individuals who were either members of the rising bourgeoisie, or were ideologically sympathetic to bourgeois culture and values. The working people who sang their songs, and had them chopped up, amended and sometimes re-written or invented on their behalf, are remarkably absent from the story of 'folksong'. Before we can begin to piece together the real history of our ancestors' culture, we have to penetrate the 'mediations' of people like Cecil Sharp, Francis James Child and Albert Lancaster Lloyd, and to begin building again on firmer foundations. This book sets out to clear the ground"--Page 4 of cover.
