The Far West, Or, A Tour Beyond the Mountains PDF Download
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Author: Edmund Flagg
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 292
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Book Description
Author: Edmund Flagg
Publisher:
ISBN:
Category : Illinois
Languages : en
Pages : 292
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Book Description
Author: Edmund Flagg
Publisher: Applewood Books
ISBN: 1429001925
Category : History
Languages : en
Pages : 382
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Book Description
Flagg was a native of Maine who ran newspapers in the Mid-West. His background in law and commerce would indicate a reason for the interest in the West, which at the time this journal was written, was a source of tremendous potential.
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 434
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Book Description
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 392
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Book Description
Author: Illinois State Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 814
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Book Description
Author: Patricia Cleary
Publisher: University of Missouri Press
ISBN: 0826274994
Category : History
Languages : en
Pages : 463
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Book Description
Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits. Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.
Author: Reuben Gold Thwaites
Publisher:
ISBN:
Category : Mississippi River Valley
Languages : en
Pages : 350
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Book Description
An index of sources, illustrations, etc used in the Early western travels, 1748-1846 series.
Author: Ron Tyler
Publisher: University of Oklahoma Press
ISBN: 0806164425
Category : Art
Languages : en
Pages : 313
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Book Description
For nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.
Author: Francis Lister Hawks
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 554
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Book Description
Author: Various
Publisher: The Arthur H. Clark Company
ISBN:
Category :
Languages : en
Pages : 495
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Book Description
Early Western Travels 1748-1846 (Volume XXVI) : Part I of Flagg's The Far West 1836-1837 In laying before the majesty of the public a couple of volumes like the present, it has become customary for the author to disclaim in his preface all original design of perpetrating a book, as if there were even more than the admitted quantum of sinfulness in the act. Whether or not such disavowals now-a-day receive all the credence they merit, is not for the writer to say; and whether, were the prefatory asseveration, as in the present case, diametrically opposed to what it often is, the reception would be different, is even more difficult to predict. The articles imbodied in the following volumes were, a portion of them, in their original, hasty production, designed for the press; yet the author unites in the disavowal of his predecessors of all intention at that time of perpetrating a book. In the early summer of '36, when about starting upon a ramble over the prairies of the "Far West," in hope of renovating the energies of a shattered constitution, a request was made of the writer, by the distinguished editor of the Louisville Journal, to contribute to the columns of that periodical whatever, in the course of his pilgrimage, might be deemed of sufficient interest. A series of articles soon after made their appearance in that paper under the title, "Sketches of a Traveller." They were, as their name purports, mere sketches from a traveller's portfeuille, hastily thrown upon paper whenever time, place, or opportunity rendered convenient; in the steamboat saloon, the inn bar-room, the log-cabin of the wilderness, or upon the venerable mound of the Western prairie. With such favour were these hasty productions received, and so extensively were they circulated, that the writer, on returning from his pilgrimage to "the shrine of health," was induced, by the solicitations of partial friends, to enter at his leisure upon the preparation for the press of a mass of MSS. of a similar character, written at the time, which had never been published; a thorough revision and enlargement of that which had appeared, united with this, it was thought, would furnish a passable volume or two upon the "Far West." Two years of residence in the West have since passed away; and the arrangement for the press of the fugitive sheets of a wanderer's sketch-book would not yet, perhaps, have been deemed of sufficient importance to warrant the necessary labour, had he not been daily reminded that his productions, whatever their merit, were already public property so far as could be the case, and at the mercy of every one who thought proper to assume paternity. "Forbearance ceased to be longer a virtue," and the result is now before the reader. But, while alluding to that aid which his labours may have rendered to others, the author would not fail fully to acknowledge his own indebtedness to those distinguished writers upon the West who have preceded him. To Peck, Hall, Flint, Wetmore, and to others, his acknowledgments are due and are respectfully tendered.
