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Author: Susannah M. Smith
Publisher:
ISBN: 9781988784069
Category : Fiction
Languages : en
Pages : 0
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Book Description
Fiction. Structured as a series of interconnected galleries, THE FAIRY TALE MUSEUM is a curiosity-cabinet-as-novel that showcases the original, spectacular, grotesque, endearing, and otherworldly. You'll meet bird-headed lovers, a cyborg cyclops, a fortune teller, revolutionary ventriloquists' dummies, a narcoleptic vampire, Eros and Thanatos, and a host of woodland creatures. This is a book that celebrates hybrids, creativity, and transformation--a manifesto against putting ourselves into boxes that limit who we can be and what is possible. "THE FAIRY TALE MUSEUM has more in common with installation art than with any traditional literary genres... this book is] an exercise in encouraging creativity."--Rain Taxi "In THE FAIRY TALE MUSEUM, Susannah M. Smith has crafted a world as seemingly scenic and romantic as a snow globe--except this world can break, it can draw blood, and it can transform. This is a beautiful book, its beauty only deepened by its bite."--Derek McCormack "In Susannah M. Smith's fantastical, moody folkloric menagerie, you can wander slowly and savour, or leap randomly between surprising exhibits. Part Brothers Grimm and part Doktor Bey, part novel and part poem, THE FAIRY TALE MUSEUM is a moving, exquisite sensory experience. This is an exciting book."--Stuart Ross
Author: Susannah M. Smith
Publisher:
ISBN: 9781988784069
Category : Fiction
Languages : en
Pages : 0
Get Book Here
Book Description
Fiction. Structured as a series of interconnected galleries, THE FAIRY TALE MUSEUM is a curiosity-cabinet-as-novel that showcases the original, spectacular, grotesque, endearing, and otherworldly. You'll meet bird-headed lovers, a cyborg cyclops, a fortune teller, revolutionary ventriloquists' dummies, a narcoleptic vampire, Eros and Thanatos, and a host of woodland creatures. This is a book that celebrates hybrids, creativity, and transformation--a manifesto against putting ourselves into boxes that limit who we can be and what is possible. "THE FAIRY TALE MUSEUM has more in common with installation art than with any traditional literary genres... this book is] an exercise in encouraging creativity."--Rain Taxi "In THE FAIRY TALE MUSEUM, Susannah M. Smith has crafted a world as seemingly scenic and romantic as a snow globe--except this world can break, it can draw blood, and it can transform. This is a beautiful book, its beauty only deepened by its bite."--Derek McCormack "In Susannah M. Smith's fantastical, moody folkloric menagerie, you can wander slowly and savour, or leap randomly between surprising exhibits. Part Brothers Grimm and part Doktor Bey, part novel and part poem, THE FAIRY TALE MUSEUM is a moving, exquisite sensory experience. This is an exciting book."--Stuart Ross
Author: Colleen Hill
Publisher:
ISBN: 9780300218022
Category : Art
Languages : en
Pages : 0
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Book Description
Dress plays a crucial role in fairy tales, signaling the status, wealth, or vanity of particular characters, and symbolizing their transformation. While fairy tales often provide little information beyond what is necessary to a plot, clothing and accessories are often vividly described, enhancing the sense of wonder integral to the genre. Cinderella's glass slipper is perhaps the most famous example, but it is one of many enchanted or emblematic pieces of dress that populate these tales. This is the first book to examine the history, significance, and imagery of classic fairy tales through the lens of high fashion. A comprehensive introduction to the topic of fairy tales and dress is followed by a series of short essays on thirteen stories: Cinderella, Little Red Riding Hood, The Fairies, Sleeping Beauty, Beauty and the Beast, Snow White, Rapunzel, Furrypelts, The Little Mermaid, The Snow Queen, The Swan Maidens, Alice in Wonderland, and The Wizard of Oz. Generously illustrated, these stories are creatively and imaginatively linked to examples of clothing by Comme des Garçons, Dolce and Gabbana, Charles James, and Alexander McQueen, among many others.
Author: Marina Warner
Publisher: Oxford University Press
ISBN: 0191060194
Category : Fiction
Languages : en
Pages : 211
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Book Description
From wicked queens, beautiful princesses, elves, monsters, and goblins, to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. In this Very Short Introduction, Marina Warner digs into a rich hoard of fairy tales in all their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Drawing on a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White, Warner forms a persuasive case for fairy tale as a crucial repository of human understanding and culture. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author:
Publisher: Read Books Ltd
ISBN: 1528780175
Category : Art
Languages : en
Pages : 172
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Book Description
In celebration of Arthur Rackham’s 150th birthday, this volume features 150 of the Golden Age Illustrator’s most beautiful works. This gorgeous collection showcases a breadth of enchanting images from pioneering illustrator, Arthur Rackham. Featuring artwork from treasured classics such as A Midsummer Night’s Dream, Grimm’s Fairy Tales, and Undine, as well as his wondrous 1905 edition of Rip Van Winkle, and his final publication, The Wind in the Willows, this book is a treasure trove of Rackham’s talent. This volume would be the perfect gift for all lovers of Rackham’s art and those with an interest in the evolution of children’s book illustration.
Author: Jacob Grimm
Publisher: Damiani
ISBN: 9788862083867
Category : Art
Languages : en
Pages : 0
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Book Description
For Tales of the Brothers Grimm, 36 celebrated and lesser-known of the unsanitized fairy tales collected by the illustrious brothers were carefully chosen by artist Natalie Frank, reinterpreted in 75 gouache and chalk pastel drawings, and cast in a Surrealist dreamscape. This volume, designed by Marian Bantjes, is the largest collection of Grimms' Fairy Tales ever illustrated by a fine artist. Frank's irreverent palette, sophisticated use of color and inventive depiction of these dark narratives capture the original stories with a contemporary and unflinching eye. Each of the tales opens with a hand-drawn title page and is framed by a unique border; small drawings punctuate each story in the tradition of classic fairy-tale editions. The foremost Grimm scholar, Jack Zipes, introduces the book.
Author: Susan Verde
Publisher: Abrams
ISBN: 1613124953
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
DIVÂ /div When I see a work of art, something happens in my heart! As a little girl tours and twirls through the halls of the art museum, she finds herself on an exciting adventure. Each piece of art evokes something new inside of her: silliness, curiosity, joy, and ultimately inspiration. When confronted with an empty white canvas, she is energized to create and express herself—which is the greatest feeling of all. With exuberant illustrations by Peter H. Reynolds, The Museum playfully captures the many emotions experienced through the power of art, and each child’s unique creative process. UPraise for The Museum/u "Verde and Reynolds deliver a simple premise with a charming payoff... this “twirly-whirly†? homage to a museum is, on balance, a sweet-natured and handsome celebration." —Kirkus Reviews "Debut author Verde makes an engaging case for understanding art as an experience rather than an object." —Publishers Weekly "The rhymed text captures the excitement of a being sparked by art.†? —Booklist "Communicates a fresh, playful, childlike perspective on art and normalizes childlike responses to it. The idea that posing, laughing, and curious questions are all appropriate museum behavior may be a new one for both children and parents, and knowing this is sure to make for more enjoyable museum visits." —School Library Journal "For parents who have trouble communicating the excitement of art to their children, The Museum can serve as the starting point for a conversation. The book is also a wonderful reminder of visual art’s power to encourage and empower self-expression. Children and adults will finish this book excited about their next art experience, and perhaps tempted to dance through the halls of a museum in the near future." —Bookpage "This playful picture book pays tribute to the joyous effect art can have on the viewer." —Shelf-Awareness
Author: Michael Cunningham
Publisher: Farrar, Straus and Giroux
ISBN: 0374712603
Category : Fiction
Languages : en
Pages : 145
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Book Description
Fairy tales for our times from the Pulitzer Prize–winning author of The Hours A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away—the mythic figures of our childhoods and the source of so much of our wonder—are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Reimagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.
Author: Mark Scala
Publisher: In Collaboration with Frist Ar
ISBN: 9780826518149
Category : Art
Languages : en
Pages : 0
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Book Description
This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales, Monsters, and the Genetic Imagination, which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous," Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay, punningly titled "The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in Fairy Tales, Monsters, and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science.
Author: Kate Christine Moore Koppy
Publisher: Rowman & Littlefield
ISBN: 1793612781
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them, Kate Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.
Author: Jack Zipes
Publisher: Routledge
ISBN: 1135482845
Category : Biography & Autobiography
Languages : en
Pages : 190
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Book Description
The 2005 bicentenary of Hans Christian Andersen's birth is an opportunity to re-evaluate the achievement of one of the great figures of the fairy tale and storytelling tradition, a beloved writer famous for The Snow Queen and The Little Mermaid, The Ugly Duckling and The Red Shoesand many other now classic tales. Jack Zipes broadens our understanding of Andersen by exploring the relation of the Danish writer's work to the development of literature and of the fairy tale in particular. Based on thirty-five years of researching and writing on Andersen, this new book is a welcome reconsideration of Andersen's place and of his reception in English-speaking countries and on film.
