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Author: Jonathan Elmore
Publisher: LSU Press
ISBN: 0807183407
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The Evolving Project of Cormac McCarthy presents eleven essays of original scholarship that undertake a programmatic reassessment of McCarthy’s literary and philosophical worldview. Examining issues of race, morality, history, metaphysics, law, economics, and ecology in McCarthy’s writing reveals how these themes intersect in an overarching, positive gesture that characterizes his work. Taken together, the essays offer a more expansive understanding of McCarthy’s critique of contemporary society, while providing new clarity on his vision of alternate ways of living and community beyond their present life-denying manifestations.
Author: Jonathan Elmore
Publisher: LSU Press
ISBN: 0807183407
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The Evolving Project of Cormac McCarthy presents eleven essays of original scholarship that undertake a programmatic reassessment of McCarthy’s literary and philosophical worldview. Examining issues of race, morality, history, metaphysics, law, economics, and ecology in McCarthy’s writing reveals how these themes intersect in an overarching, positive gesture that characterizes his work. Taken together, the essays offer a more expansive understanding of McCarthy’s critique of contemporary society, while providing new clarity on his vision of alternate ways of living and community beyond their present life-denying manifestations.
Author: Jonathan Elmore
Publisher: LSU Press
ISBN: 0807183415
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
The Evolving Project of Cormac McCarthy presents eleven essays of original scholarship that undertake a programmatic reassessment of McCarthy’s literary and philosophical worldview. Examining issues of race, morality, history, metaphysics, law, economics, and ecology in McCarthy’s writing reveals how these themes intersect in an overarching, positive gesture that characterizes his work. Taken together, the essays offer a more expansive understanding of McCarthy’s critique of contemporary society, while providing new clarity on his vision of alternate ways of living and community beyond their present life-denying manifestations.
Author: Georg Guillemin
Publisher: Texas A&M University Press
ISBN: 9781585443413
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Georg Guillemin’s visionary approach to the work of Western novelist Cormac McCarthy combines an overall survey of McCarthy’s eight novels in print with a comprehensive analysis of the author’s evolving ecopastoralism. Using in-depth textual interpretations, Guillemin argues that even McCarthy’s early work is characterized less by traditional nostalgia for a lost pastoral order than by a radically egalitarian land ethic that prefigures today’s ecopastoral tendencies in Western American writing. The study shows that more than any of the other landscapes evoked by McCarthy, the Southwestern desert becomes the stage for his dramatizations of a wild sense of the pastoral. McCarthy’s fourth novel, Suttree, which is the only one set inside an urban environment, is used in the introductory chapter to discuss the relevant compositional aspects of his fiction and the methodology of the chapters to come. The main part of the study devotes chapters to McCarthy’s Southern novels, his keystone work Blood Meridian, and the Western novels known as the Border Trilogy. The concluding chapter discusses the broader context of American pastoralism and suggests that McCarthy’s ecopastoralism is animistic rather than environmentalist in character. Guillemin shows that the very popular Border Trilogy takes McCarthy’s ecopastoralism to its culmination, although this is often overlooked precisely because of the simplicity of the plots—picaresque quests. As the trilogy arranges its plots as a search for a life of pastoral harmony (All the Pretty Horses), envisions a nomadic version of pastoral (The Crossing), and experiences the foreclosure of the pastoral vision anywhere (Cities of the Plain), the trilogy as a whole tacitly acknowledges the obsolescence of utopian pastoralism. Increasingly, man ceases to be the dominant focus of narration, so that the shift from an egocentric to an ecocentric sense of self marks both the heroes and narrators of McCarthy’s novels.
Author: Sharla Hutchison
Publisher: McFarland
ISBN: 147662271X
Category : Social Science
Languages : en
Pages : 261
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Book Description
Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.
Author: Heather Ostman
Publisher: LSU Press
ISBN: 0807177784
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
The New View from Cane River features ten in-depth essays that provide fresh, diverse perspectives on Kate Chopin’s first novel, At Fault. While much critical work on the author prioritizes her famous, groundbreaking second book, The Awakening, its 1890 predecessor remains a fascinating text that presents a complicated moral universe, including a plot that involves divorce, alcoholism, and murder set in the aftermath of the Civil War. Edited by Chopin scholar Heather Ostman, the essays in The New View from Cane River provide multiple approaches for understanding this complex work, with particular attention to the dynamics of the post-Reconstruction era and its effects on race, gender, and economics in Louisiana. Original perspectives introduced by the contributors include discussions of Chopin’s treatment of privilege, sexology, and Unitarianism, as well as what At Fault reveals about the early stages of literary modernism and the reading audiences of late nineteenth-century America. This overdue reconsideration of an overlooked novel gives enthusiastic readers, students, and instructors an opportunity for new encounters with a cherished American author.
Author: William Dean Howells
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 226
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Book Description
Reminiscences of Howells' friendship with Mark Twain, followed by criticism of about a dozen of his major works (chiefly book reviews previously published in various periodicals).
Author: Roi Tartakovsky
Publisher: LSU Press
ISBN: 0807175420
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
In Surprised by Sound, Roi Tartakovsky shows that the power of rhyme endures well into the twenty-first century even though its exemplary usages may differ from traditional or expected forms. His work uncovers the mechanics of rhyme, revealing how and why it remains a vital part of poetry with connections to large questions about poetic freedom, cognitive and psychoanalytic theories, and the accidental aspects of language. As a contribution to studies of sound in poetry, Surprised by Sound takes on two central questions: First, what is it about the structure of rhyme that makes it such a potent and ongoing source of poetic production and extrapoetic fascination? Second, how has rhyme changed and survived in the era of free verse, whose prototypical poetry is as hostile to poetic meter as it is to the artificial sound of rhyme, including the sound of rhythmic thumping at the end of every line? In response, Tartakovsky theorizes a new category of rhyme that he terms “sporadic.” Since it is not systematized or expected, sporadic rhyme can be a single, strongly resounding rhyme used suddenly in a free verse poem. It can also be an internal rhyme in a villanelle or a few scattered rhymes unevenly distributed throughout a longer poem that nevertheless create a meaningful cluster of words. Examining usages across varied poetic traditions, Tartakovsky locates sporadic rhyme in sources ranging from a sixteenth-century sonnet to a nonsensical, practically unperformable piece by Gertrude Stein and a 2007 MoveOn.org ad in the New York Times. With careful attention to the soundscapes of poems, Surprised by Sound demonstrates that rhyme’s enduring value lies in its paradoxical and unstable nature as well as its capacity for creating poetic, cognitive, and psychic effects.
Author: Martyn Bone
Publisher: LSU Press
ISBN: 0807156361
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
Author: Keira V. Williams
Publisher: LSU Press
ISBN: 0807170860
Category : Social Science
Languages : en
Pages : 445
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Book Description
With this remarkable study, historian Keira V. Williams shows how fictional matriarchies—produced for specific audiences in successive eras and across multiple media—constitute prescriptive, solution-oriented thought experiments directed at contemporary social issues. In the process, Amazons in America uncovers a rich tradition of matriarchal popular culture in the United States. Beginning with late-nineteenth-century anthropological studies, which theorized a universal prehistoric matriarchy, Williams explores how representations of women-centered societies reveal changing ideas of gender and power over the course of the twentieth century and into the present day. She examines a deep archive of cultural artifacts, both familiar and obscure, including L. Frank Baum’s The Wizard of Oz series, Progressive-era fiction like Charlotte Perkins Gilman’s utopian novel Herland, the original 1940s Wonder Woman comics, midcentury films featuring nuclear families, and feminist science fiction novels from the 1970s that invented prehistoric and futuristic matriarchal societies. While such texts have, at times, served as sites of feminist theory, Williams unpacks their cyclical nature and, in doing so, pinpoints some of the premises that have historically hindered gender equality in the United States. Williams also delves into popular works from the twenty-first century, such as Tyler Perry’s Madea franchise and DC Comics/Warner Bros.’ globally successful film Wonder Woman, which attest to the ongoing presence of matriarchal ideas and their capacity for combating patriarchy and white nationalism with visions of rebellion and liberation. Amazons in America provides an indispensable critique of how anxieties and fantasies about women in power are culturally expressed, ultimately informing a broader discussion about how to nurture a stable, equitable society.
Author: Brannon Costello
Publisher: LSU Press
ISBN: 0807168076
Category : Literary Criticism
Languages : en
Pages : 486
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Book Description
In the 1980s, Howard Chaykin broke new ground in American comic books with a series of formally innovative, iconoclastic works that turned the traditional action-adventure tales of mainstream comics into a platform for personal expression, political engagement, and aesthetic experimentation. His original creations American Flagg!, Time2, and the notorious Black Kiss, along with his reshaping of familiar titles like The Shadow and Blackhawk, generated acclaim and often controversy as they challenged expectations of the visual design and subject matter permissible in popular comics. Today, Chaykin remains a vital and prolific artist, but despite the original and influential nature of his work, he receives scant critical attention. In Neon Visions, Brannon Costello offers the first book-length critical evaluation of Chaykin’s work and confronts the blind spots in comics scholarship that consign this seminal artist to the margins. He argues that Chaykin’s contributions are often overlooked because his comics eschew any pretensions to serious literature. Instead, Chaykin’s work revels in the cliffhanger thrills of heroic-adventure genres and courts outrage with transgressive depictions of violence and sexuality. Examining Chaykin’s career from his early successes to compelling contemporary series such as City of Tomorrow, Dominic Fortune, and the controversial Black Kiss 2, Costello explores how this inventive body of work, through its evolving treatment of the theme of authenticity, incisively investigates popular culture’s capacity to foster or constrain individual identity and political agency. Challenging prevailing assumptions about the types of comics deemed worthy of scholarly attention, Costello reveals that the work of an artist as distinctive as Howard Chaykin demands a nuanced reading—one that confronts his unique approach to the comics medium, his blending of autobiographical themes and genre trademarks, and his engagement with comic books as artifacts of consumer culture.
