The Evolution of Javanese Gamelan: The legacy of the roaring sea PDF Download
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Author: Mantle Hood
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 240
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Book Description
Author: Mantle Hood
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 240
Get Book Here
Book Description
Author: Mantle Hood
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 0
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Book Description
Author: Mantle Hood
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 398
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Book Description
Author: Mantle Hood
Publisher:
ISBN:
Category : Gamelan
Languages : en
Pages : 240
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Book Description
Author: Sumarsam
Publisher: University of Chicago Press
ISBN: 9780226780115
Category : Music
Languages : en
Pages : 386
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Book Description
Gamelan is the first study of the music of Java and the development of the gamelan to take into account extensive historical sources and contemporary cultural theory and criticism. An ensemble dominated by bronze percussion instruments that dates back to the twelfth century in Java, the gamelan as a musical organization and a genre of performance reflects a cultural heritage that is the product of centuries of interaction between Hindu, Islamic, European, Chinese, and Malay cultural forces. Drawing on sources ranging from a twelfth-century royal poem to the writing of a twentieth-century nationalist, Sumarsam shows how the Indian-inspired contexts and ideology of the Javanese performing arts were first adjusted to the Sufi tradition and later shaped by European performance styles in the eighteenth and nineteenth centuries. He then turns to accounts of gamelan theory and practice from the colonial and postcolonial periods. Finally, he presents his own theory of gamelan, stressing the relationship between purely vocal melodies and classical gamelan composition.
Author: Garland Encyclopedia of World Music
Publisher: Routledge
ISBN: 1136096027
Category : Music
Languages : en
Pages : 1092
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Book Description
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 0415994047
Category : Music
Languages : en
Pages : 652
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Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Author: Mantle Hood
Publisher:
ISBN: 9783795902803
Category : Gamelan
Languages : en
Pages : 229
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Book Description
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
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Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author: Henry Spiller
Publisher: University of Hawaii Press
ISBN: 0824854942
Category : Music
Languages : en
Pages : 282
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Book Description
Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia's most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four "javaphiles"—individuals who embraced Javanese performing arts in their own quests for a sense of belonging—Javaphilia: American Love Affairs with Javanese Music and Dance explores a century of American representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans' imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance. Javaphilia's main subjects—Canadian-born singer Eva Gauthier (1885–1958), dancer/painter Hubert Stowitts (1892–1953), ethnomusicologist Mantle Hood (1918–2005), and composer Lou Harrison (1917–2003)—all felt marginalized by the mainstream of Western society: Gauthier by her lukewarm reception as an operatic mezzo-soprano in Europe, Stowitts by his homosexuality, Hood by conflicting interests in spirituality and scientific method, and Harrison by his predilection for prettiness in a musical milieu that valued more anxious expressions. All four parlayed their own direct experiences of Java into a defining essence for their own characters. By identifying aspects of Javanese music and dance that were compatible with their own tendencies, these individuals could literally perform unconventional—yet coherent—identities based in Javanese music and dance. Although they purported to represent Java to their fellow North Americans, they were in fact simply representing themselves. In addition to probing the fascinating details of these javaphiles' lives, Javaphilia presents a novel analysis of North America's first significant encounters with Javanese performing arts at the 1893 World's Columbian Exposition in Chicago. An account of the First International Gamelan Festival, in Vancouver, BC (at Expo 86), almost a century later, bookends the epoch that is the focus of Javaphilia and sets the stage for a meditation on North Americans' ongoing relationships with the music and dance of Java.
