Author: Kathleen J. Shelton
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 162
Book Description
The Esquiline Treasure
Author: Kathleen J. Shelton
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 162
Book Description
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 162
Book Description
Through a Glass Brightly
Author: Chris Entwistle
Publisher: Oxbow Books
ISBN: 1785702734
Category : Art
Languages : en
Pages : 462
Book Description
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.
Publisher: Oxbow Books
ISBN: 1785702734
Category : Art
Languages : en
Pages : 462
Book Description
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.
Ivory, Bone, and Related Wood Finds
Author: Wilma Olch Stern
Publisher: BRILL
ISBN: 9004158189
Category : Art
Languages : en
Pages : 457
Book Description
Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.
Publisher: BRILL
ISBN: 9004158189
Category : Art
Languages : en
Pages : 457
Book Description
Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.
Early Medieval Art
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Vessels
Author: Claudia Brittenham
Publisher: Oxford University Press
ISBN: 0192568736
Category : Art
Languages : en
Pages : 366
Book Description
Vessels can take many forms: as objects made for human interaction and handling, they both contain and are bounded by space. They can be constructed of a wide variety of materials. But the range of vessels - across history and across cultures - are unified in their potential for practical functioning, whether or not a particular object is in fact made to be used in its particular context. In this volume, four essays by leading scholars tackle the category of the vessel in a comparative conversation between classical Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the object as container, the interactions between user and artefact, and the power of the vessel as both conceptual category and material metaphor, they argue that many vessels - and assemblages of vessels - were sites of remarkable workmanship and considerable ingenuity, smart and sophisticated commentaries on the very categories that they embody. In placing these individual case studies in dialogue, the volume offers an art historical and cross-cultural study of vessels in ancient societies, considering both objects and their archaeological contexts. Its aim is to make illuminating comparisons, contrasts, and interpretations by juxtaposing traditions. In keeping with the aims of the series, it serves as a model for a new kind of comparative art history, one which emphasizes material culture and is attentive to questions of evidence and method, yet remains historically grounded and contextually sensitive.
Publisher: Oxford University Press
ISBN: 0192568736
Category : Art
Languages : en
Pages : 366
Book Description
Vessels can take many forms: as objects made for human interaction and handling, they both contain and are bounded by space. They can be constructed of a wide variety of materials. But the range of vessels - across history and across cultures - are unified in their potential for practical functioning, whether or not a particular object is in fact made to be used in its particular context. In this volume, four essays by leading scholars tackle the category of the vessel in a comparative conversation between classical Greece, late antique Rome, pre-Columbian Mesoamerica, and ancient China. By considering the material properties of the object as container, the interactions between user and artefact, and the power of the vessel as both conceptual category and material metaphor, they argue that many vessels - and assemblages of vessels - were sites of remarkable workmanship and considerable ingenuity, smart and sophisticated commentaries on the very categories that they embody. In placing these individual case studies in dialogue, the volume offers an art historical and cross-cultural study of vessels in ancient societies, considering both objects and their archaeological contexts. Its aim is to make illuminating comparisons, contrasts, and interpretations by juxtaposing traditions. In keeping with the aims of the series, it serves as a model for a new kind of comparative art history, one which emphasizes material culture and is attentive to questions of evidence and method, yet remains historically grounded and contextually sensitive.
The Trophies of the Martyrs
Author: Galit Noga-Banai
Publisher: OUP Oxford
ISBN: 019152722X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.
Publisher: OUP Oxford
ISBN: 019152722X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
In this pioneering study, the first of its kind, Galit Noga-Banai analyses silver reliquaries decorated with Christian figurative themes. She offers a clearer and more detailed picture of the beginnings of the cult of relics, which were an essential asset to the Church in its establishment of pilgrimage centres and local hagiographic heritage sites, first in Italy and later in other places around Europe and North Africa. At the same time, Noga-Banai highlights the identity of the objects as portable art, treating the reliquaries as visual historical testimonies. The book is illustrated with nearly 100 finely reproduced drawings and photographs.
Roman Eyes
Author: Jaś Elsner
Publisher: Princeton University Press
ISBN: 9780691096773
Category : Art
Languages : en
Pages : 384
Book Description
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.
Publisher: Princeton University Press
ISBN: 9780691096773
Category : Art
Languages : en
Pages : 384
Book Description
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans.
Shifting Genres in Late Antiquity
Author: Geoffrey Greatrex
Publisher: Routledge
ISBN: 1317055446
Category : History
Languages : en
Pages : 391
Book Description
Shifting Genres in Late Antiquity examines the transformations that took place in a wide range of genres, both literary and non-literary, in this dynamic period. The Christianisation of the Roman empire and the successor kingdoms had a profound impact on the evolution of Greek and Roman literature, and many aspects of this are discussed in this volume - the composition of church history, the collection of papal letters, heresiology, homiletics and apologetic. Contributors discuss authors such as John Chrysostom, Ambrose of Milan, Cassiodorus, Jerome, Liberatus of Carthage, Victor of Vita, and Epiphanius of Salamis as well as the Collectio Avellana. Secular literature too, however, underwent important changes, notably in Constantinople in the sixth century. Several chapters accordingly reassess the work of Procopius of Caesarea and literature of this period; attention is also given to the evolution of the chronicle genre. Technical writing, such as military manuals and legal texts, are the focus of other chapters; further genres considered include monody, epigraphy and epistolography. Changes in visual representation are also considered in chapters devoted to diptychs, monuments and coins. A common theme that emerges from the chapters is the flexibility and adaptability of genres in the period: late antique authors, whether orators or historians, were not slavish followers of their classical predecessors. They were capable of engaging with their models, adapting them to their own purposes, and producing work that deserves to be considered on its own merits. It is necessary to examine their texts and genres closely to grasp what they set out to do; on occasion, attention must also be paid to the transmission of these texts. The volume as a whole represents a significant contribution to the reassessment of late antique culture in general.
Publisher: Routledge
ISBN: 1317055446
Category : History
Languages : en
Pages : 391
Book Description
Shifting Genres in Late Antiquity examines the transformations that took place in a wide range of genres, both literary and non-literary, in this dynamic period. The Christianisation of the Roman empire and the successor kingdoms had a profound impact on the evolution of Greek and Roman literature, and many aspects of this are discussed in this volume - the composition of church history, the collection of papal letters, heresiology, homiletics and apologetic. Contributors discuss authors such as John Chrysostom, Ambrose of Milan, Cassiodorus, Jerome, Liberatus of Carthage, Victor of Vita, and Epiphanius of Salamis as well as the Collectio Avellana. Secular literature too, however, underwent important changes, notably in Constantinople in the sixth century. Several chapters accordingly reassess the work of Procopius of Caesarea and literature of this period; attention is also given to the evolution of the chronicle genre. Technical writing, such as military manuals and legal texts, are the focus of other chapters; further genres considered include monody, epigraphy and epistolography. Changes in visual representation are also considered in chapters devoted to diptychs, monuments and coins. A common theme that emerges from the chapters is the flexibility and adaptability of genres in the period: late antique authors, whether orators or historians, were not slavish followers of their classical predecessors. They were capable of engaging with their models, adapting them to their own purposes, and producing work that deserves to be considered on its own merits. It is necessary to examine their texts and genres closely to grasp what they set out to do; on occasion, attention must also be paid to the transmission of these texts. The volume as a whole represents a significant contribution to the reassessment of late antique culture in general.
Silver and Society in Late Antiquity
Author: Ruth E. Leader-Newby
Publisher: Routledge
ISBN: 1351900072
Category : History
Languages : en
Pages : 391
Book Description
The spectacular hoards of late antique silver - Mildenhall, Thetford, Sevso - discovered since the middle of the last century have aroused much interest in this luxury art form. But what did these pieces mean to their owners, and why was silverware so important in late antiquity? Silver and Society in Late Antiquity examines such questions through an integrated, synthetic analysis of the history of silver in the Roman empire between 300 and 650 AD, focusing upon the cultural significance of this luxury art form in all its different manifestations--sacred, imperial and domestic. Ruth Leader-Newby looks at a wide range of objects from both the eastern and western halves of the Roman empire - including Britain - in order to determine silver's role in the wider sphere of late antique visual culture, asking questions about the relative significance of individual forms of artistic production, and their relationship with each other. In doing so, key issues for the artistic and cultural history of late antiquity are raised - the use of the imperial image, the visual construction of the sacred in Christianity, the cohesive social role of elite intellectual culture, and the Christianization of the domestic sphere. As this book demonstrates, when studied in its historical context, silver can substantially enrich our understanding of late Roman art and culture.
Publisher: Routledge
ISBN: 1351900072
Category : History
Languages : en
Pages : 391
Book Description
The spectacular hoards of late antique silver - Mildenhall, Thetford, Sevso - discovered since the middle of the last century have aroused much interest in this luxury art form. But what did these pieces mean to their owners, and why was silverware so important in late antiquity? Silver and Society in Late Antiquity examines such questions through an integrated, synthetic analysis of the history of silver in the Roman empire between 300 and 650 AD, focusing upon the cultural significance of this luxury art form in all its different manifestations--sacred, imperial and domestic. Ruth Leader-Newby looks at a wide range of objects from both the eastern and western halves of the Roman empire - including Britain - in order to determine silver's role in the wider sphere of late antique visual culture, asking questions about the relative significance of individual forms of artistic production, and their relationship with each other. In doing so, key issues for the artistic and cultural history of late antiquity are raised - the use of the imperial image, the visual construction of the sacred in Christianity, the cohesive social role of elite intellectual culture, and the Christianization of the domestic sphere. As this book demonstrates, when studied in its historical context, silver can substantially enrich our understanding of late Roman art and culture.
Experiencing Byzantium
Author: Dr Claire Nesbitt
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472416716
Category : History
Languages : en
Pages : 409
Book Description
From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472416716
Category : History
Languages : en
Pages : 409
Book Description
From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.