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Author: Dan Gerber
Publisher: Copper Canyon Press
ISBN: 1619322641
Category : Poetry
Languages : en
Pages : 113
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Book Description
Reading the poetry of Dan Gerber, we are summoned to this larger truth: Though we live in fraught times, on the tipping point of human self-destruction, we and our planet are still very much alive. In one of his last sonnets, nearly five hundred years ago, Michelangelo Buonarroti confronted the paradox of our earthly existence: “Why beauty mixed with terror, feeds so strangely my desire.” Reading The End of Michelangelo, we are similarly reminded that the very fact of being alive—experiencing our fleeting, fragile existence—is our only source of joy, our only avenue of consolation. These are poems that wake us up, revivify our desire to go on living despite our times, to counter our times; if poetry has a purpose, it may be exactly this. As T.H. White suggests, we can't save our world if we don't first savor it. “Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on Earth, in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight off these poems that recall the deep imagery of Vallejo, Neruda, and Wright.” —Rain Taxi
Author: Dan Gerber
Publisher: Copper Canyon Press
ISBN: 1619322641
Category : Poetry
Languages : en
Pages : 113
Get Book
Book Description
Reading the poetry of Dan Gerber, we are summoned to this larger truth: Though we live in fraught times, on the tipping point of human self-destruction, we and our planet are still very much alive. In one of his last sonnets, nearly five hundred years ago, Michelangelo Buonarroti confronted the paradox of our earthly existence: “Why beauty mixed with terror, feeds so strangely my desire.” Reading The End of Michelangelo, we are similarly reminded that the very fact of being alive—experiencing our fleeting, fragile existence—is our only source of joy, our only avenue of consolation. These are poems that wake us up, revivify our desire to go on living despite our times, to counter our times; if poetry has a purpose, it may be exactly this. As T.H. White suggests, we can't save our world if we don't first savor it. “Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on Earth, in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight off these poems that recall the deep imagery of Vallejo, Neruda, and Wright.” —Rain Taxi
Author: Ross King
Publisher: Bloomsbury Publishing USA
ISBN: 163286195X
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.
Author: James A. Connor
Publisher: Macmillan
ISBN: 9780230605732
Category : Art
Languages : en
Pages : 256
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Book Description
A rich exploration of Michelangelo's masterpiece, "The Last Judgment," unlocking the mysteries of a turbulent period in European history
Author: Loren W. Partridge
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Richly illustrated with over 150 colour photos showing the painting in its entirety, and close-up.
Author: Bernadine Barnes
Publisher: Univ of California Press
ISBN: 0520205499
Category : Art
Languages : en
Pages : 203
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Book Description
In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: William E. Wallace
Publisher: Princeton University Press
ISBN: 0691212759
Category : Architecture
Languages : en
Pages : 294
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Book Description
"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--Provided by publisher.
Author: Andrew Graham-Dixon
Publisher: Skyhorse Publishing Inc.
ISBN: 1602393680
Category : Art
Languages : en
Pages : 225
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Book Description
The story behind the timeless Renaissance revealed.
Author: Stephanie Storey
Publisher: Skyhorse Publishing, Inc.
ISBN: 1628726393
Category : Fiction
Languages : en
Pages : 354
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Book Description
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
