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Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 538
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Book Description
E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 538
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Book Description
E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 544
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Book Description
Author: C. Walter Hodges
Publisher: Cambridge University Press
ISBN: 9780521311700
Category : Drama
Languages : en
Pages : 204
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Book Description
Lavishly illustrated, Enter the Whole Army reconstructs the original staging of scenes from Shakespeare.
Author: David Stevens
Publisher: Lulu.com
ISBN: 1105175219
Category : Reference
Languages : en
Pages : 319
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Book Description
Formerly published as "English Renaissance Theatre History: A Reference Guide" by G. K. Hall in 1982, this annotated bibliography of scholarship in the field of Elizabethan theatre history has been out of print for almost 30 years. Most academic libraries have a copy in their reference departments, and this classic is now available for the personal libraries of students and scholars in the field. It has never been easier to review the academic literature in such areas as reconstructions of Shakespeare's Globe Playhouse, and other public and private playhouses of Shakespeare's London; the court masques; Inigo Jones; Richard Burbage and other actors of the time; the Lord Mayor's Shows; Puritan opposition to the stage; and other such topics. The terminal date of 1979 reflects the date of original production, but with this tool it is a simple matter for the scholar to update his or her review of the literature. The comprehensive Index is invaluable, and Stevens also provides a preface and introduction.
Author: Lily B. Campbell
Publisher: Cambridge University Press
ISBN: 1107620848
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
This 1923 book studies the development of English staging during the Renaissance, and its relationship with the classical revival of stage decoration in Italy. The text attempts to show how from the beginning of the classical revival of drama in Italy, staging was regarded as an accepted part of dramatic production.
Author: George Fullmer Reynolds
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 78
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Book Description
Author: George Fullmer Reynolds
Publisher: [Folcroft, Pa.] : Folcroft Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 84
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Book Description
Author: W. J. Lawrence
Publisher: CreateSpace
ISBN: 9781500676919
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
"The author was a pioneer in the field in which he is now an authority. He is not concerned with the drama or with acting. "Instead he is interested in the physical conditions and stage conventions of the Elizabethan playhouse.... In bringing together his papers and studies into the present volume, Mr. Lawrence has striven especially to illustrate not only the rise and progress of the 'Platform stage,' but also the degree to which its characteristics coalesced with and influenced the 'Picture stage.' 'It will be found, I think, that these studies embody full details of the evolution of the English theatre in its primary and secondary stages, or, in other words, from its inception in the inn-yards until the close of the seventeenth century. In them some attempt has been made to indicate what features were indigenous and what derivative.' "Into the eleven separate papers that make up his volume, Mr. Lawrence has gathered a wide variety of information about the Elizabethan playhouse." —The Boston Transcript "The essays are written with verve and bear the mark of diligent preparation. That they lead to rather few definite conclusions Is perhaps due more to the broad field they seek to cover than to any lack of critical acumen In the author." —The Dial "The first article Is the best summary yet published of our information In regard to the stage conditions of the time. As regards the author's general views concerning the Elizabethan stage, one may say that he is altogether uninfluenced by recent writers who are inclined to claim for Elizabethan staging a larger element of pictorial illusion than was once thought possible, and who In other respects minimize to a certain extent the archaic features of the stage of the period. The volume is beautifully printed, and its value is enhanced by a series of admirable Illustrations." —The Nation "Profoundly scholarly work." —The N. Y. Times "This volume is packed with discovery. Their riches would furnish forth—they probably will furnish forth—the popular historian's book bazaar for the next ten years. Some day Mr. Lawrence will receive his due. —The Saturday Review
Author: David Galloway
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 248
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Book Description
Author: Edmund Kerchever Chambers
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 506
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Book Description
E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.
