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Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
This catalogue looks at the Grand Tour, a vital aspect of European civilisation in the age of the Enlightenment, from the point of view of several countries and includes the work of foremost artists of the period.
Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
This catalogue looks at the Grand Tour, a vital aspect of European civilisation in the age of the Enlightenment, from the point of view of several countries and includes the work of foremost artists of the period.
Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
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Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Author: Vernon Lee
Publisher:
ISBN:
Category : Italian drama (Comedy)
Languages : en
Pages : 602
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Book Description
Author: Vernon Lee
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 320
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Book Description
Author: Museum of Fine Arts, Houston
Publisher: Philadelphia Museum (PA)
ISBN:
Category : Art
Languages : en
Pages : 632
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Book Description
"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Vernon Lee
Publisher:
ISBN: 9781331922674
Category : Literary Collections
Languages : en
Pages : 314
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Book Description
Excerpt from Studies of the Eighteenth Century in Italy This book is at first sight heterogeneous and anomalous: heterogeneous, because it treats two subjects which are rarely treated by one individual, and never treated under one binding, literature and music; anomalous, because it is far from dealing with all that goes to make up the Italian Eighteenth Century, while it deals with not a few men and things belonging to the sixteenth and seventeenth centuries. Why not deal exclusively and completely with either music or literature? Why not study the satirist Parini by the side of the playwright Goldoni, rather than study the composer Jommelli, who seems to have no connection with him? Why examine the comedies of the time of Salvator Rosa and pass over the tragedies of Alfieri? Why linger over forgotten composers and singers while scientific and philosophic writers, whose works are still read and discussed, remain unmentioned? The book is seemingly most incoherent in subject, and most incomplete and digressive in treatment. But the apparent incoherence of subject is in reality unity of treatment; and the apparent incompleteness and irrelevance of treatment is in reality completeness and restriction of the subject. The book deals both with literature and with music, because the point of view of the writer is neither exclusively literary nor exclusively musical, but generally aesthetic; because the object of the writer has been to study not the special nature and history of any art in its isolation, but to study the constitution and evolution of the various arts compared with one another; and the arts whose constitution and evolution can be studied in a work on the Italian Eighteenth Century happen to be the drama and music, just as the arts which might be studied in a work on the Athenian fifth century B.C. would be the drama and sculpture. The writer of this book is neither a literary historian nor a musical critic, but an aesthetician; and both literature and music belong to the aesthetician's domain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Jacob Bean
Publisher: Metropolitan Museum of Art
ISBN: 0870990217
Category : Drawing
Languages : en
Pages : 459
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Book Description
"This is the third in a series of catalogues published jointly by The Metropolitan Museum of Art and The Pierpont Morgan Library to record exhibitions of drawings from the two institutions and from distinguished private collections. The exhibitions and the books that illustrate them will ultimately document the finest traditions of European draughtsmanship, from the Renaissance through the nineteenth century. The Eighteenth Century in Italy, which follows The Italian Renaissance and The Seventeenth Century in Italy, contains reproductions of 300 drawings, presented one to a page. The book brings together, chronologically, brilliant works by G. B. Tiepolo, Canaletto, Francesco Guardi, Giovanni Battista Piranesi, and Domenico Tiepolo—as well as drawings of fifty-one other masters of the Settecento. As in the preceding catalogues, the photographic reproductions have been made directly from the drawings themselves in order to retain, as much as possible, the original tonalities. Each of the 300 drawings has a commentary, record of provenance and exhibitions, technical description, and bibliography. And, for the first time in the series, many watermarks have been drawn and reproduced photographically"--Publisher's description.
Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
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Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Author: Paolo Coen
Publisher: BRILL
ISBN: 900438815X
Category : Art
Languages : en
Pages : 246
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Book Description
Eighteenth-century Rome offers a privileged view of art market activities, given the continuity of remarkable investments by the local ruling class, combined with the decisive impact of external agents, largely linked to the Grand Tour. This book, the result of collaboration between international specialists, brings back into the spotlight protagonists, facts and dynamics that have remained unexplored for many years.
Author: Jacob Bean
Publisher:
ISBN: 9780870990229
Category : Drawing, Italian
Languages : en
Pages : 443
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Book Description
