The Eighteenth-century English Organ Concerto After Handel PDF Download
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Author: Grady Ellis Coyle
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 152
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Book Description
Author: Grady Ellis Coyle
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 152
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Book Description
Author: John Hatton
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 106
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Book Description
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Keith A. McNabb
Publisher:
ISBN:
Category : Concertos (Organ)
Languages : en
Pages : 186
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Book Description
Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351557408
Category : Music
Languages : en
Pages : 299
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Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672401
Category : Music
Languages : en
Pages : 310
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Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: Stanley Sadie
Publisher: University Rochester Press
ISBN: 9780835718332
Category : Music
Languages : en
Pages : 332
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Book Description
Author: Charles Cudworth
Publisher: Cambridge University Press
ISBN: 9780521235259
Category : Music
Languages : en
Pages : 298
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Book Description
The essays in this book are devoted to the social and intellectual background of eighteenth-century music.
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1783274565
Category : Music
Languages : en
Pages : 434
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Book Description
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Author: Susan Wollenberg
Publisher: Routledge
ISBN: 1351571214
Category : Music
Languages : en
Pages : 316
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Book Description
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
