Author: Homer Ulrich
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The education of a concert-goer
Author: Homer Ulrich
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
A Concertgoers Guide
Author: Christine Amos Linial
Publisher: Cengage Learning
ISBN: 9781111347529
Category : Education
Languages : en
Pages : 96
Book Description
Students often struggle to engage with music that is often times foreign to them and subsequently communicate their experience in a written assignment. A CONCERTGOER'S GUIDE gives students a complete reference tool for successfully writing concert reviews and response papers. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Publisher: Cengage Learning
ISBN: 9781111347529
Category : Education
Languages : en
Pages : 96
Book Description
Students often struggle to engage with music that is often times foreign to them and subsequently communicate their experience in a written assignment. A CONCERTGOER'S GUIDE gives students a complete reference tool for successfully writing concert reviews and response papers. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
The Concert-goer
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Musical Leader and Concert Goer
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 402
Book Description
The Education of a Music Lover
Author: Edward Dickinson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
Book Description
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1142
Book Description
Music, Society, Education
Author: Christopher Small
Publisher: Wesleyan University Press
ISBN: 0819572233
Category : Music
Languages : en
Pages : 249
Book Description
Cited by Soundpost as "remarkable and revolutionary" upon its publication in 1977, Music, Society, Education has become a classic in the study of music as a social force. Christopher Small sets out to examine the social implications of Western classical music, effects that until recently have been largely ignored or dismissed by most musicologists. He strives to view the Western musical tradition "through the mirror of these other musics [Balinese and African] as it were from the outside, and in so doing to learn something of the inner unspoken nature of Western culture as a whole." As series co-editor Robert Walser writes, "By pointing to the complicity of Western culture with Western imperialism, Small challenges us to create a future that is more humane than the past. And by writing a book that enables us to rethink so fundamentally our involvements with music, he teaches us how we might get there."
Publisher: Wesleyan University Press
ISBN: 0819572233
Category : Music
Languages : en
Pages : 249
Book Description
Cited by Soundpost as "remarkable and revolutionary" upon its publication in 1977, Music, Society, Education has become a classic in the study of music as a social force. Christopher Small sets out to examine the social implications of Western classical music, effects that until recently have been largely ignored or dismissed by most musicologists. He strives to view the Western musical tradition "through the mirror of these other musics [Balinese and African] as it were from the outside, and in so doing to learn something of the inner unspoken nature of Western culture as a whole." As series co-editor Robert Walser writes, "By pointing to the complicity of Western culture with Western imperialism, Small challenges us to create a future that is more humane than the past. And by writing a book that enables us to rethink so fundamentally our involvements with music, he teaches us how we might get there."
The Concert Goer's Annual
Author: Evan Senior
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Musical Essays in Art, Culture, Education
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312
Book Description
The Oxford Handbook of Music Listening in the 19th and 20th Centuries
Author: Christian Thorau
Publisher: Oxford University Press
ISBN: 0190466987
Category : Music
Languages : en
Pages : 545
Book Description
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.
Publisher: Oxford University Press
ISBN: 0190466987
Category : Music
Languages : en
Pages : 545
Book Description
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.