The Edison Motion Picture Myth

The Edison Motion Picture Myth PDF Author: Gordon Hendricks
Publisher: Berkeley : University of California Press
ISBN:
Category : Cinematography
Languages : en
Pages : 260

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Book Description

The Edison Motion Picture Myth

The Edison Motion Picture Myth PDF Author: Gordon Hendricks
Publisher: Berkeley : University of California Press
ISBN:
Category : Cinematography
Languages : en
Pages : 260

Get Book Here

Book Description


The Edison Motion Picture Myth

The Edison Motion Picture Myth PDF Author: Gordon Hendricks
Publisher: Berkeley : University of California Press
ISBN:
Category : Cinematography
Languages : en
Pages : 256

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Book Description


The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures PDF Author: Paul Fischer
Publisher: Simon and Schuster
ISBN: 1982114827
Category : Art
Languages : en
Pages : 416

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Book Description
In 1888 Louis Le Prince shot the world's first motion picture. In 1890, weeks before the public unveiling of his camera and projector - a year before Thomas Edison announced that he had invented a motion picture camera - Le Prince stepped on a train in France - and disappeared without a trace. He was never seen or heard from again, and his body never found

Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952

Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 PDF Author: Ray Zone
Publisher: University Press of Kentucky
ISBN: 0813145899
Category : Biography & Autobiography
Languages : en
Pages : 236

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Book Description
Though it may come as a surprise to both cinema lovers and industry professionals who believe that 3-D film was born in the early 1950s, stereoscopic cinema actually began in 1838, more than 100 years before the 3-D boom in Hollywood was created by the release of Arch Oboler's African adventure film, Bwana Devil, filmed in "Natural Vision" 3-D. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, is a comprehensive prehistory of the stereoscopic motion picture. In the late nineteenth century, stereoview cards were popular worldwide, and soon filmmakers wanted to capture these "living pictures" with motion, sound, and color. Writing a new chapter in the history of early cinema, Ray Zone not only discusses technological innovation and its cultural context but also examines the aesthetic aspects of stereoscopic cinema in its first century of production.

Edison

Edison PDF Author: Paul Israel
Publisher: John Wiley & Sons
ISBN: 0471362700
Category : Biography & Autobiography
Languages : en
Pages : 565

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Book Description
Ein Bestseller jetzt neu als Broschurausgabe! Die gebundene Ausgabe erzielte hervorragende Kritiken im Daily Telegraph, New Scientist, The Independent und in der Sunday Times - um nur einige zu nennen. Israel hatte erstmals Zugang zu Werkstatt-Tagebüchern, Briefen und mehr als fünf Millionen Seiten Archivmaterial. Auf der Basis dieser Informationen hat er die erste maßgebende Biographie von Edison verfaßt. Zum ersten Mal wird Edisons Karriere als Erfinder systematisch untersucht und bewertet. Im Detail wird erforscht, wie er u.a. mit der Erfindung des elektrischen Lichts, der Photographie und mehr als tausend anderen Dingen das 20. Jahrhundert prägte. Dies ist auch die erste Biographie, die Edison im Zusammenhang mit dem rapiden industriellen Wandel betrachtet, indem die Auswirkungen dieses Wandels auf seine Erfindungen beschrieben werden. Dieses Buch liefert eine Fülle neuer Informationen über Edison und seine Erfindungen. Eine interessante und spannende Lektüre. (y03/00)

The Emergence of Cinema

The Emergence of Cinema PDF Author: Charles Musser
Publisher: Univ of California Press
ISBN: 9780520085336
Category : Art
Languages : en
Pages : 644

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Book Description
Looks at the early years of the motion picture industry through 1907.

The New Historical Dictionary of the American Film Industry

The New Historical Dictionary of the American Film Industry PDF Author: Anthony Slide
Publisher: Routledge
ISBN: 1135925615
Category : Reference
Languages : en
Pages : 623

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Book Description
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association

The Kinetoscope

The Kinetoscope PDF Author: Gordon Hendricks
Publisher: New York, Beginnings of the American Film
ISBN:
Category : Kinetoscope
Languages : en
Pages : 244

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Book Description


Film Before Griffith

Film Before Griffith PDF Author: John L. Fell
Publisher: Univ of California Press
ISBN: 9780520047587
Category : Business & Economics
Languages : en
Pages : 412

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Book Description


Early Cinema

Early Cinema PDF Author: Thomas Elsaesser
Publisher: Bloomsbury Publishing
ISBN: 1838715479
Category : Performing Arts
Languages : en
Pages : 434

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Book Description
In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.