Author: William Cushing Bamburgh
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
The Echo and the Poet
Author: William Cushing Bamburgh
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
Book Description
Biblical Echo and Allusion in the Poetry of W.B. Yeats
Author: Dwight Hilliard Purdy
Publisher: Bucknell University Press
ISBN: 9780838752548
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
"This book treats the poetics of biblical allusion in the lyric poetry of William Butler Yeats, and the ways in which the King James Bible became for Yeats a model for poetry as a communal voice shaping a culture." "The introduction analyzes the critical history of what Eleanor Cook has termed the "poetics of allusion," emphasizing the work of the Italian rhetorician Gian Biago Conte and the American critic and poet John Hollander. The major topics considered here are allusions as the intersections of texts, as figures of speech, and as structural signifiers; the centrality of the reader in the study of allusion; the quality of allusions, their placement and varying degrees of clarity; and the centrality of the study of allusion to cultural criticism." "The first chapter is concerned with the development of the Bible as a model for secular poetry from the late eighteenth century to Yeats, surveying Bishop Lowth, Blake, Coleridge, Wordsworth, Shelley, and Matthew Arnold, as well as Yeats's references in his prose works to the Bible as a model for art and the artist, and his desire to restore the Bible as sacred text, yet write his own Bible." "Chapters 2 through 5 take up in detail the poetics of biblical allusion and echo in the poems. Chapter 2 treats the poetry of the nineties: here Yeats usually engages the Bible as an antagonist, subverting it for the sake of a Celtic consciousness, denying its exclusive claim to spiritual truth. But many biblical echoes show Yeats's dependence upon the Bible as a guide to poetic language. Chapter 3 concerns the poetry from In the Seven Worlds to The Wild Swans at Coole. Yeats looks on Scripture with an ironic eye, often replacing it with what he calls "haughtier texts," the parables, prayers, visions, and private revelations that mirror biblical models and make biblical texts into warrants for his own theory of rebirth. Chapter 4 is a close reading of biblical intertextuality in seven poems: "The Second Coming," "Sailing to Byzantium," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," "Prayer for My Son," "Dialogue of Self and Soul," and "Vacillation." In these major poems Yeats displays his antitheticality, as Hazard Adams calls it, putting into dramatic tension biblical texts and his own heterodox ideas about birth, death, and resurrection. Chapter 5 examines the poetry after "Vacillation," where Yeats gives biblical texts (often text used before) a new sensual gloss, but also admits the limits of a "high talk" derived from scriptural language." "Chapter 6 places Yeats in the broad context of biblical intertextuality, working backward from modernism to Romanticism. First, the study contrasts Yeats with two of his contemporaries, D. H. Lawrence and T. S. Eliot, for whom the Bible always asserts its religious authority, in the Victorian tradition of Arnold, Clough, Browning, and Tennyson. The study concludes by comparing Yeats to Wordsworth and Shelley. Although Yeats is deeply indebted to them, his attitude is distinct from theirs: even when rejecting the Bible, Wordsworth. and Shelley accept a dogmatic view of it, while Yeats escapes dogmatism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752548
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
"This book treats the poetics of biblical allusion in the lyric poetry of William Butler Yeats, and the ways in which the King James Bible became for Yeats a model for poetry as a communal voice shaping a culture." "The introduction analyzes the critical history of what Eleanor Cook has termed the "poetics of allusion," emphasizing the work of the Italian rhetorician Gian Biago Conte and the American critic and poet John Hollander. The major topics considered here are allusions as the intersections of texts, as figures of speech, and as structural signifiers; the centrality of the reader in the study of allusion; the quality of allusions, their placement and varying degrees of clarity; and the centrality of the study of allusion to cultural criticism." "The first chapter is concerned with the development of the Bible as a model for secular poetry from the late eighteenth century to Yeats, surveying Bishop Lowth, Blake, Coleridge, Wordsworth, Shelley, and Matthew Arnold, as well as Yeats's references in his prose works to the Bible as a model for art and the artist, and his desire to restore the Bible as sacred text, yet write his own Bible." "Chapters 2 through 5 take up in detail the poetics of biblical allusion and echo in the poems. Chapter 2 treats the poetry of the nineties: here Yeats usually engages the Bible as an antagonist, subverting it for the sake of a Celtic consciousness, denying its exclusive claim to spiritual truth. But many biblical echoes show Yeats's dependence upon the Bible as a guide to poetic language. Chapter 3 concerns the poetry from In the Seven Worlds to The Wild Swans at Coole. Yeats looks on Scripture with an ironic eye, often replacing it with what he calls "haughtier texts," the parables, prayers, visions, and private revelations that mirror biblical models and make biblical texts into warrants for his own theory of rebirth. Chapter 4 is a close reading of biblical intertextuality in seven poems: "The Second Coming," "Sailing to Byzantium," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," "Prayer for My Son," "Dialogue of Self and Soul," and "Vacillation." In these major poems Yeats displays his antitheticality, as Hazard Adams calls it, putting into dramatic tension biblical texts and his own heterodox ideas about birth, death, and resurrection. Chapter 5 examines the poetry after "Vacillation," where Yeats gives biblical texts (often text used before) a new sensual gloss, but also admits the limits of a "high talk" derived from scriptural language." "Chapter 6 places Yeats in the broad context of biblical intertextuality, working backward from modernism to Romanticism. First, the study contrasts Yeats with two of his contemporaries, D. H. Lawrence and T. S. Eliot, for whom the Bible always asserts its religious authority, in the Victorian tradition of Arnold, Clough, Browning, and Tennyson. The study concludes by comparing Yeats to Wordsworth and Shelley. Although Yeats is deeply indebted to them, his attitude is distinct from theirs: even when rejecting the Bible, Wordsworth. and Shelley accept a dogmatic view of it, while Yeats escapes dogmatism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Princeton Encyclopedia of Poetry and Poetics
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Publisher: Princeton University Press
ISBN: 0691154910
Category : Literary Criticism
Languages : en
Pages : 1678
Book Description
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
A Routledge Literary Sourcebook on the Poems of W.B. Yeats
Author: Michael O'Neill
Publisher: Psychology Press
ISBN: 9780415234757
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
Table of contents
Publisher: Psychology Press
ISBN: 9780415234757
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
Table of contents
Poetry and Parental Bereavement in Early Modern Lutheran Germany
Author: Anna Linton
Publisher: Oxford Modern Languages & Lite
ISBN: 0199233365
Category : Family & Relationships
Languages : en
Pages : 336
Book Description
This study of Lutheran funeral booklets - verse written to console bereaved parents - adds to our understanding of the genre, which has not been fully explored as literature or for what it reveals about the depiction of children or parent-child relationships in early modern Europe.
Publisher: Oxford Modern Languages & Lite
ISBN: 0199233365
Category : Family & Relationships
Languages : en
Pages : 336
Book Description
This study of Lutheran funeral booklets - verse written to console bereaved parents - adds to our understanding of the genre, which has not been fully explored as literature or for what it reveals about the depiction of children or parent-child relationships in early modern Europe.
Narcissus and Pygmalion
Author: Gianpiero Rosati
Publisher: Oxford University Press
ISBN: 0198852436
Category :
Languages : en
Pages : 202
Book Description
"Metamorphoses Ovid Translated by A. D. Melville and Edited with introduction and notes by E. J. Kenney OXFORD WORLD'S CLASSICS Metamorphic Readings Transformation, Language, and Gender in the Interpretation of Ovid's Metamorphoses Edited by Alison Sharrock, Daniel Möller, and Mats Malm Ovid's Presence in Contemporary Women's Writing Strange Monsters Fiona Cox CLASSICAL PRESENCES"--
Publisher: Oxford University Press
ISBN: 0198852436
Category :
Languages : en
Pages : 202
Book Description
"Metamorphoses Ovid Translated by A. D. Melville and Edited with introduction and notes by E. J. Kenney OXFORD WORLD'S CLASSICS Metamorphic Readings Transformation, Language, and Gender in the Interpretation of Ovid's Metamorphoses Edited by Alison Sharrock, Daniel Möller, and Mats Malm Ovid's Presence in Contemporary Women's Writing Strange Monsters Fiona Cox CLASSICAL PRESENCES"--
Echoes from the Woods, Vol. 1
Author: Albert Clymer
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Poetry Wars
Author: Colin Wells
Publisher: University of Pennsylvania Press
ISBN: 0812249658
Category : History
Languages : en
Pages : 352
Book Description
The pen was as mighty as the musket during the American Revolution, as poets waged literary war against politicians, journalists, and each other. Drawing on hundreds of poems, Poetry Wars reconstructs the important public role of poetry in the early republic and examines the reciprocal relationship between political conflict and verse.
Publisher: University of Pennsylvania Press
ISBN: 0812249658
Category : History
Languages : en
Pages : 352
Book Description
The pen was as mighty as the musket during the American Revolution, as poets waged literary war against politicians, journalists, and each other. Drawing on hundreds of poems, Poetry Wars reconstructs the important public role of poetry in the early republic and examines the reciprocal relationship between political conflict and verse.
Romantic Influences
Author: J. Beer
Publisher: Springer
ISBN: 1349231185
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
'... a significant, wide-ranging study ... Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.
Publisher: Springer
ISBN: 1349231185
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
'... a significant, wide-ranging study ... Above all, the book restores a salutary sense of the value of, and the difficult poise involved in, creative acts.' - Michael O'Neill, Durham University Taken together, these interlinked studies on topics such as the literary influences at work in the 1790s, Newman's resistance to Romantic ideas, the exact nature of Virginia Woolf's debt to Walter Pater and the counter-Romanticism of Lawrence and Eliot constitute a large reading of Romanticism from 1789 to our own day. They also throw light on the complex workings of influence itself, not least by showing how writers used images of fluency to describe their own creative processes.
London Mercury and Bookman
Author: Sir John Collings Squire
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description