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Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496
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Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author: Nicholas Temperley
Publisher: Cambridge University Press
ISBN: 9780521274579
Category : Music
Languages : en
Pages : 496
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Book Description
Companion volume (v. 2) contains examples of the music, sources and critical notes.
Author:
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1208
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Category : Electronic journals
Languages : en
Pages : 592
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Author: George Peabody Library
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 458
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Author: Wesley Historical Society
Publisher:
ISBN:
Category : Methodism
Languages : en
Pages : 424
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Book Description
List of members in v. 4-5, 7-10.
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Category : Bibliography
Languages : en
Pages : 1470
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Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
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Category : Leeds (England)
Languages : en
Pages : 412
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Author: Johns Hopkins University. Peabody Institute. Library
Publisher:
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Category : Catalogs, Dictionary
Languages : en
Pages : 842
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Author: Nicholas Temperley
Publisher: Taylor & Francis
ISBN: 1000940993
Category : History
Languages : en
Pages : 368
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Book Description
Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.
Author: Newcastle upon Tyne (England). Public libraries
Publisher:
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Category : Art
Languages : en
Pages : 160
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