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Author: Gertrude Katherine Sheperd Peers ("Mrs. C. R. Peers.")
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 442
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Book Description
Author: Gertrude Katherine Sheperd Peers ("Mrs. C. R. Peers.")
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 442
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Book Description
Author: Margaret Deutsch Carroll
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
" ... offers a chronological account of political engagement in works by early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders."--Page 4 of cover.
Author: Gertrude Katherine Shepherd Peers
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 286
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Book Description
Author: Susie Nash
Publisher: OUP Oxford
ISBN: 0192842692
Category : Art
Languages : en
Pages : 384
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Book Description
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands,dominated visual culture throughout Europe in this crucial period.
Author: Gertrude Katherine Shepherd Peers ("Mrs. C. R. Peers".)
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 214
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Book Description
Author: Unn Plahter
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.
Author: Mrs. C. R. Peers
Publisher: Forgotten Books
ISBN: 9780364177327
Category : Art
Languages : en
Pages : 292
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Book Description
Excerpt from The Early Northern Painters: Studies in the National Gallery The subject of the picture has been dwelt on because, after all, the subject is in a great measure the medium whereby the painter reaches the mind of the spectator. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rosalind Mutter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
EARLY NETHERLANDISH PAINTING A fully illustrated survey of Early Netherlandish painting, featuring all of the major artists, and many lesser-known painters. Early Netherlandish painting, also known as Flemish painting, is characterized by figurative realism, its incredible sense of domestic interiors and details, luminous light, its 'realist' faces, and its fusions of a micro- and macro- cosmic vision. We concentrate here on painters such as Rogier van der Weyden (1400-1464), Jan van Eyck (c. 1390-1441, commonly described as the founder of modern oil painting), Gerard David (c. 1460-1523), Hugo van der Goes (1440-1482), Hans Memling (1433-1494), Joos van Cleve (c. 1485-1540), Jan Gossaert, also called Mabuse (c. 1475/8-1532), Geertgen tot Sint Jans (fl. late 15th 1485/ 95), Quentin Massys (c. 1465-1530), Joachim Patinir (c. 1485-1524), Dieric Bouts (c. 1415-1475), Petrus Christus (fl. 1442-1473) and Bernard van Orley (c. 1488-1541). One of the most celebrated aspects of Early Netherlandish or Flemish painting is its heartfelt, intense religious emotion. It is this aspect that interests us in this book. The new aesthetic vision of Early Netherlandish art was later applied to still life paintings, satires, landscapes, and portraits, but it is the religious works with which we are concentrating on here. Michelangelo's famous statement about Early Netherlandish art pinpoints the depth of devout feeling found in so much of Northern European art: Flemish painting will, generally speaking, please the devout better than any painting in Italy, which will never cause him to shed a tear, whereas that of Flanders will cause him to shed many... The new vision of Northern European painting which flourished in the 15th century was a combination of a new aesthetic approach to reality, and an intensifying of religious fervour. The new vision aimed at sculptural accuracy, a naturalistic use of lighting, and three-dimensionality. Mixed with the new use of oil paint, the new vision gave the art of Philip the Good's reign a special flavour and style well suited to the circumscription of devout religious truths. The new painting inherited its jewel-like brilliancy partly because many painters were trained as goldsmiths. This skilled handling of metalwork and miniature illustration shows in Early Netherlandish art. All Early Netherlandish paintings were made on wood panels, and painted from light to dark in thin glazes. It is partly this subtle glazing which gives Early Netherlandish painting its glorious luminescence. The Early Netherlandish artists exploited the effects of different hues and thicknesses of glazes of oil paint, controlling how the glazes reflected light.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994344
Category : Art
Languages : en
Pages : 174
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Book Description
"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Author: Jeffrey Chipps Smith
Publisher: Phaidon
ISBN:
Category : Art
Languages : en
Pages : 452
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Book Description
An up-to-date survey of this dynamic period of artistic innovation.
