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Author: Arthur Ross Gallery
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
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Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
Author: Arthur Ross Gallery
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
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Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
Author: Malcolm Charles Salaman
Publisher: London : The Studio
ISBN:
Category : Etchers
Languages : en
Pages : 284
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Book Description
Author: Clifford S. Ackley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
The first comprehensive survey of Rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings.
Author: Charles Davies Sherborn
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 152
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Book Description
Author: Edward H. Wouk
Publisher: Manchester University Press
ISBN: 1526183498
Category : Art
Languages : en
Pages : 400
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Book Description
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
Author: John F. McGuigan, Jr.
Publisher:
ISBN: 9780692454930
Category :
Languages : en
Pages :
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Book Description
John Gadsby Chapman (1808-1889) was one of nineteenth-century America's most original and influential artists, and he is deservedly well regarded today for his paintings, drawings, book illustrations, and writing. In contrast, his accomplishments as America's first artist-etcher--that is to say, the first to design and execute his own etchings--have been largely overlooked until now. This monograph is the first to appear on the Virginia-born Chapman for more than half a century and the first ever to consider the totality of his etching career and situate it within the broader context of his personal life and painting practice. Readers familiar with Chapman's mural The Baptism of Pocahontas in the U.S. Capitol, his more than 1,400 designs for Harper Brothers' landmark Illuminated Bible (1846), his American Drawing-Book (1847), and oeuvre of Grand Tour paintings will be delighted to learn more about his prolonged commitment to fine art etching.The full-color volume includes an illustrated catalogue of forty-three original etchings of Italian subjects that Chapman produced over a span of more than fifty years, from his student days in Rome from 1828 to 1830 to his lengthy residence in Italy from 1849 to 1881, and includes four that he made after paintings by his sons John Linton Chapman (1839-1905) and Conrad Wise Chapman (1842-1910). Sixty-nine figures and gorgeous full-page details complement the text and augment our understanding of the Chapman family of painters. The present study will be of note to anyone interested in international 19th-century print culture and is especially timely and relevant in light of recent scholarship that seeks to redress the teleological tendency to privilege photography as the modern, authoritative standard against which all reproductive media are measured.Contents include: 1. Early Life and Tutelage; 2. A Roman Education; 3. The Great Mart of Mammon; 4. Yearning for Italy; 5. Civil War Years; 6. An Etching Revival; 7. Dénouement; Afterword; Catalogue of the Italian Etchings of John Gadsby Chapman; Appendix: "Etchings and Engravings of Original Designs and Other Plates," John Gadsby Chapman's Handwritten Memoranda.
Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author: Susan Dixon
Publisher: Lulu.com
ISBN: 0988999935
Category : Art
Languages : en
Pages : 94
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Book Description
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
Author: Susan Dackerman
Publisher: Princeton University Press
ISBN: 0691250456
Category : Art
Languages : en
Pages : 200
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Book Description
An important new examination of Islamic themes in the art of Albrecht Dürer Albrecht Dürer’s depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer’s art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture. In this beautifully illustrated book, Dackerman provides new readings of three of the artist’s most enigmatic print projects—Sea Monster, Knots, and Landscape with Cannon—situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg’s development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg’s workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer’s prints, she shows, instead emphasize instances of affiliation between Christendom and Islam. A breathtaking work of scholarship, Dürer’s Knots shows how the artist’s prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.
Author: Graham Vivian Sutherland
Publisher: Scolar Press
ISBN:
Category : Art
Languages : en
Pages : 48
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Book Description
"Graham Sutherland (1903-1980) was the greatest English landscape artist of the 20th century. Inspired by the etchings of Samuel Palmer, he went on to transform landscape art in this country." "Sutherland's earliest works, done while he was a student at Goldsmiths' College in the early 1920s, were images of pastoral calm. However, his early success was ended by the 1929 slump, which destroyed the market for contemporary prints." "Sutherland's work went through a transformation around this time, and his landscapes became threatening, sinister and tragic. He achieved maturity and made his first significant contribution to English landscape art with 'Pastoral' (1930) and 'The Garden' (1931)." "He was not content to be merely an English artist, and in later years he strove for greatness on the international stage, not only as a landscape painter, but in portraiture and religious subjects. His studies of Somerset Maugham and Churchill brought fame and controversy, as did his tapestry for Coventry Cathedral." "Sutherland first commanded attention in etching, and this was his principal medium until 1930. Printmaking remained a vital part of his art, and a source of new ideas throughout his career." "This book was first published to accompany an exhibition of Sutherland's early etchings mounted by private dealer Gordon Cooke at The Fine Art Society, 148 New Bond Street, London. It reveals the remarkable progression Sutherland made from talented student to mature artist, creating images which changed the face of English landscape."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
