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Author:
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ISBN:
Category :
Languages : en
Pages : 526
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
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Author:
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ISBN:
Category : English literature
Languages : en
Pages : 796
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Author: Elsie Mabel Wilkinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
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Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 312
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Author:
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Category : Bibliography
Languages : en
Pages : 1826
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Official organ of the book trade of the United Kingdom.
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
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Author: J. Sager
Publisher: Springer
ISBN: 1137332409
Category : Literary Criticism
Languages : en
Pages : 313
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Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.
Author:
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Category : Bibliography
Languages : en
Pages : 1222
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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author: Deutermann Allison Deutermann
Publisher: Edinburgh University Press
ISBN: 1474411282
Category : Drama
Languages : en
Pages : 281
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Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it
Author: Robert Greene
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 644
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