The Dramatic Works of Colley Cibber, Esq. In Five Volumes

The Dramatic Works of Colley Cibber, Esq. In Five Volumes PDF Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 394

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The Dramatic Works of Colley Cibber, Esq. In Five Volumes

The Dramatic Works of Colley Cibber, Esq. In Five Volumes PDF Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 394

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The Dramatic Works of Colley Cibber, Esq; in Four Volumes. (An Account of the Life and Writings of the Author.) [With a Portrait.]

The Dramatic Works of Colley Cibber, Esq; in Four Volumes. (An Account of the Life and Writings of the Author.) [With a Portrait.] PDF Author: Colley Cibber
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 416

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Dramatic Works of Colley Cibber, Esq

Dramatic Works of Colley Cibber, Esq PDF Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages :

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The Dramatic Works of Colley Cibber ...

The Dramatic Works of Colley Cibber ... PDF Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 384

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Spectacular Disappearances

Spectacular Disappearances PDF Author: Julia H. Fawcett
Publisher: University of Michigan Press
ISBN: 0472900617
Category : Performing Arts
Languages : en
Pages : 297

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Book Description
How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.

The Dramatic Works

The Dramatic Works PDF Author: Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 398

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The Dramatic Works of Colley Cibber, Esq. In Five Volumes

The Dramatic Works of Colley Cibber, Esq. In Five Volumes PDF Author: Colley Cibber
Publisher:
ISBN:
Category :
Languages : en
Pages : 392

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A-C

A-C PDF Author: Robert Hoe
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 392

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Jane Austen's Inspiration

Jane Austen's Inspiration PDF Author: Judith Stove
Publisher: Pen and Sword
ISBN: 1526734214
Category : Biography & Autobiography
Languages : en
Pages : 309

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Book Description
An insightful portrait of Austen’s friend and fellow writer Anne Lefroy and the society that surrounded these two literary women. In this insightful new biography of Anne Lefroy, Judy Stove investigates the life of a writer who had a direct and undeniable influence on the life and works of Jane Austen. Jane shared some of her earliest writings with Anne, who became a devoted confidant; it is believed that their friendship was an essential component in their creativity. As a published female writer, Anne was an immense source of inspiration to Jane as she developed her own talents. Judy Stove, a member of the Jane Austen Society of Australia, brings a wealth of insight to this illuminating history of a literary friendship. She has uncovered fascinating snippets of information relating to Anne Lefroy’s circle, and her book addresses developments across a period of great social and political change. Setting Lefroy’s life in context, she looks at the war against Napoleon and illustrates evolutions in healthcare as well as changes in religious beliefs and practices that shaped the world of these remarkable women.

Rival Queens

Rival Queens PDF Author: Felicity Nussbaum
Publisher: University of Pennsylvania Press
ISBN: 0812206894
Category : Drama
Languages : en
Pages : 392

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Book Description
In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity—especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy—Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.