The Dramatic Works of Álvaro Cubillo de Aragón PDF Download
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Author: Shirley B. Whitaker
Publisher:
ISBN: 9781469647425
Category :
Languages : en
Pages : 176
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Book Description
This excellent introductory study offers entry to the life, reputation and works of Alvaro Cubillo de Aragon (1596-1661). By dividing her study by genre, Dr. Shirley B. Whitaker codifies the universals uniting the work of this prolific playwright, from his mythological plays, to his histories, to his religious works, to the Comedias de costumbres for which he is best known.
Author: Shirley B. Whitaker
Publisher:
ISBN: 9781469647425
Category :
Languages : en
Pages : 176
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Book Description
This excellent introductory study offers entry to the life, reputation and works of Alvaro Cubillo de Aragon (1596-1661). By dividing her study by genre, Dr. Shirley B. Whitaker codifies the universals uniting the work of this prolific playwright, from his mythological plays, to his histories, to his religious works, to the Comedias de costumbres for which he is best known.
Author: Shirley Blue Whitaker
Publisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 764
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Shirley B. Whitaker
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Author: John Harold Seekamp
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Author: John Clyde Loftis
Publisher: Princeton University Press
ISBN: 0691656150
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Spain alone produced a Renaissance drama comparable to that of England, yet the two nations were enemies, separated by the worldwide conflict of Catholics and Protestants. Major dramatists on both sides addressed the divisive issues: Lope de Vega, Tirso de Molina, and Calderon de la Barca in Spain; Shakespeare, Marlowe, Chapman, Massinger, and Middleton in England. In this comprehensive work, a distinguished authority on drama examines history plays, masques, and spectacles, with close attention to the changing development of the two national dramas, he directs us to the study of their suprrising similarities. The author's lucid exposition makes possible an assessment of the commentary on historical events provided by the dramatists. In the early years of the Thirty Years' War, he points out, dramtaists unknowingly carried on a dialogue now audible to us: Massinger and Middleton warn of Spain's intentions; Lope, Tirso, and Calderon provide assurance that their English coutnerparts were not alarmists. Goruping works chronologically by subject or thematic relevance to phases of Anglo-Spanish relations in broad European context, Professor Loftis examines Lope's plays about the campaigns fought by the Spanish Army of Flanders and Marlowe's and Chapman's plays about French history from 1572 to 1602. John Loftis is Margery Bailey Professor of English Emeritus at Stanford University. He is author of numerous works, including The Spanish Plays of Neoclassical England (Yale) and Sheridan and the Drama of Georgian England (Blackwell/Harvard). Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Hilaire Kallendorf
Publisher: BRILL
ISBN: 9004263012
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.
Author: Javier Irigoyen-Garcia
Publisher: University of Toronto Press
ISBN: 1487513593
Category : History
Languages : en
Pages : 360
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Book Description
In early modern Iberia, Moorish clothing was not merely a cultural remnant from the Islamic period, but an artefact that conditioned discourses of nobility and social preeminence. In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources: archival, legal, literary, and visual documents, as well as tailoring books, equestrian treatises, and festival books to reveal the currency of Moorish clothing in early modern Iberian society. Irigoyen-García’s insightful and nuanced analyses of Moorish clothing production and circulation shows that as well as being a sign of status and a marker of nobility, it also served to codify social tensions by deploying apparent Islamophobic discourses. Such luxurious value of clothing also sheds light on how sartorial legislation against the Moriscos was not only a form of cultural repression, but also a way to preclude their full integration into Iberian society. Moors Dressed as Moors challenges the traditional interpretations of the value of Moorish clothing in sixteenth and seventeenth-century Spain and how it articulated the relationships between Christians and Moriscos.
Author: Matthew D. Stroud
Publisher: Bucknell University Press
ISBN: 9780838751817
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
The Spanish wife-murder comedias constitute an important category of seventeenth-century peninsular plays. Fatal Union considers thirty-one comedias by fifteen authors to show that they present anything but a unified perspective.
