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Author: J. Herdman
Publisher: Palgrave Macmillan
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
Duality and the divided mind have been a source of perennial fascination for literary artists and especially for novelists, and this is particularly true of the Romantic generation and their later nineteenth-century heirs. This book deals with the double, or Doppelgnger, as a dominant theme in the fiction of the period, and with its relation to the problem of evil. It suggests that the literary double flourished best when psychological and religious understandings of human dividedness were in harmony, and declined when they began to grow apart. Writers analysed include E.T.A.Hoffmann, James Hogg, Poe, Dostoevsky and Stevenson; the final chapter relates the theme to the psychology of Jung.
Author: J. Herdman
Publisher: Springer
ISBN: 0230371639
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
Duality and the divided mind have been a source of perennial fascination for literary artists and especially for novelists, and this is particularly true of the Romantic generation and their later nineteenth-century heirs. This book deals with the double, or Doppelgnger, as a dominant theme in the fiction of the period, and with its relation to the problem of evil. It suggests that the literary double flourished best when psychological and religious understandings of human dividedness were in harmony, and declined when they began to grow apart. Writers analysed include E.T.A.Hoffmann, James Hogg, Poe, Dostoevsky and Stevenson; the final chapter relates the theme to the psychology of Jung.
Author: John Herdman
Publisher: Palgrave Macmillan
ISBN: 9780312053116
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
Duality and the divided mind have been a source of perennial fascination for literary artists and especially for novelists, and this is particularly true of the Romantic generation and their later nineteenth-century heirs. This book deals with the double, or Doppelganger, as a dominant theme in the fiction of the period, and with its relation to the problem of evil. It suggests that the literary double flourished best when psychological and religious understandings of human dividedness were in harmony, and declined when they began to grow apart. Writers analysed include E. T. A. Hoffmann, James Hogg, Poe, Dostoevsky and Stevenson; the final chapter relates the theme to the psychology of Jung.
Author: Howard Bruce Franklin
Publisher: Rutgers University Press
ISBN: 9780813521527
Category : Fiction
Languages : en
Pages : 412
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Book Description
Critics, science fiction writers, scientists, and scholars throughout the world hailed the original publication of Future Perfect in 1966 as a book that would transform our evaluation of science fiction and our understanding of American culture. The praise has proved well founded, for Future Perfect has been more responsible than any other single work for the recognition of the value and significance of science fiction.
Author: Lewis Carroll
Publisher: London ; New York : Macmillan
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 434
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Book Description
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 544
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Book Description
Author: Erika Wright
Publisher: Ohio University Press
ISBN: 0821445634
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading practices that emerge around the concept of health. By shifting attention to the ways that prevention of illness and the preservation of well-being operate in fiction, both thematically and structurally, Wright offers a new approach to reading character and voice, order and temporality, setting and metaphor. As Wright reveals, while canonical works by Austen, Brontë, Dickens, Martineau, and Gaskell register the pervasiveness of a conventional “therapeutic” form of action and mode of reading, they demonstrate as well an equally powerful investment in the achievement and maintenance of “health”—what Wright refers to as a “hygienic” narrative—both in personal and domestic conduct and in social interaction of the individual within the community.
Author: Talia Schaffer
Publisher: Oxford University Press
ISBN: 0199781052
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each features various handicrafts that subtly aim to subvert the socioeconomic changes being wrought by industrialization. Schaffer goes beyond straightforward textual analysis by shaping each chapter around the individual craft at the center of each novel (paper for Cranford, flowers and related arts in The Daisy Chain, rubbish and salvage in Our Mutual Friend, and the contrasting ethos of arts and crafts connoisseurship in Phoebe Junior). The domestic handicraft also allows for self-referential analysis of the text itself; in scenes of craft production (and destruction), the authors articulate the work they hope their own fictions perform. The handicraft also becomes a locus for critiquing contemporary aesthetic trends, with the novels putting forward an alternative vision of making value and understanding art. A work that combines cultural history and literary studies, Novel Craft highlights how attention to the handicraft movement's radically alternative views of materiality, consumption, production, representation, and subjectivity provides a fresh perspective on the major changes that shaped the Victorian novel as a whole.
Author: Felicia Bonaparte
Publisher: University of Virginia Press
ISBN: 0813937337
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Author: Reed Gochberg
Publisher: Oxford University Press
ISBN: 0197553486
Category : History
Languages : en
Pages : 273
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Book Description
'Useful Objects' examines the cultural history of nineteenth-century American museums through the eyes of writers, visitors, and collectors. Throughout this period, museums gradually transformed from encyclopedic cabinets to more specialized public institutions. These changes prompted wider debates about how museums determine what objects to select, preserve, and display-and who gets to decide. Drawing on a wide range of archival materials and accounts in fiction, guidebooks, and periodicals, this text shows how the challenges facing nineteenth-century museums continue to resonate in debates about their role in American culture today.
Author: Garrett Stewart
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 468
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Book Description
"Ready now, reader? Easy then. That should put you in the right historical frame of mind, put you in mind of the right historical frame. For it did seem easier then, certainly more relaxed. Like the addressed and otherwise rendered nineteenth-century reader who is my subject of study, you are invited to take it slow while we back our way into the last century. We do so by moving from an unexpected modernist send-up of Victorian direct address, an early twist of phrase in E. M. Forster's 1907 The Longest Journey, to the underlying aesthetic of classic realism on which even this one rhetorical irony is by no means intended to pull the plug. On the way back to the nineteenth century, certain realist assumptions help mark out our course."--from Dear Reader With the "great tradition" from Austen through Dickens and Eliot to Hardy read here for the first time alongside the non-canonical best-sellers of the period, we get a revised picture of an evolving readership narrated rather than merely implied, the mass audience conscripted, written with, figured in. Redirecting response aesthetics away from the a priori reader function toward this reader figure, Garrett Stewart's Dear Reader intercepts two tendencies in the recent criticism of fiction: the blanket audience determinations of ideological critique and the thinness of historicizing discourse analysis when divorced from literary history's own discursive field.
