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Author: Christian Schlütter
Publisher: GRIN Verlag
ISBN: 3638379795
Category : Performing Arts
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,3, University of Siegen (Forschungskolleg 615), course: Narration and Film, language: English, abstract: For a long time, most Hollywood directors stuck to a certain kind of narrative strategies to convey their view of the world to the recipient. Movie-conventions were therefore set from the beginning of profitable movie making and were fastened by the rise of big movie studios. In recent modern movies however, some directors have laid extreme interest on not sticking to the conventions and established a kind of non-narrative technique. As a result some of the most astonishing movies of the 90ies and the new millennium were created. The success of some of these movies can be explained by two facts. First of all, the abolishing of movie conventions resulted in the filmic reproduction of stories that had before been said to be unfit for filmic expression. Secondly the movies created drew their fascination from a non-understanding. With no classical movie conventions aligned, these movies seemed disturbing and frightening but it is also this disturbance that mesmerizes the viewer. In this essay I will try to outline in which way narrative conventions are abolished in modern productions and what effect this has on the spectator. To reduce the amount of information and to exemplify certain points I will stick to Cameron Crowe’s movie Vanilla Sky (2001) which is based on the motion picture Arbre los Ojos (1997) by Alejandro Amenabar. The choice is justified by a rather confusing structure of the film which corresponds perfectly to the new way of moviemaking and also by the roots of the motion picture in an Off-Hollywood production area. These roots show that, although many non-classical movies have earned a lot of reputation, most moviemakers stick to conventions and that inventions are still entrenched in alternative cinema.
Author: Christian Schlütter
Publisher: GRIN Verlag
ISBN: 3638379795
Category : Performing Arts
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,3, University of Siegen (Forschungskolleg 615), course: Narration and Film, language: English, abstract: For a long time, most Hollywood directors stuck to a certain kind of narrative strategies to convey their view of the world to the recipient. Movie-conventions were therefore set from the beginning of profitable movie making and were fastened by the rise of big movie studios. In recent modern movies however, some directors have laid extreme interest on not sticking to the conventions and established a kind of non-narrative technique. As a result some of the most astonishing movies of the 90ies and the new millennium were created. The success of some of these movies can be explained by two facts. First of all, the abolishing of movie conventions resulted in the filmic reproduction of stories that had before been said to be unfit for filmic expression. Secondly the movies created drew their fascination from a non-understanding. With no classical movie conventions aligned, these movies seemed disturbing and frightening but it is also this disturbance that mesmerizes the viewer. In this essay I will try to outline in which way narrative conventions are abolished in modern productions and what effect this has on the spectator. To reduce the amount of information and to exemplify certain points I will stick to Cameron Crowe’s movie Vanilla Sky (2001) which is based on the motion picture Arbre los Ojos (1997) by Alejandro Amenabar. The choice is justified by a rather confusing structure of the film which corresponds perfectly to the new way of moviemaking and also by the roots of the motion picture in an Off-Hollywood production area. These roots show that, although many non-classical movies have earned a lot of reputation, most moviemakers stick to conventions and that inventions are still entrenched in alternative cinema.
Author: Christian Schlütter
Publisher: GRIN Verlag
ISBN: 3640365828
Category : Performing Arts
Languages : en
Pages : 41
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Book Description
Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,3, University of Siegen (Forschungskolleg 615), course: Narration and Film, 10 entries in the bibliography, language: English, abstract: For a long time, most Hollywood directors stuck to a certain kind of narrative strategies to convey their view of the world to the recipient. Movie-conventions were therefore set from the beginning of profitable movie making and were fastened by the rise of big movie studios. In recent modern movies however, some directors have laid extreme interest on not sticking to the conventions and established a kind of non-narrative technique. As a result some of the most astonishing movies of the 90ies and the new millennium were created. The success of some of these movies can be explained by two facts. First of all, the abolishing of movie conventions resulted in the filmic reproduction of stories that had before been said to be unfit for filmic expression. Secondly the movies created drew their fascination from a non-understanding. With no classical movie conventions aligned, these movies seemed disturbing and frightening but it is also this disturbance that mesmerizes the viewer. In this essay I will try to outline in which way narrative conventions are abolished in modern productions and what effect this has on the spectator. To reduce the amount of information and to exemplify certain points I will stick to Cameron Crowe's movie Vanilla Sky (2001) which is based on the motion picture Arbre los Ojos (1997) by Alejandro Amenabar. The choice is justified by a rather confusing structure of the film which corresponds perfectly to the new way of moviemaking and also by the roots of the motion picture in an Off-Hollywood production area. These roots show that, although many non-classical movies have earned a lot of reputation, most moviemakers stick to conventions and that inventions are still entrenched in alternative cinema.
Author: A. Cameron
Publisher: Springer
ISBN: 0230594190
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
Since the early 1990s there has been a trend towards narrative complexity within popular cinema. This book examines a number of contemporary films that play overtly with narrative structure, raising questions of chance and destiny, memory and history, simultaneity and the representation of time.
Author: Thomas Elsaesser
Publisher: Routledge
ISBN: 1317581148
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
Author: NA NA
Publisher: Springer
ISBN: 1137081686
Category : Technology & Engineering
Languages : en
Pages : 205
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Book Description
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
Author: Joseph M. Boggs
Publisher: McGraw-Hill College
ISBN: 9780073535074
Category : Performing Arts
Languages : en
Pages : 553
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Book Description
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
Author: Warren Buckland
Publisher: John Wiley & Sons
ISBN: 1405168617
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
Author: Chuck Tryon
Publisher: Rutgers University Press
ISBN: 0813548543
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.
Author: Kristin Thompson
Publisher: Harvard University Press
ISBN: 9780674839755
Category : Language Arts & Disciplines
Languages : en
Pages : 428
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Book Description
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Author: Robin Blaetz
Publisher: Duke University Press
ISBN: 9780822340447
Category : Performing Arts
Languages : en
Pages : 436
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Book Description
This volume offers introductions to the work of fifteen avant-garde American women filmmakers.
