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Author: E. Warwick Slinn
Publisher: University of Virginia Press
ISBN: 9780813913094
Category : History
Languages : en
Pages : 232
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Book Description
This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism. This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism.
Author: E. Warwick Slinn
Publisher: University of Virginia Press
ISBN: 9780813913094
Category : History
Languages : en
Pages : 232
Get Book Here
Book Description
This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism. This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism.
Author: E.Warwick Slinn
Publisher: Springer
ISBN: 1349104523
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Written by the author of "Browning and the Fictions of Identity," this is a study of the discourse of self in Victorian poetry.
Author: E. Warwick Slinn
Publisher: University of Virginia Press
ISBN: 9780813921662
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
The discussion of each poem attends to the complexity of the poem's utterance, its historical contexts, and its broader implications for cultural meaning.Victorian Literature and Culture Series
Author: Antony H. Harrison
Publisher:
ISBN: 9780875801681
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This collection of original essays offers a broad and varied discussion of gender issues and treatments of sexuality in Victorian poetry, fiction, and visual arts. Featuring a representative selection of artists--poets, novelists, painters, sculptors, playwrights, and dancers--these critical analyses explore the ways in which women as artists, as subjects, and as icons function either to challenge and revise or to reify their society's gender ideologies. Enhanced by a diversity of approaches, the collection introduces revisionist readings of well-known literary works and examines interconnections between literature and the visual arts. In the first two parts, which address Victorian poetry and fiction, the readings illuminate previously unexplained features of poems and novels by such writers as Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Christina Rossetti, A. C. Swinburne, Gerard Manley Hopkins, Anne Brontë, Charles Dickens, George Eliot, Rudyard Kipling, Thomas Hardy, Kate Chopin, and Oscar Wilde. The third part of the collection focuses on the themes of gender conventions and subversions that occur in visual representations--paintings and cartoons, sculpture and architectural reliefs, drama, opera, and music-hall dance. Rather than presenting literature and art as self-contained, the collection advances the assumption that creative works participate in a larger ideological current of society. Thus, where relevant, the contributors reference politics, economics, science, and other modes of cultural discourse. Such an approach retrieves the historical contexts surrounding the production and reception of the poetry, fiction, and visual arts examined.
Author: Dr Britta Martens
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478874
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Author: Barbara Garlick
Publisher: Rodopi
ISBN: 9789042013001
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
From the contents: Virginia BLAIN: Be these his daughters?: Caroline Bowles Southey, Elizabeth Barrett Browning and disruption in a patriarchal poetics of women's autobiography. - Meg TASKER: 'Aurora Leigh': Elizabeth Barrett Browning's novel approach to the woman poet. - E. WARWICK SLINN: Elizabeth Barrett Browning and the problem of female agency. - Debra FRIED: In Daisy's lane: variants and personification in Emily Dickinson.
Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Category : Reference
Languages : en
Pages : 1024
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Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Vineta Colby
Publisher: University of Virginia Press
ISBN: 0813923891
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
Vernon Lee, born Violet Paget in 1856 to English parents who lived on the Continent, bridged two worlds and many cultures. She was a Victorian by birth but lived into the second quarter of the twentieth century. Her chosen home was Italy, but she spent part of every year in England, where she published over the years an impressive number of books: novels, short stories, travel essays, studies of Italian art and music, psychological aesthetics, polemics. She was widely recognized as a woman of letters and moved freely in major literary and social circles, meeting and at times having close friendships with a huge number of the major writers and intellectuals of her time, among them Robert Browning, Walter Pater, Henry James, H. G. Wells, Bertrand Russell, Bernard Berenson, and Mario Praz. Although she never committed herself to one program of political activism, she was an advocate for feminism and social reform and during World War I was an ardent pacifist. In her last years she watched with dismay the emergence of fascism. Vernon Lee: A Literary Biography recovers this crowded and intellectually eventful life from her previously unpublished letters and journals, as well as from her books themselves. Vineta Colby also explores Lee’s troubled personal life, from her childhood in an eccentric expatriate family to her several unhappy love affairs with women to her frank recognition that her work, brilliant as some of it was, remained unappreciated. Through it all, Vernon Lee clung to her faith in the life of the mind, and through Colby’s engaging biographical narrative, she emerges today as a writer worthy of renewed attention and admiration. Victorian Literature and Culture Series
Author: John Blades
Publisher: Bloomsbury Publishing
ISBN: 1137414758
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
This stimulating study takes a fresh look at Browning's poetry and at some of the key themes that run through his work. Part I uses carefully selected extracts for close textual analysis, while Part II examines Browning's life, contexts and a sample of criticism. Using some of Browning's most widely studied poems, this book will develop students' close reading technique and help them to articulate their own responses to poetry. The volume is an ideal introductory guide for A Level and undergraduate English Literature students, or anyone studying Browning's poems for the first time.
Author: Dustin Friedman
Publisher: Johns Hopkins University Press
ISBN: 1421431475
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory. Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community. Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being queer can be an advantage not in spite but because of social hostility toward nonnormative desires. Showing how aesthetes—among them Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field—harnessed the force that Georg Wilhelm Friedrich Hegel called "the negative," Friedman reveals how becoming self-aware of one's sexuality through art can be both liberating and affirming of humanity's capacity for subjective autonomy. Challenging one of the central precepts of modern queer theory—the notion that the heroic subject of Enlightenment thought is merely an effect of discourse and power—Friedman develops a new framework for understanding the relationship between desire and self-determination. He also articulates an innovative, queer notion of subjective autonomy that encourages reflecting critically on one's historical moment and envisioning new modes of seeing, thinking, and living that expand the boundaries of social and intellectual structures. Before Queer Theory is an audacious reimagining that will appeal to scholars with interests in Victorian studies, queer theory, gender and sexuality studies, and art history.
