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Author: Dennis R. MacDonald
Publisher: Fortress Press
ISBN: 1506421660
Category : Religion
Languages : en
Pages : 268
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Book Description
“Those who eat my flesh and drink my blood abide in me, and I in them.” Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel—an explanation that he argues would hardly have surprised some of the Gospel’s early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides’s play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals, but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death—and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides’s Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest Evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.
Author: Dennis R. MacDonald
Publisher: Fortress Press
ISBN: 1506421660
Category : Religion
Languages : en
Pages : 268
Get Book Here
Book Description
“Those who eat my flesh and drink my blood abide in me, and I in them.” Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel—an explanation that he argues would hardly have surprised some of the Gospel’s early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides’s play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals, but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death—and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides’s Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest Evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.
Author: Dennis R. MacDonald
Publisher: Yale University Press
ISBN: 0300129890
Category : Religion
Languages : en
Pages : 240
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Book Description
div In this provocative challenge to prevailing views of New Testament sources, Dennis R. MacDonald argues that the origins of passages in the book of Acts are to be found not in early Christian legends but in the epics of Homer. MacDonald focuses on four passages in the book of Acts, examines their potential parallels in the Iliad, and concludes that the author of Acts composed them using famous scenes in Homer’s work as a model. Tracing the influence of passages from the Iliad on subsequent ancient literature, MacDonald shows how the story generated a vibrant, mimetic literary tradition long before Luke composed the Acts. Luke could have expected educated readers to recognize his transformation of these tales and to see that the Christian God and heroes were superior to Homeric gods and heroes. Building upon and extending the analytic methods of his earlier book, The Homeric Epics and the Gospel of Mark, MacDonald opens an original and promising appreciation not only of Acts but also of the composition of early Christian narrative in general. /DIV
Author: Bruce Ellis Benson
Publisher: Indiana University Press
ISBN: 0253003571
Category : Philosophy
Languages : en
Pages : 297
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Book Description
Bruce Ellis Benson puts forward the surprising idea that Nietzsche was never a godless nihilist, but was instead deeply religious. But how does Nietzsche affirm life and faith in the midst of decadence and decay? Benson looks carefully at Nietzsche's life history and views of three decadents, Socrates, Wagner, and Paul, to come to grips with his pietistic turn. Key to this understanding is Benson's interpretation of the powerful effect that Nietzsche thinks music has on the human spirit. Benson claims that Nietzsche's improvisations at the piano were emblematic of the Dionysian or frenzied, ecstatic state he sought, but was ultimately unable to achieve, before he descended into madness. For its insights into questions of faith, decadence, and transcendence, this book is an important contribution to Nietzsche studies, philosophy, and religion.
Author: Dennis Ronald MacDonald
Publisher:
ISBN: 9781506421650
Category : Bible
Languages : en
Pages : 250
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Book Description
"Those who eat my flesh and drink my blood abide in me, and I in them." Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel--an explanation that he argues would hardly have surprised some of the Gospel's early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides's play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death--and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides's Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.
Author: Dennis Ronald MacDonald
Publisher: Yale University Press
ISBN: 9780300080124
Category : Religion
Languages : en
Pages : 284
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Book Description
In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E
Author: Dennis R. MacDonald
Publisher: Rowman & Littlefield
ISBN: 144223055X
Category : Religion
Languages : en
Pages : 273
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Book Description
These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In Luke and Vergil MacDonald proposes that the author of Luke-Acts followed Mark’s lead in imitating Homer’s Iliad and Odyssey, but greatly expanded his project, especially in the Acts, but adding imitations not only of the epics but also of Euripides’ Bacchae and Plato’s Socratic dialogues. The potential imitations include spectacular miracles, official resistance, epiphanies, prison breaks, and more. The book applies mimesis criticism and uses side-by-side comparisons to show how early Christian authors portrayed the origins of Christianity as more compelling than the Augustan Golden Age.
Author: Friedrich Nietzsche
Publisher: U of Minnesota Press
ISBN: 1937561267
Category : Philosophy
Languages : en
Pages : 50
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Book Description
Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.
Author: Dennis R. MacDonald
Publisher: Rowman & Littlefield
ISBN: 1442230533
Category : Religion
Languages : en
Pages : 441
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Book Description
These two volumes of The New Testament and Greek Literature are the magnum opus of biblical scholar Dennis R. MacDonald, outlining the profound connections between the New Testament and classical Greek poetry. MacDonald argues that the Gospel writers borrowed from established literary sources to create stories about Jesus that readers of the day would find convincing. In The Gospels and Homer MacDonald leads readers through Homer’s Iliad and Odyssey, highlighting models that the authors of the Gospel of Mark and Luke-Acts may have imitated for their portrayals of Jesus and his earliest followers such as Paul. The book applies mimesis criticism to show the popularity of the targets being imitated, the distinctiveness in the Gospels, and evidence that ancient readers recognized these similarities. Using side-by-side comparisons, the book provides English translations of Byzantine poetry that shows how Christian writers used lines from Homer to retell the life of Jesus. The potential imitations include adventures and shipwrecks, savages living in cages, meals for thousands, transfigurations, visits from the dead, blind seers, and more. MacDonald makes a compelling case that the Gospel writers successfully imitated the epics to provide their readers with heroes and an authoritative foundation for Christianity.
Author: Marvin Meyer
Publisher: Bloomsbury Publishing USA
ISBN: 056754401X
Category : Religion
Languages : en
Pages : 208
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Book Description
Marvin Meyer is one of the leading experts on the secret gospels-Gospel of Thomas, Secret Gospel of Mark, and others-who has changed forever how we read the canonical gospels and understand early Christianity. In this new collection of his work, Meyer looks at these revolutionary texts in original and illuminating ways. He writes, for example, about the naked youths in the villa of the Mysteries. On the walls of a villa in Pompeii, a famous mural depicts a naked male reading from a scroll, a look of wonder on his face. A naked youth again appears in the Gospel of Mark, abandoning his garment and fleeing naked when apprehended during Jesus' arrest. A similar youth appears in the Secret Gospel of Mark. These youths, Meyer proposes, serve as an image of religious initiation, candidates for the mysteries of Dionysus or of Christ. This is one of the many aspects of the secret gospels that Meyer examines with expert insight and creativity. Topics range from gender and infancy stories to discipleship and the relationship of the Gospel of Thomas to Islamic literature. Meyer's spellbinding readings of these materials offer fresh understandings of the canonical gospels. Marvin Meyer is Griset Professor of Bible and Christian Studies, and Director of the Albert Schweitzer Institute at Chapman University, Orange, California. He is author of The Secret Teachings of Jesus: Four Gnostic Gospels and The Gospel of Thomas: The Hidden Sayings of Jesus, and co-editor of Jesus Then and Now (Trinity Press International).
Author: Bill Darlison
Publisher: ABRAMS
ISBN: 146830478X
Category : Religion
Languages : en
Pages : 277
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Book Description
“Darlison elucidates the zodiac’s significant place in the Gospels, most specifically in the Book of Mark . . . An intriguing leap into faith” (Kirkus Reviews). For millennia the world has been driven by the differences between the great patriarchal religions. Western civilization—or Christendom, as it was once called—received its values and its confidence from a belief in God, the Father, and Jesus, his only son. But what if this conviction were founded on an error? Who is the man in the factually inconsistent Gospel stories? And who is the man who makes a brief appearance carrying a jar of water? This extraordinary study by a Unitarian minister suggests that Jesus never existed historically; he was simply a representation of an astrological theology—a representation, simply put, of the zodiac sign of Aquarius. In The Gospel & the Zodiac, Rev. Bill Darlison demonstrates that all the other signs are present too, in perfect zodiacal order. The Gospel story is not the product of historians or eyewitnesses, but an older, mystical text produced by an ancient, esoteric school as a guide to the Age of Pisces. Every bit as revelatory and controversial as it sounds, The Gospel & the Zodiac will shake up the religious status quo, and in doing so, provide both a new look at a religious icon and a deeper understanding of the faith that binds millions together. “Darlison begins by looking at different scholarly approaches to the gospels, then outlines his astrological interpretation logically and lucidly, matching the zodiacal signs to the narrative of Mark.” —Fortean Times
