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Author: Keith L. Roos
Publisher:
ISBN:
Category : Devil in literature
Languages : en
Pages : 640
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Book Description
Author: Keith L. Roos
Publisher:
ISBN:
Category : Devil in literature
Languages : en
Pages : 640
Get Book Here
Book Description
Author: Keith L. Roos
Publisher:
ISBN:
Category : Devil in literature
Languages : de
Pages : 152
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Book Description
Author: Keith L. Roos
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Keith L. Roos
Publisher:
ISBN:
Category : Devil in literature
Languages : en
Pages : 144
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Book Description
Author: James M. Van der Laan
Publisher: Camden House
ISBN: 1571135529
Category : History
Languages : en
Pages : 414
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Book Description
New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.
Author: P. G. Maxwell-Stuart
Publisher: Amberley Publishing Limited
ISBN: 1445608812
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
The story of Devil from antiquity to the present.
Author: Bo Andersson
Publisher: BRILL
ISBN: 9004385096
Category : Religion
Languages : en
Pages : 400
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Book Description
This volume deepens our understanding of Jacob Böhme’s texts and contexts and facilitates future research. It encompasses sections on the text-centered approach to Böhme, facets of his environment, and aspects of his influence which bring latent features of his writings to light.
Author: Maximilian Josef Rudwin
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
Author: Jeffrey Burton Russell
Publisher: Cornell University Press
ISBN: 9780801494291
Category : History
Languages : en
Pages : 362
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Book Description
"If, as Chesterton claimed, the devil's greatest triumph was convincing the modern world that he does not exist, Jeffrey Burton Russell means to rob him of his victory. Lucifer: The Devil in the Middle Ages is both a scholarly assessment of the development of diabology in the Middle Ages and an impassioned plea to the 20th century to recognize and acknowledge the existence of real, objective evil. The third in a series of works tracing the history of the devil from his Judeo-Christian roots, it represents a formidable undertaking: the devil's history is integrally related to the problem of evil, which is in turn at the heart of Western religious thought. Each of the volumes on Satan comprises, in essence, a judicious and able tour of Christian theology from the villain's point of view... Book jacket.
Author: H. C. Erik Midelfort
Publisher: Stanford University Press
ISBN: 9780804741699
Category : Psychology
Languages : en
Pages : 460
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Book Description
This magisterial work explores how Renaissance Germans understood and experienced madness. It focuses on the insanity of the world in general but also on specific disorders; examines the thinking on madness of theologians, jurists, and physicians; and analyzes the vernacular ideas that propelled sufferers to seek help in pilgrimage or newly founded hospitals for the helplessly disordered. In the process, the author uses the history of madness as a lens to illuminate the history of the Renaissance, the Reformation and Counter-Reformation, the history of poverty and social welfare, and the history of princely courts, state building, and the civilizing process. Rather than try to fit historical experience into modern psychiatric categories, this book reconstructs the images and metaphors through which Renaissance Germans themselves understood and experienced mental illness and deviance, ranging from such bizarre conditions as St. Vituss dance and demonic possession to such medical crises as melancholy and mania. By examining the records of shrines and hospitals, where the mad went for relief, we hear the voices of the mad themselves. For many religious Germans, sin was a form of madness and the sinful world was thoroughly insane. This book compares the thought of Martin Luther and the medical-religious reformer Paracelsus, who both believed that madness was a basic category of human experience. For them and others, the sixteenth century was an age of increasing demonic presence; the demon-possessed seemed to be everywhere. For Renaissance physicians, however, the problem was finding the correct ancient Greek concepts to describe mental illness. In medical terms, the late sixteenth century was the age of melancholy. For jurists, the customary insanity defense did not clarify whether melancholy persons were responsible for their actions, and they frequently solicited the advice of physicians. Sixteenth-century Germany was also an age of folly, with fools filling a major role in German art and literature and present at every prince and princelings court. The author analyzes what Renaissance Germans meant by folly and examines the lives and social contexts of several court fools.
