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Author: Terry Shaffer
Publisher: Outskirts Press
ISBN: 1478777648
Category : Fiction
Languages : en
Pages : 378
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Book Description
The Democracy Dramaturgy is told from the perspective of a cynical deadhead named Mo, who, via the wonders of extraterrestrial time-travel, is able to witness firsthand what his nation has been, as well as what it is becoming. When he is accidentally transported to another planet, Mo finds himself in a once-perfect world that has been overwhelmed by the disabling impact of mindless American television programs from the Seventies and their insipid fictional stars. But the fictional characters are far from the most dangerous Earth-born garbage with which the planet’s inhabitants must deal, as Mo and Martin S. Cribler, former-crusading-turned-suicidal journalist soon discover. Two other “real” Earth men have preceded them to the planet and are actively waging war for the hearts and minds of the populace: Mafia thug Nino D’Rocca and singing television preacher Duncan Heathens. Sometimes hilarious, often enlightening, The Democracy Dramaturgy is the story of Mo’s awakening as he recognizes himself as a fractal representation of the universe in which he resides and finally understands he never needed to change the world. He only needed to accept himself.
Author: Terry Shaffer
Publisher: Outskirts Press
ISBN: 1478777648
Category : Fiction
Languages : en
Pages : 378
Get Book Here
Book Description
The Democracy Dramaturgy is told from the perspective of a cynical deadhead named Mo, who, via the wonders of extraterrestrial time-travel, is able to witness firsthand what his nation has been, as well as what it is becoming. When he is accidentally transported to another planet, Mo finds himself in a once-perfect world that has been overwhelmed by the disabling impact of mindless American television programs from the Seventies and their insipid fictional stars. But the fictional characters are far from the most dangerous Earth-born garbage with which the planet’s inhabitants must deal, as Mo and Martin S. Cribler, former-crusading-turned-suicidal journalist soon discover. Two other “real” Earth men have preceded them to the planet and are actively waging war for the hearts and minds of the populace: Mafia thug Nino D’Rocca and singing television preacher Duncan Heathens. Sometimes hilarious, often enlightening, The Democracy Dramaturgy is the story of Mo’s awakening as he recognizes himself as a fractal representation of the universe in which he resides and finally understands he never needed to change the world. He only needed to accept himself.
Author: Susan Jonas
Publisher: Cengage Learning
ISBN:
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.
Author: Michael Wood
Publisher: Boydell & Brewer
ISBN: 1571139982
Category : Drama
Languages : en
Pages : 242
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Book Description
Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.
Author: Jeffery Scott Elwell
Publisher:
ISBN:
Category : Political plays
Languages : en
Pages : 434
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Book Description
Author: Janek Szatkowski
Publisher: Routledge
ISBN: 1351132091
Category : Performing Arts
Languages : en
Pages : 667
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Book Description
A Theory of Dramaturgy is the first text of its kind to define concepts and combine arguments into a coherent dramaturgical theory supported by an operative systems theory. This is a wide-ranging theory with historical and contemporary perspectives on dramaturgy, rather than simply a how-to book. Dramaturgy began in ancient Greece, born from experimentation with democracy and commentary in the theatre on the human condition. The term itself has seen constant evolution, but thanks to its introduction into common English usage within the last three decades, it has gained new importance. Dramaturgy draws focus to the communication of communication, and in theatre it examines how moving bodies, voice, sound, and light can tell a story and affect values. Beyond the theatre, in daily life, dramaturgy becomes a question of "performativity", as we constantly have to act in relation to the roles that we occupy. It is because of this that the way in which society describes itself to itself is not just a matter for scientists and theorists, but for all of those who are met on a daily basis with devised, staged, and directed versions of important values and events in our contemporary lives. Ideal for both scholars and students, A Theory of Dramaturgy explains how to approach the values, strategies, and theories that are essential to understanding arts and media, and investigates what art should do in the current world.
Author: Dragan Klaić
Publisher: Intellect Books
ISBN: 9781841505473
Category : PERFORMING ARTS
Languages : en
Pages : 0
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Book Description
Commercial theater is thriving across Europe and the UK, while public theater has suffered under changing patterns of cultural consumption--as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theater to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theater is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
Author: Tatiana Korneeva
Publisher: University of Toronto Press
ISBN: 1487505353
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
The Dramaturgy of the Spectator explores how Italian theatre consciously adjusted to the emergence of a new kind of spectator who became central to society, politics, and culture in the mid-seventeenth and eighteenth centuries. The author argues that while a focus on spectatorship in isolation has value, if we are to understand the broader stakes of the relationship between the power structures and the public sphere as it was then emerging, we must trace step-by-step how spectatorship as a practice was rooted in the social and cultural politics of Italy at the time. By delineating the evolution of the Italian theatre public, as well as the dramatic innovations and communicative techniques developed in an attempt to manipulate the relationship between spectator and performance, this book pioneers a shift in our understanding of audience as both theoretical concept and historical phenomenon.
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 1009167995
Category : Drama
Languages : en
Pages : 251
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Book Description
David Wiles makes the startling claim that, to be truly effective, democratic politicians are obliged to be hypocrites, or actors.
Author: Percy MacKaye
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 236
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Book Description
Author: Peter Eckersall
Publisher: Routledge
ISBN: 135139911X
Category : Performing Arts
Languages : en
Pages : 520
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Book Description
The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today’s writers, critics, audiences, and theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated (geographically, culturally, politically, and institutionally), its multiple perspectives broadly address the question "How can we be political now?" To respond to this question, Peter Eckersall and Helena Grehan have created eight galvanising themes as frameworks or rubrics to rethink the critical, creative, and activist perspectives on questions of politics and theatre. Each theme is linked to a set of guiding keywords: Post (post consensus, post-Brexit, post-Fukushima, post-neoliberalism, post-humanism, post-global financial crisis, post-acting, the real) Assembly (assemblage, disappearance, permission, community, citizen, protest, refugee) Gap (who is in and out, what can be seen/heard/funded/allowed) Institution (visibility/darkness, inclusion, rules) Machine (biodata, surveillance economy, mediatisation) Message (performance and conviction, didacticism, propaganda) End (suffering, stasis, collapse, entropy) Re. (reset, rescale, reanimate, reimagine, replay: how to bring complexity back into the public arena, how art can help to do this). These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early 21st century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo.
