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Author: Daniel York Loh
Publisher: Bloomsbury Publishing
ISBN: 1350508683
Category : Drama
Languages : en
Pages : 116
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Book Description
... I'm not even properly Chinese I'm only half and half so that makes me feel all wrong and I just want to blend out and fit in and not stand out and with you I stand out We Stand Out There's no safety in numbers Sorry The 'British Chinese'. So often regarded as a 'model minority'. Quiet, high-achieving, polite, invisible... But when someone who is 'British Chinese' spends their life taking drugs, getting thrown out of school, claiming benefits, being chased in stolen cars, getting locked up, then rehabilitating onto the stage, where do they fit in? Oh, and they're not quite 'Chinese' enough anyway. Semi-autobiographical, free-form and explosive, Daniel York Loh's psychedelic gig-theatrical punk pop rap rock riff The Dao of Unrepresentative British Chinese Experience (Butterfly Dream) asks what path to choose, which identity politics to embrace or whether it's just easier to follow the 'Dao' of ancient Chinese philosopher Zhuangzi and dream you're a butterfly. Or, be a butterfly dreaming of being 'Chinese'.... This edition was published to coincide with the world premiere Kakilang production at London's Soho Theatre in June 2024.
Author: Daniel York Loh
Publisher: Bloomsbury Publishing
ISBN: 1350508683
Category : Drama
Languages : en
Pages : 116
Get Book Here
Book Description
... I'm not even properly Chinese I'm only half and half so that makes me feel all wrong and I just want to blend out and fit in and not stand out and with you I stand out We Stand Out There's no safety in numbers Sorry The 'British Chinese'. So often regarded as a 'model minority'. Quiet, high-achieving, polite, invisible... But when someone who is 'British Chinese' spends their life taking drugs, getting thrown out of school, claiming benefits, being chased in stolen cars, getting locked up, then rehabilitating onto the stage, where do they fit in? Oh, and they're not quite 'Chinese' enough anyway. Semi-autobiographical, free-form and explosive, Daniel York Loh's psychedelic gig-theatrical punk pop rap rock riff The Dao of Unrepresentative British Chinese Experience (Butterfly Dream) asks what path to choose, which identity politics to embrace or whether it's just easier to follow the 'Dao' of ancient Chinese philosopher Zhuangzi and dream you're a butterfly. Or, be a butterfly dreaming of being 'Chinese'.... This edition was published to coincide with the world premiere Kakilang production at London's Soho Theatre in June 2024.
Author: Diana Yeh
Publisher: Hong Kong University Press
ISBN: 9888208179
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
"Try Something Different. Something Really Chinese" The Happy Hsiungs recovers the lost histories of Shih-I and Dymia Hsiung, two once highly visible, but now largely forgotten Chinese writers in Britain, who sought to represent China and Chineseness to the rest of the world. Shih-I shot to worldwide fame with his play Lady Precious Stream in the 1930s and became known as the first Chinese director to work in the West End and on Broadway. Dymia was the first Chinese woman in Britain to publish a fictional autobiography in English. Diana Yeh traces the Hsiungs' lives from their childhood in Qing dynasty China and youth amid the radical May Fourth era to Britain and the USA, where they rubbed shoulders with George Bernard Shaw, James M. Barrie, H. G. Wells, Pearl Buck, Lin Yutang, Anna May Wong and Paul Robeson. In recounting the Hsiungs' rise to fame, Yeh focuses on the challenges they faced in becoming accepted as modern subjects, as knowledge of China and the Chinese was persistently framed by colonial legacies and Orientalist discourses, which often determined how their works were shaped and understood. She also shows how Shih-I and Dymia, in negotiating acceptance, "'performed" not only specific forms of Chineseness but identities that conformed to modern ideals of class, gender and sexuality, defined by the heteronormative nuclear family. Though fêted as 'The Happy Hsiungs', their lives ultimately highlight a bitter struggle in attempts to become modern. "In the 1930s, China became briefly fashionable again, after decades of Fu Manchu-style demonising. This switch coincided with the rise of anti-fascism in the West and a new visibility of Chinese art. In a path-breaking contribution to the study of artistic production by British Chinese, Yeh recovers the Hsiungs' forgotten history, their role in this new China wave, and their struggle against hostile stereotyping. Shedding light on a history few can have expected, the book shows high narrative skill and the author's strong empathetic imagination brings everything to life." —Gregor Benton, author of Chinese Migrants and Internationalism and The Chinese in Britain "Through the riveting story of a successful couple of British Chinese artists, the Hsiungs, this book contributes to our understanding of the real struggles involved in the acceptance of 'Chineseness' not as a fixed identity governed by unchanging tradition (as Western Orientalism would have it), but as a resolutely modern performative invention shaped by a confluence of globally circulating hybrid ideas, concepts and images." —Ien Ang, author of On Not Speaking Chinese: Living Between Asia and the West "Thanks to the phenomenal success of his play Lady Precious Stream, Shih-I Hsiung was a household name in the US and UK during the 1930s. Diana Yeh explores the Hsiungs' role in representing China and Chineseness to the rest of the world forcing us to rethink our vision of the British Chinese as invisible and insular, with little social, cultural or political impact on wider society." —Anne Witchard, author of Lao She in London and Thomas Burke's Dark Chinoiserie "The story of Shih-I and Dymia Hsiung fills a gap in our understanding of the Chinese experience in England—and highlights how very different it is from that in America. Yeh does a remarkable job in unravelling the relationship between the Hsiungs, the couple who landed in London in the 1930s, and the Hsiungs as personas, constructs designed to suit as well as to subvert British tastes for and preconceptions of Chineseness." —Ronald Egan, Professor of East Asian Languages and Cultures, Stanford University
Author: Amanda Wilkin
Publisher: Faber & Faber
ISBN: 0571372740
Category : Drama
Languages : en
Pages : 105
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Book Description
Sometimes you crack. Sometimes you didn't mean to yell that. Sometimes you have to lay low until you've figured it out And sometimes, sometimes you have to hibernate until you've healed. This is a new day. Shedding a Skin is a story for our times. It's a play about finding kindness in unexpected places; about understanding what our elders can teach us; it's new skin honouring old. It's a play about joy, healing and protest. Amanda Wilkin's Shedding a Skin is the 2020 winner of Soho Theatre's acclaimed Verity Bargate Award. The play premiered at Soho Theatre, London, in June 2021.
Author: Chrys Salt
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 130
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Book Description
Selection of speeches drawn from landmark plays stretching from classical theatre through to the nineteenth century.
Author: David Vivian Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350107964
Category : Drama
Languages : en
Pages : 272
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Book Description
This book discusses the theatrical history of Talawa, the work of Dr Yvonne Brewster OBE, her contribution to the genre of contemporary black British theatre generally, and her founding and subsequent directing of Talawa from 1986 to 2001. The analysis details how Brewster's theatre helped forge a black British identity in Britain, both on and off the British stage, through its strategic presentation of black language and culture in performance. Following explanations of definitions and sociolinguistic methodology in Chapter One: Voicing an Identity, Talawa's theatrical roots are shown in Chapter Two: Post Traumatic Slavery Disorder, to have begun in Africa, developed in Jamaica and further progressed by British Caribbean post war artists in Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's early life, her significant contribution to contemporary black British theatre, her founding of Talawa and the company's three year residency in the West End are discussed. Talawa's work is then explored by genre as follows; Chapter Four: The Island Plays highlights Talawa's Caribbean productions. These are; An Echo In The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance, The Lion and Beef No Chicken. In Chapter Five: The Black South, Talawa's American productions; The Love Space Demands, From The Mississippi Delta and Flyin' West point to the relevance of African American work to Talawa's audience. Chapter Six: Stay in Your Box illustrates Brewster's ground breaking work in the British classical genre. The productions discussed are; Anthony and Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of Being Earnest and Othello. The book ends with Chapter Seven: Don't Tell Massa. Brewster and her work at Talawa are summed up, followed by an insight into her final attempt to secure a permanent home for black theatre in Britain.
Author: Peter Wright
Publisher: Bloomsbury Publishing
ISBN: 1783197196
Category : Biography & Autobiography
Languages : en
Pages : 762
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Book Description
Peter Wright has been a dancer, choreographer, teacher, producer and director in the theatre as well as in television for over 70 years. In Wrights & Wrongs, Peter offers his often surprising views of today's dance world, lessons learned – and yet to learn – from a lifetime's experience of ballet, commercial theatre and television. Peter started his career in wartime, with the Kurt Jooss company. He has worked with such greats as Pina Bausch, Margot Fonteyn, Rudolf Nureyev, Marcia Haydée, Richard Cragun, Monica mason, Karen Kain, Miyako Yoshida and Carlos Acosta - as well as today's generation of starts including Alina Cajocaru, Marianela Nunez, Natalia Osipova and Lauren Cuthbertson. While now regarded as part of the British ballet establishment, for many years Peter developed his career outside London, particularly in Germany with John Cranko's Stuttgart Ballet. That distance gives him a unique and unrivalled view on ballet companies. His close association with choreographers Frederick Ashton, Ninette de Valois, founder of the Royal Ballet, Kenneth MacMillan and David Bintley gives Peter an authoritative perspective on British ballet. Wrights and Wrongs includes black-and-white photographs from Wright's career, and as Exeunt magazine comments: 'Anyone with an interest in British ballet will find plenty to occupy them in Wright's book... the many dramas and delights of his life in dance spring forth from the page with brio.'
Author: Marina Caldarone
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 130
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Book Description
An invaluable selection of pieces resource for actors working in radio, theatre or television.
Author: William Shakespeare
Publisher: Psychology Press
ISBN: 9780878300761
Category : Drama
Languages : en
Pages : 132
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Book Description
Fifty speeches from plays frequently ignored, such as CORIOLANUS, PERICLES, and LOVE'S LABOURS LOST are assembled here, plus good but often overlooked speeches from the more popular plays such as Diana from ALL'S WELL THAT ENDS WELL, Perdita from THE WINTER'S TALE, and Hero from MUCH ADO ABOUT NOTHING. Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases, and references.
Author: Anne Harvey
Publisher: Methuen Drama
ISBN: 9780413689009
Category : Drama
Languages : en
Pages : 0
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Book Description
Selected by Anne Harvey, an experienced actress, director, writer and adjudicator, these scenes are suitable for performance at auditions, solo acting classes, festivals and examinations. Ranging from Renaissance to contemporary literature, the pieces are varied in content, tone and style and are equipped with an introduction setting the context. Writers include: Edward Bond, Ken Campbell, David Crampton, Caryl Churchill, Noël Coward, Monica Dickens, Lisa Evans, Dario Fo, John Ford, David Hare, Jonathan Harvey, Lillian Hellman, Adrian Henri, Robert Holman, Moliere, Willy Russell, Diane Samuels, G B Shaw, David Storey, Frank Wedekind and many more...
Author: Shahid Yusuf
Publisher: World Bank Publications
ISBN: 0821372122
Category : Political Science
Languages : en
Pages : 230
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Book Description
The key challenges facing China in the next two decades derive from the ongoing process of urbanization. China's urbanization rate in 2005 was about 43%. Over the next 10-15 years, it is expected to rise to well over 50%, adding an additional 200 million mainly rural migrants to the current urban population of 560 million. How China copes with such a large migration flow will strongly influence rural-urban inequality, the pace at which urban centers expand their economic performance, and the urban environment. The growing population will necessitate a big push strategy to maintain a high rate of investment in housing and the urban physical infrastructure and urban services. To finance such expansion will require a significant strengthening and diversification of China's financial system. Growing cities will greatly increase consumption of energy and water. Containing this without at the same time constraining the economic performance of cities or the improvement in the standards of living will call for enlightened policies, strategies, careful urban planning, and significant technological advances. This volume identifies the key developments to watch and discusses the policies which would affect the course as well as the fruitfulness of change.
