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Author: Andrew Kirkman
Publisher: Cambridge University Press
ISBN: 0521114128
Category : Music
Languages : en
Pages : 399
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Book Description
Kirkman sheds new light on the polyphonic Mass, exploring the hidden meanings within its music and its legacy today.
Author: Andrew Kirkman
Publisher: Cambridge University Press
ISBN: 0521114128
Category : Music
Languages : en
Pages : 399
Get Book Here
Book Description
Kirkman sheds new light on the polyphonic Mass, exploring the hidden meanings within its music and its legacy today.
Author: Katelijne Schiltz
Publisher: Cambridge University Press
ISBN: 1316299899
Category : Music
Languages : en
Pages : 550
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Book Description
Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
Author: James Haar
Publisher: Boydell & Brewer Ltd
ISBN: 184383894X
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Author: Fabrice Fitch
Publisher: Cambridge University Press
ISBN: 1108882668
Category : Music
Languages : en
Pages : 295
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Book Description
This engaging study introduces Renaissance polyphony to a modern audience. It helps readers of all ages and levels of experience make sense of what they are hearing. How does Renaissance music work? How is a piece typical of its style and type; or, if it is exceptional, what makes it so? The makers of polyphony were keenly aware of the specialized nature of their craft. How is this reflected in the music they wrote, and how were they regarded by their patrons and audiences? Through a combination of detailed, nuanced appreciation of musical style and a lucid overview of current debates, this book offers a glimpse of meanings behind and beyond the notes, be they playful or profound. It will enhance the listening experience of students, performers and music lovers alike.
Author: Lisa Colton
Publisher: Taylor & Francis
ISBN: 1317181158
Category : Music
Languages : en
Pages : 205
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Book Description
Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Author: Andrew Kirkman
Publisher: Routledge
ISBN: 1317161025
Category : Music
Languages : en
Pages : 314
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Book Description
Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural milieu. The contributions uncover 'outside' stimuli behind Shostakovich's works, allowing the reader to perceive the motivations behind his artistic choices; at the same time, the nature of those choices offers insights into the workings of the larger world - cultural, social, political - that he inhabited. Thus his often ostensibly quirky choices are revealed as responses - by turns sentimental, moving, sardonic and angry - to the particular conditions, with all their absurdities and contradictions, that he had to negotiate. Here we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life. This invaluable collection offers remarkable new insight, in both depth and range, into the nature of Shostakovich's working circumstances and of his response to them. The collection contains the seeds for a wide range of new directions in the study of Shostakovich's works and the larger contexts of their creation and reception.
Author: Katherine Steele Brokaw
Publisher: Cornell University Press
ISBN: 1501706462
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for.The theater represented the music of the church’s present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe’s Doctor Faustus, Shakespeare’s The Tempest and The Winter’s Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.
Author: Benjamin Brand
Publisher: Cambridge University Press
ISBN: 1107158370
Category : History
Languages : en
Pages : 379
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Book Description
The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Author: Johannes Pahlitzsch
Publisher: V&R unipress
ISBN: 3737014779
Category :
Languages : en
Pages : 223
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Book Description
The volume presents a comparative perspective on victors and vanquished according to the categories of remembering victory and defeat, practices of celebrating victory and triumphs as well as the culture of dealing with the vanquished. Specifically, the representation of victory and defeat in Byzantine literature of the 10th–12th centuries is contrasted with commemorative practices in early Russia, and the reflection of military events in courtly music of the 15th century is examined. In addition, the practices of celebrating victories in England in the High and Late Middle Ages are explored, as is the treatment of the defeated and the subjugated in the Frankish Empire of the 9th century, in Norman southern Italy and in Byzantium.
Author: Andrew Kirkman
Publisher: Cambridge University Press
ISBN: 110883972X
Category : Music
Languages : en
Pages : 331
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Book Description
Offers unparalleled insight into the function of music in worship, ritual and society in late medieval Europe.
