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Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
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Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
Get Book Here
Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Author: Richard K Sherwin
Publisher: Routledge
ISBN: 1136718060
Category : Art
Languages : en
Pages : 274
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Book Description
Visualizing Law in the Age of the Digital Baroque explores the profound impact that visual digital technologies are having on the practice and theory of law. Today, lawyers, judges, and lay jurors face a vast array of visual evidence and visual argument. From videos documenting crimes and accidents to computer displays of their digital simulation, increasingly, the search for fact-based justice inside the courtroom is becoming an offshoot of visual meaning making. But when law migrates to the screen it lives there as other images do, motivating belief and judgment on the basis of visual delight and unconscious fantasies and desires as well as actualities. Law as image also shares broader cultural anxieties concerning not only the truth of the image but also the mimetic capacity itself, the human ability to represent reality. What is real, and what is simulation? This is the hallmark of the baroque, when dreams fold into dreams, like immersion in a seemingly endless matrix of digital appearances. When fact-based justice recedes, laws proliferate within a field of uncertainty. Left unchecked, this condition of ontological and ethical uneasiness threatens the legitimacy of law’s claim to power. Visualizing Law in the Age of the Digital Baroque offers a jurisprudential paradigm that is equal to the challenge that current cultural conditions present.
Author: Estelle Cecile Lingo
Publisher: Harvey Miller
ISBN: 9781909400801
Category : Council of Trent
Languages : en
Pages : 0
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Book Description
Series number from publisher's website (viewed January 15, 2020).
Author: German Otalora
Publisher:
ISBN:
Category : Crime
Languages : en
Pages : 454
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Book Description
Author: David Castillo
Publisher: University of Michigan Press
ISBN: 047203491X
Category : History
Languages : en
Pages : 194
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Book Description
"David Castillo takes us on a tour of some horrific materials that have rarely been considered together. He sheds a fantastical new light on the baroque." ---Anthony J. Cascardi, University of California Berkeley "Baroque Horrors is a textual archeologist's dream, scavenged from obscure chronicles, manuals, minor histories, and lesser-known works of major artists. Castillo finds tales of mutilation, mutation, monstrosity, murder, and mayhem, and delivers them to us with an inimitable flair for the sensational that nonetheless rejects sensationalism because it remains so grounded in historical fact." ---William Egginton, Johns Hopkins University "Baroque Horrors is a major contribution to baroque ideology, as well as an exploration of the grotesque, the horrible, the fantastic. Castillo organizes his monograph around the motif of curiosity, refuting the belief that Spain is a country incapable of organized scientific inquiry." ---David Foster, Arizona State University Baroque Horrors turns the current cultural and political conversation from the familiar narrative patterns and self-justifying allegories of abjection to a dialogue on the history of our modern fears and their monstrous offspring. When life and death are severed from nature and history, "reality" and "authenticity" may be experienced as spectator sports and staged attractions, as in the "real lives" captured by reality TV and the "authentic cadavers" displayed around the world in the Body Worlds exhibitions. Rather than thinking of virtual reality and staged authenticity as recent developments of the postmodern age, Castillo looks back to the Spanish baroque period in search for the roots of the commodification of nature and the horror vacui that accompanies it. Aimed at specialists, students, and readers of early modern literature and culture in the Spanish and Anglophone traditions as well as anyone interested in horror fantasy, Baroque Horrors offers new ways to rethink broad questions of intellectual and political history and relate them to the modern age. David Castillo is Associate Professor and Director of Graduate Studies in the Department of Romance Languages and Literatures at the University at Buffalo, SUNY. Jacket art: Frederick Ruysch's anatomical diorama. Engraving reproduction "drawn from life" by Cornelius Huyberts. Image from the Zymoglyphic Museum.
Author: Thomas Leitch
Publisher: Cambridge University Press
ISBN: 9780521646710
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Author: Evonne Levy
Publisher: Univ of California Press
ISBN: 9780520928633
Category : Architecture
Languages : en
Pages : 372
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Book Description
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
Author: Laura Moure Cecchini
Publisher: Manchester University Press
ISBN: 1526153165
Category : Art
Languages : en
Pages : 281
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Book Description
Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Author: Mitzi Szereto
Publisher: Mango Media Inc.
ISBN: 1642502812
Category : True Crime
Languages : en
Pages : 207
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Book Description
“Here be monsters! This brilliant collection of gruesome small-town misdeeds . . . will have you running for the comfort and safety of the big city.” —Peter Houlahan, author of Norco ’80 We’ve been told nothing bad happens in small towns. You can leave your doors unlocked, and your windows wide open. We picture peaceful hamlets with a strong sense of community, and everyone knows each other. But what if this wholesome idyllic image doesn’t always square with reality? Small towns might look and feel safe, but statistics show this isn’t really true. From the vicious murderers of the Clutter family to Ted Bundy and his small-town charm, criminals have always roamed rural America and towns worldwide. Featuring murder stories, criminal case studies, and more, The Best New True Crime Stories: Small Towns contains all-new accounts from writers of true crime, crime journalism, and crime fiction. And these entries are not based on a true story—they are true stories. Edited by acclaimed author and anthologist Mitzi Szereto, the stories in this volume span the globe. Discover how unsolved murders, kidnapping, shooting sprees, violent robbery, and other bad things can and do happen in small towns all over the world. “Mitzi Szereto has assembled a group of today’s brightest and best authors for this truly extraordinary anthology. Brilliant!” —Dan Zupansky, author and host of True Murder “Chills. Endless chills.” —Cup of Books “These well-researched, globe-trotting, bite-sized tales are perfect for a lazy summer afternoon?especially at a time when it’s much safer to travel through the pages of a book.” —Ellery Queen Mystery Magazine
Author: Dennis L. Breo
Publisher: Simon and Schuster
ISBN: 1510708871
Category : True Crime
Languages : en
Pages : 576
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Book Description
The story behind the attack that shocked a nation and opened a new chapter in the history of American crime. On July 14th, 1966, Richard Franklin Speck swept through several student nurses’ townhouse like a summer tornado and changed the landscape of American crime. He broke in as his helpless victims slept, bound them one by one, and then stabbed, assaulted, and strangled all eight in a sadistic sexual frenzy. By morning, only one young nurse had miraculously survived. The killer was captured in seventy-two hours; he was successfully prosecuted in an error-free trial that stood up to appellate scrutiny; and the jury needed only forty-nine minutes to return a death verdict. Here is the story of Richard Speck by the prosecutor who put him in prison for life with a brand new introduction by Bill Kunkle, the prosecutor of the infamous John Wayne Gacy Jr. In The Crime of the Century, William J. Martin has teamed up with Dennis L. Breo to re-create the blood-soaked night that made American criminal history, offering fascinating behind-the-scenes descriptions of Speck, his innocent victims, the desperate manhunt and massive investigation, and the trial that led to Speck’s successful conviction.
