Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007607
Category : Art
Languages : en
Pages : 152
Book Description
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Woodland and Northeastern Indigenous beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance.
The Making of a Museum
Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007607
Category : Art
Languages : en
Pages : 152
Book Description
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Woodland and Northeastern Indigenous beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007607
Category : Art
Languages : en
Pages : 152
Book Description
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Woodland and Northeastern Indigenous beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance.
How to Start and Run a Commercial Art Gallery (Second Edition)
Author: Edward Winkleman
Publisher: Simon and Schuster
ISBN: 1621536572
Category : Art
Languages : en
Pages : 238
Book Description
“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.
Publisher: Simon and Schuster
ISBN: 1621536572
Category : Art
Languages : en
Pages : 238
Book Description
“A comprehensive guide.” —Artspace. “Whether you are new to the business or a seasoned gallerist, it is always wise to remember the essentials.” —Leigh Conner, director, Conner Contemporary Art Aspiring and new art gallery owners can find everything they need to plan and operate a successful art gallery with How to Start and Run a Commercial Art Gallery. This new edition has been updated to mark the changes in market and technology over the past decade. Edward Winkleman and Patton Hindle draw on their years of experience to explain step by step how to start your new venture. From finding the ideal locale and renovating the space to writing business plans and securing start-up capital, this helpful guide has it all. Chapters detail how to: Manage cash flow Grow your new business Hire and manage staff Attract and retain artists and clients Represent your artists Promote your gallery and artists online Select the right art fair And more How to Start and Run a Commercial Art Gallery, Second Edition, also includes sample forms, helpful tips from veteran collectors and dealers, a large section on art fairs, and a directory of art dealer associations.
The Creation of an Art Gallery
Author: Laing Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
Book Description
America's National Gallery of Art
Author: Philip Kopper
Publisher: ABRAMS
ISBN:
Category : Art museums
Languages : en
Pages : 354
Book Description
This handsome tribute to the National Gallery of Art in Washington, D.C. traces the history of the museum from conception to construction on the occasion of its fiftieth anniversary. Opened with great fanfare, the National Gallery was "the richest single gift from any individual to any nation ever." That individual was financier Andrew Mellon. Kopper's succinct biography covers Mellon's personal and political life as well as his passion for collecting the paintings of old masters. Mellon's bequest stipulated the museum's name, location, and details of governance, ensuring continued high standards and a vital future. Kopper includes profiles of the architect and various museum directors, including Mellon's son Paul, as well as illustrations that document some of the collection's highlights. ISBN 0-8109-3658-5: $60.00 (For use only in the library)
Publisher: ABRAMS
ISBN:
Category : Art museums
Languages : en
Pages : 354
Book Description
This handsome tribute to the National Gallery of Art in Washington, D.C. traces the history of the museum from conception to construction on the occasion of its fiftieth anniversary. Opened with great fanfare, the National Gallery was "the richest single gift from any individual to any nation ever." That individual was financier Andrew Mellon. Kopper's succinct biography covers Mellon's personal and political life as well as his passion for collecting the paintings of old masters. Mellon's bequest stipulated the museum's name, location, and details of governance, ensuring continued high standards and a vital future. Kopper includes profiles of the architect and various museum directors, including Mellon's son Paul, as well as illustrations that document some of the collection's highlights. ISBN 0-8109-3658-5: $60.00 (For use only in the library)
The Exhibitionists
Author: Steven Miller
Publisher:
ISBN: 9781741741544
Category : Art museums
Languages : en
Pages : 288
Book Description
'The gathering of the grain may not be permitted to those present; but we may rest content in the satisfaction that it will be reaped in all its fullness by those who may come after us. For let the love of art once take firm root among us and it will go on bearing increased supplies of fruit year by year.' - Thomas Mort, 1871 'The Sydney Gallery has one of the finest natural positions in the world, and the Sydney folk have made the most of it. Their gallery resembles a kind of golden temple, through which are seen spaces of lovely blue harbour water. Fine light, fine pictures, fine arrangement.' -Arthur Streeton, 1920 In 2021, the Art Gallery of New South Wales celebrates its 150th anniversary. Since its founding as an academy of art in 1871, its evolution into one of Australia's premier public art museums is testament to the enthusiasm and ingenuity of its staff, trustees and supporters, and to the artists whose works have drawn in the people of Sydney and beyond. The exhibitionists is the story of the people who made the Gallery. It peels away the layers of official narratives to find the often-overlooked histories bubbling beneath the surface. These are tales of big personalities and great talents, of groundbreaking exhibitions and table-thumping conflicts, all underpinned by an unwavering commitment to bringing art to the people. Steven Miller, the Gallery's archivist, is uniquely placed to bring these stories to light. It's an inside view, and an outside one too, as Miller steps back to explore the society and cultural values that produced this iconic institution and tracks how it has morphed and modernised in step with those values - and ahead of them - for the last century and a half. The exhibitionists brings to light the history of an art museum in its 150th year - an anniversary also reached by The Metropolitan Museum, New York, last year. It is both a local Sydney story but part of a broader international one in the ways public museums develop, represent and present culture and evolve with the times.
Publisher:
ISBN: 9781741741544
Category : Art museums
Languages : en
Pages : 288
Book Description
'The gathering of the grain may not be permitted to those present; but we may rest content in the satisfaction that it will be reaped in all its fullness by those who may come after us. For let the love of art once take firm root among us and it will go on bearing increased supplies of fruit year by year.' - Thomas Mort, 1871 'The Sydney Gallery has one of the finest natural positions in the world, and the Sydney folk have made the most of it. Their gallery resembles a kind of golden temple, through which are seen spaces of lovely blue harbour water. Fine light, fine pictures, fine arrangement.' -Arthur Streeton, 1920 In 2021, the Art Gallery of New South Wales celebrates its 150th anniversary. Since its founding as an academy of art in 1871, its evolution into one of Australia's premier public art museums is testament to the enthusiasm and ingenuity of its staff, trustees and supporters, and to the artists whose works have drawn in the people of Sydney and beyond. The exhibitionists is the story of the people who made the Gallery. It peels away the layers of official narratives to find the often-overlooked histories bubbling beneath the surface. These are tales of big personalities and great talents, of groundbreaking exhibitions and table-thumping conflicts, all underpinned by an unwavering commitment to bringing art to the people. Steven Miller, the Gallery's archivist, is uniquely placed to bring these stories to light. It's an inside view, and an outside one too, as Miller steps back to explore the society and cultural values that produced this iconic institution and tracks how it has morphed and modernised in step with those values - and ahead of them - for the last century and a half. The exhibitionists brings to light the history of an art museum in its 150th year - an anniversary also reached by The Metropolitan Museum, New York, last year. It is both a local Sydney story but part of a broader international one in the ways public museums develop, represent and present culture and evolve with the times.
God in the Gallery (Cultural Exegesis)
Author: Daniel A. Siedell
Publisher: Baker Academic
ISBN: 1441201858
Category : Religion
Languages : en
Pages : 192
Book Description
Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.
Publisher: Baker Academic
ISBN: 1441201858
Category : Religion
Languages : en
Pages : 192
Book Description
Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.
Spaces of Experience
Author: Charlotte Klonk
Publisher:
ISBN: 9780300151961
Category : Architecture
Languages : en
Pages : 305
Book Description
This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.
Publisher:
ISBN: 9780300151961
Category : Architecture
Languages : en
Pages : 305
Book Description
This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.
History of the Saatchi Gallery
Author:
Publisher: Booth-Clibborn
ISBN: 9781861543158
Category : Art
Languages : en
Pages : 0
Book Description
Over the years, The Saatchi Gallery has launched the careers of many young artists, who have since become household names. For the first time one book, The History of the Saatchi Gallery, chronicles the breadth of work exhibited at the Saatchi Gallery from Lucien Freud to Damien Hirst, Andy Warhol to Cy Twombly and Richard Serra, to name but a few.
Publisher: Booth-Clibborn
ISBN: 9781861543158
Category : Art
Languages : en
Pages : 0
Book Description
Over the years, The Saatchi Gallery has launched the careers of many young artists, who have since become household names. For the first time one book, The History of the Saatchi Gallery, chronicles the breadth of work exhibited at the Saatchi Gallery from Lucien Freud to Damien Hirst, Andy Warhol to Cy Twombly and Richard Serra, to name but a few.
Aquatint
Author: Rena M. Hoisington
Publisher: Princeton University Press
ISBN: 0691229791
Category : Art
Languages : en
Pages : 289
Book Description
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco de Goya, Katharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021–February 21, 2022
Publisher: Princeton University Press
ISBN: 0691229791
Category : Art
Languages : en
Pages : 289
Book Description
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco de Goya, Katharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021–February 21, 2022
William and Henry Walters, the Reticent Collectors
Author: William R. Johnston
Publisher: JHU Press
ISBN: 9780801860409
Category : Antiques & Collectibles
Languages : en
Pages : 352
Book Description
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
Publisher: JHU Press
ISBN: 9780801860409
Category : Antiques & Collectibles
Languages : en
Pages : 352
Book Description
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.