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Author: Maya Slater
Publisher: A&C Black
ISBN: 9780485115673
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This study provides a detailed account of the "Fables", including humour, the representation of animals, the literary qualities and the "moraliste" core. Maya Slater brings to light veiled satirical attacks, allusion to forgotten works and literature, and traces the obscure currents of thought, all this in the service of explicating the "fable" element.
Author: Maya Slater
Publisher: A&C Black
ISBN: 9780485115673
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
This study provides a detailed account of the "Fables", including humour, the representation of animals, the literary qualities and the "moraliste" core. Maya Slater brings to light veiled satirical attacks, allusion to forgotten works and literature, and traces the obscure currents of thought, all this in the service of explicating the "fable" element.
Author: Jean La Fontaine
Publisher: University of Illinois Press
ISBN: 0252091671
Category : Poetry
Languages : en
Pages : 507
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Book Description
Inspired new translations of the work of one of the world's greatest fabulists Told in an elegant style, Jean de la Fontaine's (1621-95) charming animal fables depict sly foxes and scheming cats, vain birds and greedy wolves, all of which subtly express his penetrating insights into French society and the beasts found in all of us. Norman R. Shapiro has been translating La Fontaine's fables for over twenty years, capturing the original work's lively mix of plain and archaic language. This newly complete translation is destined to set the English standard for this work. Awarded the Lewis Galantière Prize by the American Translators Association, 2008.
Author: Jean de La Fontaine
Publisher: Oxford University Press, USA
ISBN: 0199650721
Category : Fiction
Languages : en
Pages : 267
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Book Description
La Fontaine's witty and sophisticated animal fables are among the greatest poetic works in French. Christopher Betts's new translations match the inventiveness of the original. This generous selection, including half of the originals, is accompanied by superb illustrations by Gustave Doré, a contextualizing introduction and other features.
Author: Al Beatty
Publisher: Lyons Press
ISBN: 9781599212753
Category : Flies, Artificial
Languages : en
Pages : 0
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Book Description
A collection of artificial flies created by Gary LaFontaine before his death and tied and photographed by Al and Gretchen Beatty.
Author: Everett Zimmerman
Publisher: University of Delaware Press
ISBN: 9780874139396
Category : Literary Collections
Languages : en
Pages : 276
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Book Description
This collection of twelve essays by colleagues, students, and friends of Everett Zimmerman treats four topics that Zimmerman explored during his career: the representation of the self in narratives, the early British novel and related forms, their epistemological and generic borders, and their intellectual and cultural contexts. The collection is divided into two sections: Boundaries and Forms. The essays in Boundaries explore how epistemological and narrative distinctions between history and fiction meet or overlap in the novel's relationship to other forms, including providential history, travel narratives, uptopias, autobiography, and visual art. In Forms, the contributors investigate fictional, historical, and material forms; the impact those cultural phenomena had on the meaning and value attributed to literary works; and how such forms arose in response to historical conditions. The essays describe the historical range of Zimmerman's work, beginning with Defoe and ending with Coetzee, and treat such key writers of the long eighteenth century as Fielding, Richardson, Walpole, Austen, and Scott. Bakersfield. Robert Mayer is Professor of English and Director of the Screen Studies Program at Oklahoma State University.
Author: Peter Sahlins
Publisher: Princeton University Press
ISBN: 1935408275
Category : History
Languages : en
Pages : 497
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Book Description
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Author: Jean de La Fontaine
Publisher:
ISBN:
Category : Fables
Languages : en
Pages : 438
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Book Description
Author: Jean de la Fontaine
Publisher: BEYOND BOOKS HUB
ISBN: 2021091309
Category : Fiction
Languages : en
Pages : 855
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Book Description
The Fables by Jean de La Fontaine are considered classics of French literature. Collecting fables from a variety of sources, La Fontaine then adapted them into verse. Consisting of twelve books and 239 fables in all, these were originally aimed at adults, but have since been taught to children as a way to educate them in morals. At times they have been mixed in with the fables of Aesop. The sources for the fables are wide ranging, from Aesop to Boccaccio, from Babrius to Machiavelli - even drawing at times from ancient Indian collections of tales. Full chapter list. № 72 in Anne Haight's List of Banned Books.
Author: Elizur Wright
Publisher: BoD – Books on Demand
ISBN: 3385414334
Category : Fiction
Languages : en
Pages : 357
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Book Description
Reprint of the original, first published in 1882.
Author: Pearl Hochstadt
Publisher: iUniverse
ISBN: 1491770406
Category : Poetry
Languages : en
Pages : 203
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Book Description
Timeless and timely, La Fontaines Fables still speak to us today. Pearl Hochstadts translation has been praised as: Witty, modern, and faithful Thalia Pandiri, Editor of Metamorphoses, the Journal of the Five College Faculty Seminar on Literary Translation A fine, lively text which would give any new reader a sense of what La Fontaine is about Professor Richard Howard, Columbia University, poet and translator. For centuries the Fables of Jean de La Fontaine (16211695) have delighted French readers, captivated by their wit and charm. Memorizing the first few fables has been a staple feature of the early education of French schoolchildren. But those who go on to examine the entire oeuvre soon recognize a sophistication that leaves the simple lessons of childhood far behind, offering instead a rueful recognition of the frailties and follies of humankind. Like all proverbial wisdom, his messages are full of contradictions. Some advocate prudence; some celebrate boldness. Some praise generosity; others warn against being generous to treacherous types. But what unites all of them is the artfulness of their tellingthe poetry. It is this quality that Pearl Hochstadt has aimed to capture in verses that approximate both the rhyme schemes and the often irregular meters of the original text.
