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Author: Ann duCille Associate Professor of English and African American Studies Wesleyan University
Publisher: Oxford University Press, USA
ISBN: 0195359119
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.
Author: Ann duCille Associate Professor of English and African American Studies Wesleyan University
Publisher: Oxford University Press, USA
ISBN: 0195359119
Category : Literary Criticism
Languages : en
Pages : 222
Get Book Here
Book Description
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction.
Author: Ann DuCille
Publisher: Oxford University Press, USA
ISBN: 0195085094
Category : African American women
Languages : en
Pages : 217
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Book Description
Much more than a period study, "The Coupling Convention" spans the years from 1853 to 1948 and addresses the vital questions of gender, sexuality, race, and the marriage tradition in black women's fiction.
Author: Cherene Sherrard-Johnson
Publisher: John Wiley & Sons
ISBN: 1118494148
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
A Companion to the Harlem Renaissance presents acomprehensive collection of original essays that address theliterature and culture of the Harlem Renaissance from the end ofWorld War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and uniquenew perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars ofthe Harlem Renaissance and established academic “stars”in the field Offers a variety of interdisciplinary features, such as thesection on visual and expressive arts, that emphasize thecollaborative nature of the era Includes “Spotlight Readings” featuring lesserknown figures of the Harlem Renaissance and newly discovered orundervalued writings by canonicalfigures
Author: Hans Ostrom
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 571
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Book Description
This essential volume provides an overview of and introduction to African American writers and literary periods from their beginnings through the 21st century. This compact encyclopedia, aimed at students, selects the most important authors, literary movements, and key topics for them to know. Entries cover the most influential and highly regarded African American writers, including novelists, playwrights, poets, and nonfiction writers. The book covers key periods of African American literature—such as the Harlem Renaissance, the Black Arts Movement, and the Civil Rights Era—and touches on the influence of the vernacular, including blues and hip hop. The volume provides historical context for critical viewpoints including feminism, social class, and racial politics. Entries are organized A to Z and provide biographies that focus on the contributions of key literary figures as well as overviews, background information, and definitions for key subjects.
Author: Barbara McCaskill
Publisher: NYU Press
ISBN: 0814731686
Category : Art
Languages : en
Pages : 313
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Book Description
The years between the collapse of Reconstruction and the end of World War I mark a pivotal moment in African American cultural production. Christened the “Post-Bellum-Pre-Harlem” era by the novelist Charles Chesnutt, these years look back to the antislavery movement and forward to the artistic flowering and racial self-consciousness of the Harlem Renaissance. Post-Bellum, Pre-Harlem offers fresh perspectives on the literary and cultural achievements of African American men and women during this critically neglected, though vitally important, period of our nation's past. Using a wide range of disciplinary approaches, the sixteen scholars gathered here offer both a reappraisal and celebration of African American cultural production during these influential decades. Alongside discussions of political and artistic icons such as Booker T. Washington, W.E.B. Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays revaluing figures such as the writers Paul and Alice Dunbar-Nelson, the New England painter Edward Mitchell Bannister, and Georgia-based activists Lucy Craft Laney and Emmanuel King Love. Contributors explore an array of forms from fine art to anti-lynching drama, from sermons to ragtime and blues, and from dialect pieces and early black musical theater to serious fiction. Contributors include: Frances Smith Foster, Carla L. Peterson, Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan, Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton Winter, Rhonda Reymond, and Andrew J. Scheiber.
Author: Rickie-Ann Legleitner
Publisher: Rowman & Littlefield
ISBN: 1793610355
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
In nineteenth- and early twentieth-century artist novels, American women writers challenge cultural, social, and legal systems that attempt to limit or diminish women’s embodied capabilities outside of the domestic. Women writers such as E.D.E.N. Southworth, Elizabeth Stuart Phelps, Kate Chopin, Willa Cather, Jessie Fauset, and Zelda Fitzgerald use the artist novel to highlight the structural and material limitations that women artists face when attempting to achieve critical success while navigating inequitable marriages and social codes that restrict women’s mobility, education, and pursuit of vocation. These artist-rebel protagonists find that their very bodies demand an outlet to articulate desires that defy patriarchal rhetoric, and this demand becomes an artistic drive to express an embodied knowledge through artistic invention. Ultimately, these women writers empower their heroines to move beyond prescribed patriarchal identities in order to achieve autonomous subjectivity through their artistic development, challenging stereotypes surrounding gender, race, and ability and beginning to reshape cultural notions of marriage, motherhood, and artistry at the turn of the twentieth century.
Author: Richard Gray
Publisher: John Wiley & Sons
ISBN: 1444345680
Category : Literary Criticism
Languages : en
Pages : 933
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Book Description
Updated throughout and with much new material, A History of American Literature, Second Edition, is the most up-to-date and comprehensive survey available of the myriad forms of American Literature from pre-Columbian times to the present. The most comprehensive and up-to-date history of American literature available today Covers fiction, poetry, drama, and non-fiction, as well as other forms of literature including folktale, spirituals, the detective story, the thriller, and science fiction Explores the plural character of American literature, including the contributions made by African American, Native American, Hispanic and Asian American writers Considers how our understanding of American literature has changed over the past?thirty years Situates American literature in the contexts of American history, politics and society Offers an invaluable introduction to American literature for students at all levels, academic and general readers
Author: John Edgar Tidwell
Publisher: University of Missouri Press
ISBN: 0826265960
Category : Biography & Autobiography
Languages : en
Pages : 373
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Book Description
Over a forty six year career, Langston Hughes experimented with black folk expressive culture, creating an enduring body of extraordinary imaginative and critical writing. Riding the crest of African American creative energy from the Harlem Renaissance to the onset of Black Power, he commanded an artistic prowess that survives in the legacy he bequeathed to a younger generation of writers, including award winners Alice Walker, Paule Marshall, and Amiri Baraka. Montage of a Dream extends and deepens previous scholarship, multiplying the ways in which Hughes's diverse body of writing can be explored. The contributors, including such distinguished scholars as Steven Tracy, Trudier Harris, Juda Bennett, Lorenzo Thomas, and Christopher C. De Santis, carefully reexamine the significance of his work and life for their continuing relevance to American, African American, and diasporic literatures and cultures. Probing anew among Hughes's fiction, biographies, poetry, drama, essays, and other writings, the contributors assert fresh perspectives on the often overlooked "Luani of the Jungles" and Black Magic and offer insightful rereadings of such familiar pieces as "Cora Unashamed," "Slave on the Block," and Not without Laughter. In addition to analyzing specific works, the contributors astutely consider subjects either lightly explored by or unavailable to earlier scholars, including dance, queer studies, black masculinity, and children's literature. Some investigate Hughes's use of religious themes and his passion for the blues as the fabric of black art and life; others ponder more vexing questions such as Hughes's sexuality and his relationship with his mother, as revealed in the letters she sent him in the last decade of her life. Montage of a Dream richly captures the power of one man's art to imagine an America holding fast to its ideals while forging unity out of its cultural diversity. By showing that Langston Hughes continues to speak to the fundamentals of human nature, this comprehensive reconsideration invites a renewed appreciation of Hughes's work and encourages new readers to discover his enduring relevance as they seek to understand the world in which we all live.
Author: Maryemma Graham
Publisher: Cambridge University Press
ISBN: 0521016371
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This Companion presents new essays covering the one hundred and fifty year history of the African American novel.
Author: Michael Bennett
Publisher: Rutgers University Press
ISBN: 9780813528397
Category : History
Languages : en
Pages : 354
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Book Description
Recovering the Black Female Body recognizes the pressing need to highlight through scholarship the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others.
