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Author: Jack Temple Kirby
Publisher: University of Georgia Press
ISBN: 9780820317236
Category : History
Languages : en
Pages : 132
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Book Description
At once upholding and refuting the South's conservative image, The Countercultural South explores the politically divergent cultures of resistance created by poor white and working-class black southern men. With humor and insight, Jack Temple Kirby traces these racially and politically opposed cultures back to the antebellum encounter between the anti-capitalistic South and the capitalist individualism identified with the North. In a wide-ranging discussion encompassing the blues, sharecropping, and contemporary black intellectuals, Kirby shows how the needful practice of black labor bargaining in the South resulted in a progressive black tradition of verbal negotiation. The conservative separatism and retro-resistance of rural whites, Kirby argues, is embedded in an inherited and adversarial frontier ethos valuing self-sufficiency and access to wilderness. With the southern landscape imaginatively as well as factually linked to social class, crime--particularly forest arson--becomes the most important form of southern white countercultural expression. Kirby continues his look at white resistance in a review of "redneck" discourse, examining the public reputation of southern whites through a range of cultural phenomena, from literature to country music to the computer network known as BUBBA-L. Original, personal, and artfully written, The Countercultural South offers fresh reflections on southern exceptionalism in American political life and culture.
Author: Jack Temple Kirby
Publisher: University of Georgia Press
ISBN: 9780820317236
Category : History
Languages : en
Pages : 132
Get Book Here
Book Description
At once upholding and refuting the South's conservative image, The Countercultural South explores the politically divergent cultures of resistance created by poor white and working-class black southern men. With humor and insight, Jack Temple Kirby traces these racially and politically opposed cultures back to the antebellum encounter between the anti-capitalistic South and the capitalist individualism identified with the North. In a wide-ranging discussion encompassing the blues, sharecropping, and contemporary black intellectuals, Kirby shows how the needful practice of black labor bargaining in the South resulted in a progressive black tradition of verbal negotiation. The conservative separatism and retro-resistance of rural whites, Kirby argues, is embedded in an inherited and adversarial frontier ethos valuing self-sufficiency and access to wilderness. With the southern landscape imaginatively as well as factually linked to social class, crime--particularly forest arson--becomes the most important form of southern white countercultural expression. Kirby continues his look at white resistance in a review of "redneck" discourse, examining the public reputation of southern whites through a range of cultural phenomena, from literature to country music to the computer network known as BUBBA-L. Original, personal, and artfully written, The Countercultural South offers fresh reflections on southern exceptionalism in American political life and culture.
Author: Deforrest Brown
Publisher: Primary Information
ISBN: 9781734489736
Category : Music
Languages : en
Pages : 80
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Book Description
In this critical history, DeForrest Brown, Jr "makes techno Black again" by tracing the music's origins in Detroit and beyond In Assembling a Black Counter Culture, writer and musician DeForrest Brown, Jr, provides a history and critical analysis of techno and adjacent electronic music such as house and electro, showing how the genre has been shaped over time by a Black American musical sensibility. Brown revisits Detroit's 1980s techno scene to highlight pioneering groups like the Belleville Three before jumping into the origins of today's international club floor to draw important connections between industrialized labor systems and cultural production. Among the other musicians discussed are Underground Resistance (Mad Mike Banks, Cornelius Harris), Drexciya, Juan Atkins (Cybotron, Model 500), Derrick May, Jeff Mills, Robert Hood, Detroit Escalator Co. (Neil Ollivierra), DJ Stingray/Urban Tribe, Eddie Fowlkies, Terrence Dixon (Population One) and Carl Craig. With references to Theodore Roszak's Making of a Counter Culture, writings by African American autoworker and political activist James Boggs, and the "techno rebels" of Alvin Toffler's Third Wave, Brown approaches techno's unique history from a Black theoretical perspective in an effort to evade and subvert the racist and classist status quo in the mainstream musical-historical record. The result is a compelling case to "make techno Black again." DeForrest Brown, Jris a New York-based theorist, journalist and curator. He produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign.
Author: Christopher Dunn
Publisher: UNC Press Books
ISBN: 146962852X
Category : History
Languages : en
Pages : 273
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Book Description
Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. Dunn reveals previously ignored connections between the counterculture and Brazilian music, literature, film, visual arts, and alternative journalism. In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship.
Author: James Terence Fisher
Publisher: UNC Press Books
ISBN: 9780807849491
Category : Religion
Languages : en
Pages : 328
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Book Description
James Fisher argues that Catholic culture was transformed when products of the "immigrant church," largely inspired by converts like Dorothy Day, launched a variety of spiritual, communitarian, and literary experiments. He also explores the life and works
Author: Mark Liechty
Publisher: University of Chicago Press
ISBN: 022642894X
Category : Business & Economics
Languages : en
Pages : 402
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Book Description
Far Out charts the history of Western countercultural longing for Nepal that made the country, and Kathmandu in particular, a premier tourist destination in the twentieth century. Anthropologist and historian Mark Liechty describes three distinct phases: the immediate post-war era when the country provided a Raj-like throwback experience for rich foreigners (mainly Americans), Nepal s emergence as the most exotic outpost of hippie counterculture in the 1960s and early 70s, and, finally, the Nepali state s rebranding of itself as an adventure destination from the 1970s on. Liechty is attuned to how the dynamics of mid-twentieth century globalizationthe Cold War and shifting international relations, modernization and development ideologies, the rise of consumerist middle classes, increased mobility and the birth of mass tourism, and emerging global youth counterculturesdrew Nepal into the web of geopolitical, economic, and sociocultural transformations that shaped the modern world. But Liechty doesn t want to tell the story of tourism as something that just happened to Nepalis. He shows how Western projections of Nepal as an isolated place inspired creative Nepali enterprises and paradoxically gave locals the opportunity to participate in the highly coveted global economy. The result is a readable cultural history of a place that has been in many ways defined by a (sometimes bizarre) cultural encounter. The author s lifelong interest in Nepal and his almost twenty-five years of research make his account both sophisticated and empathicbut not without a touch of humor."
Author: Harris Feinsod
Publisher: Oxford University Press
ISBN: 0190682000
Category : History
Languages : en
Pages : 441
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Book Description
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
Author: Thomas Frank
Publisher: University of Chicago Press
ISBN: 9780226260129
Category : Business & Economics
Languages : en
Pages : 340
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Book Description
Looks at advertising during the 1960s, focusing on the relationship between the counterculture movement and commerce.
Author: Zachary J. Lechner
Publisher: University of Georgia Press
ISBN: 082035371X
Category : History
Languages : en
Pages : 232
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Book Description
"This interdisciplinary work is driven by the question, 'What can imaginings of the South reveal about the recent American past?' In it, Zachary J. Lechner bridges the fields of southern studies, southern history, and post-World War II American cultural and popular culture history in an effort to discern how conceptions of a tradition-bound, 'timeless' South shaped Americans' views of themselves and their society and served as a fantasied refuge from the era's political and cultural fragmentations, namely, the perceived problems associated with urbanization and 'rootlessness.' The book demonstrates that we cannot hope to understand recent U.S. history without exploring how people have conceived the South"--
Author: Patrick Barr-Melej
Publisher: UNC Press Books
ISBN: 1469632586
Category : History
Languages : en
Pages : 363
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Book Description
Patrick Barr-Melej here illuminates modern Chilean history with an unprecedented chronicle and reassessment of the sixties and seventies. During a period of tremendous political and social strife that saw the election of a Marxist president followed by the terror of a military coup in 1973, a youth-driven, transnationally connected counterculture smashed onto the scene. Contributing to a surging historiography of the era's Latin American counterculture, Barr-Melej draws on media and firsthand interviews in documenting the intertwining of youth and counterculture with discourses rooted in class and party politics. Focusing on "hippismo" and an esoteric movement called Poder Joven, Barr-Melej challenges a number of prevailing assumptions about culture, politics, and the Left under Salvador Allende's "Chilean Road to Socialism." While countercultural attitudes toward recreational drug use, gender roles and sexuality, rock music, and consumerism influenced many youths on the Left, the preponderance of leftist leaders shared a more conservative cultural sensibility. This exposed, Barr-Melej argues, a degree of intergenerational dissonance within leftist ranks. And while the allure of new and heterodox cultural values and practices among young people grew, an array of constituencies from the Left to the Right berated counterculture in national media, speeches, schools, and other settings. This public discourse of contempt ultimately contributed to the fierce repression of nonconformist youth culture following the coup.
Author: Michael J. Kramer
Publisher: Oxford University Press, USA
ISBN: 0195384865
Category : History
Languages : en
Pages : 305
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Book Description
Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. --from publisher description
