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Author: Ezra Horbury
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
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Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Author: Ezra Horbury
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
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Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
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ISBN:
Category :
Languages : en
Pages :
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Author: Willard Thorp
Publisher: Ardent Media
ISBN:
Category : English drama
Languages : en
Pages : 148
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Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 76
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Author: University of Aberdeen. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Author: University of Aberdeen
Publisher:
ISBN:
Category :
Languages : en
Pages : 928
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Author: George Chapman
Publisher: Manchester University Press
ISBN: 9780719030925
Category : Drama
Languages : en
Pages : 260
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Book Description
This edition of Eastward Ho! is the most authoritative and reliable to date. It has a text more accurate than any other and an extensive introduction that examines the relationship between the three authors and the problem of their collaboration. R. W. Van Fossen takes a fresh look at the question of the printing of the first quarto, provides a full stage history, and, most important, presents a critical interpretation of the play that takes account of its historical, social and theatrical context.
Author: Anthony W. Johnson
Publisher: Routledge
ISBN: 131716329X
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.
Author: Edward Bliss Reed
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 410
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