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Author: Lhoussain Simour
Publisher: Rowman & Littlefield
ISBN: 1793645981
Category : Political Science
Languages : en
Pages : 167
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Book Description
This book works on the interface between literature, culture, and discourse. It is entirely devoted to the reading of some of Zafzāf’s novels that came out in the early 1970s and in the late 1980s, and attempts to chart the trajectory of the aesthetic imaginary of an exceptional writing experience that marked out the literary and cultural landscape in Morocco and in the Arab world for long. Zafzāf and his writings are associated with aspects of the country's social contradictions, cultural transition, and political transformations, expressed through various aesthetic patterns that translate the crisis of the intellectual within a society weighed down by poverty, political instability, social conflict, and cultural disintegration. Given the relative scarcity of resources that are written in English about the Moroccan novel of Arabic expression, this work is an attempt to theorize and approach in an interdisciplinary manner a set of narratives that have not been previously explored in western academia. Using postcolonial discourse as approach and a metaphor of reading, it draws attention to the often-neglected texts in Moroccan literature of Arabic expression and explores their aesthetic, discursive, and cultural implications that rethink and disturb canonical formations of literary texts in Morocco. This book will be adopted in the now burgeoning fields of the Humanities, and will provide useful resources for courses about Moroccan Literature and culture.
Author: Lhoussain Simour
Publisher: Rowman & Littlefield
ISBN: 1793645981
Category : Political Science
Languages : en
Pages : 167
Get Book Here
Book Description
This book works on the interface between literature, culture, and discourse. It is entirely devoted to the reading of some of Zafzāf’s novels that came out in the early 1970s and in the late 1980s, and attempts to chart the trajectory of the aesthetic imaginary of an exceptional writing experience that marked out the literary and cultural landscape in Morocco and in the Arab world for long. Zafzāf and his writings are associated with aspects of the country's social contradictions, cultural transition, and political transformations, expressed through various aesthetic patterns that translate the crisis of the intellectual within a society weighed down by poverty, political instability, social conflict, and cultural disintegration. Given the relative scarcity of resources that are written in English about the Moroccan novel of Arabic expression, this work is an attempt to theorize and approach in an interdisciplinary manner a set of narratives that have not been previously explored in western academia. Using postcolonial discourse as approach and a metaphor of reading, it draws attention to the often-neglected texts in Moroccan literature of Arabic expression and explores their aesthetic, discursive, and cultural implications that rethink and disturb canonical formations of literary texts in Morocco. This book will be adopted in the now burgeoning fields of the Humanities, and will provide useful resources for courses about Moroccan Literature and culture.
Author: Esther Sánchez-Pardo
Publisher: Taylor & Francis
ISBN: 100090072X
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
This volume traces the interconnections between myth, environmentalism, narrative, poetry, comics, and innovative artistic practice, using this as a framework through which to examine strategies for repairing our unhealthy relationship with the planet. Challenging late capitalist modes encouraging mindless consumption and the degradation of human–nature relations, this collection advocates a re-evaluation of the ethical relation to "living with" and sharing the Earth. Myth and the environment have shared a rich common cultural history travelling as far back as the times of storytelling and legend, with the environment often the central theme. Following a robust introduction, the book is organized into three main sections—Myth, Disaster, and Present-Day Views on Ecological Damage; Indigenous and Afro-diasporic Myths and Ecological Knowledge; Art Practices, Myth, and Environmental Resilience—and concludes with a Coda from Jeanette Hart-Mann. The methodology draws from diverse perspectives, such as ecocriticism, new materialism, and Anthropocene studies, offering a truly interdisciplinary discussion that reflects on the dialogue among environment and myth, and a broad range of contributions are included from Canada, the United States, the Caribbean, Ukraine, Japan, Morocco, and Brazil. The book joins a long line of approaches on the interrelations between ecological and mythical thinking and criticism that goes back to the early 20th century. This volume will be of interest to students, scholars, activists, and experts in environmental humanities, myth and myth criticism, literature and art on more-than human and nature interaction, ecocriticism, environmental activism, and climate change.
Author: Saloua Ali Ben Zahra
Publisher: Lexington Books
ISBN: 1498569587
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
This book explores portrayals and predicaments of the disabled in Arab/Muslim post colonial North African and Middle Eastern societies in genres ranging from classical Arabic scripture to secular popular culture including Francophone Moroccan and Algerian fiction, Egyptian Middle Eastern film, as well as Tunisian song and television. In line with theorists Aijaz Ahmad and Ato Quayson’s objection to reading Third World literature as “national allegory,” The author argues that rather than being metaphors or allegories, disabled characters represent persons with disabilities in their culture and act as a mirror upon their changing societies. Contemporary Maghrebians and Muslims with disabilities find themselves at an intersection of conflicting and competing cultures, their native Islamic culture and Westernizing lifestyles. In the rush to import everything Western, despite humanitarian Islamic teachings regarding the disabled, are often abandoned. In situations of fundamentalist menace, the disabled, who tend to be the most vulnerable and abused fraction of Arab/Muslim society, suffer the worst, especially women.
Author: Wessam Elmeligi
Publisher: Rowman & Littlefield
ISBN: 1793600988
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Cultural Identity in Arabic Novels of Immigration: A Poetics of Return offers a new perspective of migration studies that views the concept of migration in Arabic as inherently embracing the notion of return. Starting the study with the significance of the Islamic hijra as the quintessential migrant narrative in Arabic culture, Elmeligi offers readings of Arabic narratives as early as Ibn Tufayl’s Hayy ibn Yaqzan and as recent asMiral Al-Tahawy’s 2010 Brooklyn Heights, and asvaried as Egyptian novelist Naguib Mahfouz’s short story adaptation of the ancient Egyptian Tale of Sinuhe and Yemeni novelist Mohammed Abdl Wali’s They Die Strangers, includingnovels that have not been translated in English before, such as Sonallah Ibrahim’s Amrikanli and Suhayl Idris’ The Latin Quarter. To contextualize these narratives, Elmeligi employs studies of cultural identity and their features that are most impacted by migration. In this study, Elmeligi analyzes the different manifestations of return, whether physical or psychological, commenting not only on the decisions that the characters take in the novels, but also the narrative choices that the writers make, thus viewing narrativity as a form of performativity of cultural identity as well. The book addresses fresh angles of migration studies, identity theory, and Arabic literary analysis that are of interest to scholars and students.
Author: Muḥsin Jāsim Mūsawī
Publisher: Rowman & Littlefield
ISBN: 9780742562066
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Islam on the Street deals with the popular side of Islam, as described not only in tracts and manuals written by Sufi shaykhs and Islamist thinkers from among the more militant groups in Islam, but also in writings by other, more secular thinkers who have also influenced public opinion. A scholar of Arabic literature, Muhsin al-Musawi explains the growing rift that has occurred between the secular intellectual--the forerunner of Arab and Islamic modernity since the late nineteenth century--and the upsurge of Islamic fervor in the street, at the grassroots level, and what these secular intellectuals can do to reconnect with the masses. Using some of the most important Arabic and Islamic poetry, prose, and fiction to come out of the twentieth century, Al-Musawi provides context for the complex images of Arab and Islamic culture given by the various social, religious, and political groups, providing the motivations. Readers interested in the influence of religion and secularism within modern Islamic Arabic literature will find that the author addresses the presence of Islam and Sufism in ways that secular commentators have been incapable of doing.
Author: Mohammed Ghazi Alghamdi
Publisher: Rowman & Littlefield
ISBN: 1793650845
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Writers and Nations:The Case of American and Saudi Literatures examines how the concept of the nation in nineteenth century American literature and twentieth century and contemporary Saudi Arabian literature is represented in an array of relevant works. Reading their works gives us a sense of their conceptions of nation as a political and/or a social community. Writers examined in this book often see the nation as a threat to marginalized groups, due to its cultural, religious and political constraints. Writers tend to represent the tension between individuals and communities as a significant key to understanding a particular nation. This tension carries in it a sense of the boundaries of the nation. It is a question of who is part of the nation and who is not. The constraints of a certain nation, be they political or social, include the dominant by excluding the repressed or the marginalized. In other words, by exposing the tension between disenfranchised and dominant groups, writers define, redefine and reform for us the national political and social scenes of a particular nation.
Author: Keith E. Small
Publisher: Lexington Books
ISBN: 0739142917
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This unique work takes a method of textual analysis commonly used in studies of ancient Western and Eastern manuscripts and applies it to twenty-one early Qur'an manuscripts. Keith Small analyzes a defined portion of text from the Qur'an with two aims in view: to recover the earliest form of text for this portion, and to trace the historical development of this portion to the current form of the text of the Qur'an. Small concludes that though a significantly early edited form of the consonantal text of the Qur'an can be recovered, its original forms of text cannot be obtained. He also documents the further editing that was required to record the Arabic text of the Qur'an in a complete phonetic script, as well as providing an explanation for much of the development of various recitation systems of the Qur'an. This controversial, thought-provoking book provides a rigorous examination into the history of the Qur'an and will be of great interest to Quranic Studies scholars.
Author: Elham Shayegh
Publisher: Lexington Books
ISBN: 9781793616012
Category : Jalāl ʾal-Dīn Rūmī
Languages : en
Pages : 164
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Book Description
Sufism And Transcendentalism is a comparative study of Rumi and Whitman in which the parallelism of poetic style and content goes further to find common ground in challenging the conventional definitions of self and other.
Author: Jennifer Gray
Publisher: Rowman & Littlefield
ISBN: 1793627347
Category : Literary Criticism
Languages : en
Pages : 145
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Book Description
In Culinary Diplomacy's Role in the Immigrant Experience: Fiction and Memoirs of Middle Eastern Women, the emergent field of literary food studies engages with international diplomacy studies to establish books with recipes as tools of culinary diplomacy. Foundational to the argument is culinary diplomacy scholar Sam Chapple-Sokol’s concept of Citizen Culinary Diplomacy which endorses public events that promote understanding of cultures and people. However, this study challenges that definition and argues that culinary fiction and memoirs are shared interactive experiences between the author, the readers, and the culture written about. Foundational to the study are twentieth century postcolonial literary theories of Homi Bhabha and Édouard Glissant and twenty-first century transnational theory of sociologists Julian Go and Ulrich Beck to recognize culinary diplomacy's vital role in international affairs. Culinary Diplomacy’s Role in the Immigrant Experience examines food as metaphorical expression in literature, and the impact of time, space, and place in developing diplomatic relationships between East and West in books by Diana Abu-Jaber, Donia Bijan, Joanne Harris, and Marsha Mehran.
Author: Ibn Warraq
Publisher: Prometheus Books
ISBN: 161592020X
Category : History
Languages : en
Pages : 558
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Book Description
This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said's main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said's critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice. In this thorough reconsideration of Said's famous work, Ibn Warraq argues that Said's case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas. The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said's tendentious interpretations, but historical howlers that would make a sophomore blush. Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums. An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said's work.
